‘Not Like the Stories I am Used to’: East German Film as Cinematic Memory in Contemporary Chile

This paper is concerned with East German films which deal with the subject of Chile in the aftermath of the 1973 coup d’état in a contemporary Chilean cultural framework. Conceived in the charged political atmosphere of the Cold War, this material is valuable in Chile today because it reflects East Germany as a cultural and social environment for Chilean émigré artists during the 1970s and 1980s. The author explores the films’ potential as a form of cinematic postmemory for younger Chilean audiences, focusing on two feature films, Die Spur des Vermißten (1980) and Blonder Tango (1985). Do young Chileans accept these images as truthful and do they inspire a rethinking of the controversial subject of the Pinochet regime? The results suggest that the DEFA films, due to their narrative and aesthetic textures, present this audience with challenging perspectives, uncover misconceptions and evoke empathy with antagonistic social and political agents. Based on this case study, the author argues that the DEFA films are audio-visual materials which can be highly productive in cultural and educational contexts and can complement efforts to revive collective memory in Chile.     

„Eine für Alles“

Die zunehmende Nachfrage nach kulturtouristischen Angeboten und steigende Besucherzahlen in entsprechend aufgestellten Orten und Regionen sind sichtbare Zeichen der wirtschaftlichen und profilbildenden Bedeutung des Faktors Kultur im Tourismusmarketing. Nicht nur in den Ballungszentren, sondern insbesondere auch im ländlichen Raum werden zunehmend Anstrengungen unternommen, um die Attraktivität für Nah- und Fernreisende zu steigern und einen ansprechenden und zur jeweiligen Region passenden Angebotsmix zu schaffen. In der Folge sehen sich Kommunalvertreter und Tourismusfachleute mit einer Vielzahl für sie neuer Fragen konfrontiert: Wie sind kulturelle Projekte einer großen Öffentlichkeit näher zu bringen? Wie lassen sich gleichzeitig Ansprüche an Qualität, Seriosität und Wirtschaftlichkeit aufrechterhalten? Wie kann der einzigartige Charakter einer ländlichen Region dabei erhalten werden?     

On the Grounds of the Fresh Water Pond: The Free-Black Community at Five Points, 1810–1834

During the first few decades of the nineteenth century a sizable African American community thrived in lower Manhattan. This district was centered near the Fresh Water or Collect Pond just north of the heavily settled city. By 1840 much of the original community was gone and almost forgotten in the lore surrounding the later and more notorious Five Points. Evidence of the vibrant neighborhood may be found in the presence of social and religious structures including the original A.M.E. Zion Church and the African Mutual Relief Society, located for a brief period of time near the Fresh Water Pond. In this paper documentary sources are used to illuminate the lives of Five Points' early residents. These are lives and struggles not necessarily visible in the archaeological record.     

Taphonomy of the bones of rodents consumed by Andean hog-nosed skunks (Conepatus chinga, Carnivora,Mephitidae) in central Argentina

The Andean hog-nosed skunks (Conepatus chinga) are generalized consumers. Rodents are a substantial part of their diet. In order to learn about the effects of this predator on the bones of the prey they consume, the bone remains from scats collected in La Pampa, Argentina, were analyzed from a taphonomic point of view. Analysis confirms that C. chinga produces severe destruction of bone remains, mainly during the chewing process. This allows inclusion of this predator in the category of extreme modifier of the bones of its prey. Data presented here and their interpretation provide criteria to identify the intervention of this predator in archaeological and paleontological sites.     

Examining Indigenous perspectives on the health implications of large‐scale agriculture in Jalisco,Mexico

In Mexico, as in many other parts of the world, industrial agriculture is dramatically changing rural landscapes and altering relationships with the land. This paper draws on community‐based research from a collaborative international research project that examined the perceived health implications of the agricultural industry for Indigenous peoples in the state of Jalisco, Mexico. Thirty interviews were conducted in a Nahuas community experiencing expanding agribusiness industries. The results of this study show that the implications of export‐oriented agricultural industry for this Nahuas community are complex and, at times, contradictory: employment in the agricultural industry provides community members with much‐needed sources of income, but it is precarious work. At the same time, community members are concerned about the long‐term health and environmental implications, such as increased exposure to chemicals, depletion of the soil and water, and loss of traditional food and lifeways. These results suggest that to better understand the costs and benefits of large‐scale agriculture for Indigenous health, a broad lens of health that is situated in the context of colonial legacies and the particularities of relationships with the land is required.     

Professor Camillo Negro’s Neuropathological Films

Camillo Negro, Professor in Neurology at the University of Torino, was a pioneer of scientific film. From 1906 to 1908, with the help of his assistant Giuseppe Roasenda and in collaboration with Roberto Omegna, one of the most experienced cinematographers in Italy, he filmed some of his patients for scientific and educational purposes. During the war years, he continued his scientific film project at the Military Hospital in Torino, filming shell-shocked soldiers. In autumn 2011, the Museo Nazionale del Cinema, in partnership with the Faculty of Neurosciences of the University of Torino, presented a new critical edition of the neuropathological films directed by Negro. The Museum’s collection also includes 16 mm footage probably filmed in 1930 by Doctor Fedele Negro, Camillo’s son. One of these films is devoted to celebrating the effects of the so-called “Bulgarian cure” on Parkinson’s disease.