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91.
Beginning with the first travelogues of the late 1890s, the film and tourism industries collaborated both directly and indirectly to shape representations of North America’s western landscape and its people. These non-narrative motion pictures intersected with the rise of mass consumerism, modern tourism, the forces of imperialism and colonialism, as well as industrialized forms of transportation. In particular, railroad travel films from the Canadian Pacific Railway Company and the Northern Pacific Railway Company transformed motion-picture goers into armchair tourists, exposing audiences to the scenic wonders of the West. These transcontinental railroads, themselves products of nation-building initiatives, competed against one another to increase passenger traffic by marketing the sublime and often overlapping landscapes of the American and Canadian Wests as potent nationalist and unifying symbols that heralded each country’s uniqueness.  相似文献   
92.
In north-western Patagonia, obsidian was used during the entire Holocene, and its importance increased with time. Recent fieldwork discovered a new obsidian source located in the Río Grande, which was called ‘Coche Quemado' (CQ). The results indicate that the CQ source has a different geochemical signal than all other sources in the region. Its use is spatially restricted to piedmont and, to a lesser extent, the plains. Chronologically, CQ was exploited in the middle and late Holocene, and its use accounts for a range of spatial distribution between 150 and 200 km.  相似文献   
93.
In this paper, we describe and reflect upon our journey through Indigenous online mapping in Canada. This journey has been planned according to an academic goal: assessing the potential of online cartography for decolonial purposes. To reach this goal, we have followed methodological directions provided by Indigenous scholar Linda Tuhiwai Smith to review 18 Indigenous web-mapping sites across Canada. Supported by a series of ten interviews, this content analysis enabled us to sketch some of the contours of contemporary Indigenous cartography. On one hand, Indigenous communities largely control the data that are shared on these websites. They also partially control the way these data are represented through the mobilization of digital storytelling technologies that are better aligned with Indigenous ways of envisioning relationships to places than conventional maps. On the other hand, they do not have much control over the technological aspects of these projects, for which they remain heavily dependent on non-Indigenous partners. Throughout this journey, we noticed that women's voices remained marginal in most of these mapping projects, but we also identified evidence supporting the idea that these voices are starting to play a vital role in the on-going effort of decolonizing mapping processes.  相似文献   
94.
Brittany Meché 《对极》2020,52(2):475-495
September 15, 2013, marked the 50th anniversary of the 16th Street Baptist Church bombing in Birmingham, Alabama, USA. The bombing remains one of the most infamous events in the history of white supremacist violence in the United States. While conventional accounts of the event and its aftermath often consider the legal restructuring of the US state following the passage of subsequent Civil Rights legislation, little has been written about the transnational significance of Birmingham in shaping the character of US power abroad. This article argues that memorialisation and cultural architecture of Birmingham represent a significant crucible forging a particular style of liberal empire. Tracing a cultural genealogy of Birmingham through the writings of former Secretary of State and National Security Advisor Condoleezza Rice and famed scholar-activist Angela Davis, I demonstrate how Birmingham, as a site of historic black struggle, has been remembered alongside the place-making of empire.  相似文献   
95.
ABSTRACT

The interpretative power of quantitative intra-site spatial analysis has long been recognised by archaeologists. On the contrary, very few ethnoarchaeological works have engaged with the statistical analysis of intra-site pattern of artefacts and ecofacts. Nonetheless, ethnoarchaeology is uniquely placed to guide and assist in the identification of sound techniques and in the development of the methodology of analysis. The possibility to directly connect the distribution of the proxies under study with the activity that generated such distribution, provide the means of fine-tuning the tools we use for identifying these patterns in the archaeological record. As a consequence, archaeological methodology and interpretation both benefit from the application of improved methodologies. In this paper we review some of the most common techniques used to analyse activity areas and we provide examples of the application of such techniques to ethnoarchaeological contexts. The aim is to assess how archaeology can benefit from the intra-site spatial analysis of ethnoarchaeological contexts.  相似文献   
96.
ABSTRACT

