Empire as network: Spheres of material interaction in Late Bronze Age Anatolia

Hegemonic dominance relationships and the limited intentional material expressions of imperial power they usually encompass pose an interesting and well-known problem for the archaeology of early empires. One way of approaching domination in the archaeological record is through the synthetic analysis of different modes of imperial-local interaction at overlapping socio-political levels and spheres of culture. In this paper, four material culture categories are considered with the aim of characterizing Hittite imperial relationships in Late Bronze Age Anatolia and northern Syria. They include pottery traditions and their degree of susceptibility for central influence, diachronic settlement developments, the distribution of imperial administrative technology, and an ideological discourse carried out through landscape monuments. From the spatial and chronological signatures of these overlapping networks of interaction, a more nuanced understanding of the process of empire is beginning to emerge.     

Taphonomic analysis of remains of mammals eaten by pumas (Puma concolor Carnivora, Felidae) in central Argentina

Prey remains recovered from puma (Puma concolor) scat were analyzed in order to identify taphonomic features produced on them by this predator. Mammal remains are abundant in puma scat, but recognition of bone remains decreases as prey size increases. Modifications produced by digestion are strong. However, micromammal bones show a gradation in preservation that includes well preserved specimens. Data presented here and their interpretation may possibly be extrapolated to zooarchaeological or paleontological assemblage.     

Organicism,womanhood and domesticity in Anne LaBastille's Woodswoman saga

Anne LaBastille's Woodswoman saga presents an ecological approach to organicism that aims to recuperate the notion of nature and the wilderness as live organisms in perpetual, cyclical transition. LaBastille's conception of nature as an animate entity to which the self is intimately connected unleashes her discursive advocacy for a necessary reversion to a communion with natural rhythms. Her hermitage represents a voluntary conversion into the laws of nature, a conversion which results in the identification of the self as a self-in-place, and in the redefinition of the categories of domesticity, privacy and territoriality from an ecofeminist perspective. Such redefinitions lead to an implosion of the notion of femininity itself: as LaBastille negotiates between the categories of womanhood, the wilderness, and private and public domains in accordance to organicist principles, she opens a new discursive space that acknowledges women's need for a territory of their own where they too can become independent selves-in-relation.     

Microscope observations and DNA analysis of wine residues from Roman amphorae found in Ukraine and from bottles of recent Tuscan wines

Morphological analysis by light and electron microscopy was conducted on wine residues from second century Roman amphorae found in Myrmekion (Ukraine). The results of the archaeological samples were compared with residues formed in bottles of wine from Tuscan vineyards, corked between 1969 and 1977 without filtration and enzyme or biochemical processing. Staining and histochemical observation of the archaeological and recent residues detected nucleic acids. Molecular analysis was also performed using nuclear microsatellite SSRs markers having high polymorphism to study genetic relationships. Genotype profiles of archaeological and recent residues were compared with contemporary cultivars in a data bank. Low homology of genotype profiles of all residues, and oral evidence, confirmed the presence of autochthonous varieties in recent wines and enabled indirect assessment of varieties detected in the archaeological material. The results confirmed that the archaeological material could be related to Sangiovese and indicated Roman wine trade as far afield as Ukraine, whereas the recent residues provided evidence of disappearing native Tuscany cultivars like Gorgottesco, Mammolo, Verdello, Rossone and Tenerone, used for table wines until the late seventies.