The Tian Tan Buddha is the core of a tourism site on Lantau Island, Hong Kong, around which a cable car ride, the Po-Lin monastery and its museum, and the village of Ngong Ping have come to comprise an eclectic set of tourism nuclei that ‘accidentally’ became the ‘Buddhist theme park’ of Hong Kong due to the spatial juxtaposition in an isolated site of these disconnected and even dissonant components built at different times by different jurisdictions. The first objective of this article is to explore the developmental process of a religious site into a theme park of sort through a lengthy process filled with contestation and manipulations. The history-dependent and erratic nature of this process validates the notion of ‘accidental’ theme park used here. It is shown that over time, the Big Buddha went from being a Buddhism-themed leisure site to being generally perceived and promoted as essentially a theme park through a process of partial Disneyization. The second objective is to examine how the ‘theme park’ is perceived by its visitors, more precisely how they see it after their visit and what first-time visitors expect from it beforehand. The first enquiry, performed through the analysis of TripAdvisor reviews, indicates that ex-post, the visitors typically describe having experienced a visit to a theme park. The second enquiry, performed by interviewing first-time visitors about to access the site, suggests that while many first-time visitors expect to visit a theme park as well, others, mainly Western tourists, are expecting a more cultural experience. The findings of the two inquiries are compared to each other and to the image of the site promoted by the local tourism authorities. The subdued political message of the Big Buddha and the degree to which it is discerned by visitors are also discussed.  相似文献   
97.
This paper draws upon the theologies of Jon Sobrino and Engelbert Mveng to construct a social ethics of participation for those who have been marginalized by corrupt political and economic institutions, focusing on the agency of women in Sub-Sahara Africa. In light of the philosophy of political participation in developing countries, I examine Sobrino's insights that the victims of the evil of this world have to live as risen beings, I consider the African Theologian Engelbert Mveng's concept of anthropological pauperization, and argue that it makes a difference to consider historical events that influence the contexts in which we view the victims. I also argue that both Sobrino and Mveng provide foundations for political participation of the victims, but there is a need to reinforce the agency of the victims, and their own ability to come down from the cross and live as risen beings. Such agency suggests the need for reinforcing the political participation of the victims. Finally, I supplement Mveng's thoughts with the cultural features of the African philosophy of Ubuntu — related to African Humanism — to show that Ubuntu, as well as Mveng, reinforce Sobrino's claims.  相似文献   
98.
This article is a contribution to the study of the indigenous navigation and its boats in the region of northern Patagonia. This article also aims to contribute to the understanding of indigenous navigation practices and technologies and their origins from prehistoric times to the mid-twentieth century. It presents and discusses the concept of Westerdahl’s Maritime Cultural Landscape in relation to other landscape concepts. This model is applied to northern Patagonia in order to discuss if it is possible to speak of a true maritime culture in the region. For this purpose, archaeological, historical and ethnographic data are presented in an integrative and innovative methodology for the discipline. Finally, the Maritime Cultural Landscape model will allow the integration of aquatic and terrestrial landscapes as routes traveled by native inhabitants of northern Patagonia and southern Chile, and propose an important and diversified maritime, river and lake tradition.  相似文献   
99.
López-Gappa, J., Pérez, L.M. & Griffin, M. February 2017. First record of a fossil selenariid bryozoan in South America. Alcheringa XX, xxx-xxx. ISSN 0311-5518.

Selenariidae Busk 1854 (Bryozoa) is considered endemic to Australia and New Zealand. Here we describe a new species of Selenaria Busk 1854 from the lower Miocene Monte León Formation (Patagonia, Argentina). Selenaria lyrulata sp. nov. is characterized by autozooids with a lyrula-like, anvil-shaped cryptocystal denticle, opesiular indentations and lateral condyles, as well as avicularia with a shield of fused costae. This is the first record of a selenariid bryozoan in South America.

Juan López-Gappa [] CONICET—Museo Argentino de Ciencias Naturales. Av. Ángel Gallardo 470, C1405DJR, Ciudad Autónoma de Buenos Aires, Argentina; Leandro Martín Pérez [] and Miguel Griffin [], CONICET—División Paleozoología Invertebrados, Museo de La Plata. Paseo del Bosque s/n, B1900FWA, La Plata, Argentina.  相似文献   

100.
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