Schematic Rock Art,Rain-Making and Islam in the Ethio-Sudanese Borderlands

Two sites with schematic rock paintings in Western Ethiopia, where Islamic ceremonies connected with rain-making are performed and miraculous events are said to occur regularly, are interpreted in the light of such factors as the beliefs of local informants, the Islamic appropriation of prehistoric rituals in Northern Africa, the characteristics of similar sites linked to rain-making rituals throughout Eastern Africa and the apotropaic meaning of schematic marks in many traditional cultures. Probably painted by the ancestors of the current Koman language speakers during the Later Stone Age or shortly afterwards, the rock art contextual analysis reveals the complexity of interregional relationships and processes affecting the multi-ethnic frontier regions in pre-colonial times and shows how the local groups have recombined prehistoric and historic religions and ideologies into an original mix that bears witness to the region’s multifaceted history.     

Imagining the absent dead: rituals of bereavement and the place of the war dead in German women's art during the First World War

Drawing on women's visual responses to the First World War, this article examines female mourning in wartime Germany. The unprecedented death toll on the battlefronts, military burial practices and the physical distance from the remains of the war dead disrupted traditional rituals of bereavement, hindered closure and compounded women's grief on the home front. In response to these novel circumstances, a number of female artists used their images to reimagine funerary customs, overcome the separation from the fallen and express acute emotional distress. This article analyses three images produced during the conflict by the artists Katharina Heise, Martha Schrag and Sella Hasse, and places their work within the civilian experience of bereavement in war. By depicting the pain of loss, female artists contested the historical tradition of proud female mourning in German society and countered wartime codes of conduct that prohibited the public display of emotional pain in response to soldiers’ deaths. As a largely overlooked body of sources, women's art adds to our understanding of the tensions in wartime cultures of mourning that emerged between 1914 and 1918.     

Stimulated Variation and Cascades: Two Processes in the Evolution of Complex Technological Systems

Michael Schiffer’s theoretical and methodological contributions to archaeology are substantial. For the last two decades, Schiffer has become increasingly interested in the history of electrical technology, including portable radios, electric automobiles, eighteenth-century electrostatic technology, and, most recently, nineteenth-century electric light and power systems. Schiffer has long held a behavioral view, which focuses analytical attention on interactions between humans and material things, including complex technological systems (CTSs). For Schiffer, two key aspects of the evolution of CTSs are stimulated variation, defined as an increase in invention resulting from changing selective conditions, and cascading, defined as sequential spurts of invention that occur through the recognition of emergent performance problems in a CTS. To attain maximum usefulness, these concepts should be placed in a modern evolutionary framework that correctly identifies, and does not oversell, the role played by cultural selection. Research on individual and social learning provides the critical link between Schiffer’s stimulated variation and cascade models and the diffusion of CTSs.     

High Dynamic Range Imaging for Archaeological Recording

This paper notes the adoption of digital photography as a primary recording means within archaeology, and reviews some issues and problems that this presents. Particular attention is given to the problems of recording high-contrast scenes in archaeology and high dynamic range imaging using multiple exposures is suggested as a means of providing an archive of high-contrast scenes that can later be tone-mapped to provide a variety of visualisations. Exposure fusion is also considered, although it is noted that this has some disadvantages. Three case studies are then presented: (1) a very high-contrast photograph taken from within a rock-cut tomb at Cala Morell, Menorca, (2) an archaeological test pitting exercise requiring rapid acquisition of photographic records in challenging circumstances and (3) legacy material consisting of three differently exposed colour positive (slide) photographs of the same scene. In each case, high dynamic range (HDR) methods are shown to significantly aid the generation of a high-quality illustrative record photograph, and it is concluded that HDR imaging could serve an effective role in archaeological photographic recording, although there remain problems of archiving and distributing HDR radiance map data.     

Beyond Metrics: Reappraising York’s Hungate “Slum”

Much of the excitement generated in Britain since 2007 by the York Archaeological Trust’s excavations of the city’s Hungate neighborhood, which Benjamin Seebohm Rowntree characterized as a “slum” in his pioneering poverty survey of 1901, derives from the unexpected volume and variety of material evidence uncovered about life in a poor community within a modern industrial city. Such material evidence and its often uncertain relationships to other historical data can enhance analysis by complicating understanding of the past, rather than echoing conventional wisdom. Findings from Hungate can thus contribute to nuanced understandings of urban social disadvantage not only at the neighborhood level in this one particular British city, but at the larger scales of analysis that encompass the growth of cities and interacting urban regions in Britain and around the world during the nineteenth and twentieth centuries. These understandings have contemporary relevance for a world in which over half of humanity now lives in urban areas, as misconceptions about “slums” continue to undermine efforts to reduce urban inequality.     

Consuming Citizenship? The Archaeology of Mexican Immigrant Ambivalence in Early Twentieth-Century Los Angeles

In late nineteenth- and early twentieth-century America, the consumption of American-made goods was seen as an expression of one’s patriotism and loyalty to the nation. According to a number of historical archaeological case studies, racialized groups, such as African Americans and Chinese Americans, used consumption as a way of gaining access to the full benefits of American citizenship typically reserved for individuals deemed “white” by law. The material culture of Mexican immigrants living in early twentieth-century Los Angeles tells a slightly different tale. Despite being ascribed a legal whiteness, archaeological and documentary data suggest that Mexican immigrants expressed ambivalence toward their consumption of American goods and outright rejected the notion that exerting such buying power would lead to a broader acceptance in Anglo American society.     

Folklore’s Timeless Past,Ireland’s Present Past,and the Perception of Rural Houses in Early Historic Ireland

This study examines how the archaeology of historic Ireland has been interpreted. Two approaches to the history and archaeology of Ireland are identified. The first, the timeless past, has its roots in a neo-Lamarckian view of the past. This perspective was particularly developed in the work of geographer and ethnographer, Estyn Evans. The second view, associated in particular with a nationalist approach to Ireland’s past, looked to the west of the country where it was believed the culture had been preserved largely unchanged and in its purest form. The continuing impact of these frameworks upon the interpretation of rural settlement in the period 1200–1700 is examined. It is argued that historians and archaeologists alike have underestimated the quality of buildings.     

Archaeology in the World of Display: A Material Study of the Use of History in the Stockholm Exhibition of 1897

History was an important notion in constructing an industrial capitalist society in the nineteenth century. This article deals with the manifest use of history at the Stockholm Exhibition of 1897. At this exhibition, history was ubiquitous and was most fully expressed in the model of medieval and Renaissance Stockholm called “Old Stockholm.” The history of nineteenth- and twentieth-century exhibitions in general has been thoroughly studied in the field of humanities. However, the specific use of history and space has not attracted much interest. This analysis of the model of Old Stockholm is of the first archaeological study of remains of the great exhibitions ever to have been done. Even though the “Old Stockholm” pavilion was exceedingly popular in the summer of 1897, only very scarce documentation has survived. An archaeological excavation of parts of the temporary historical models, such as the “Hospital of the Holy Spirit,” showed convincing evidence of the hegemonic position which the use of history enjoyed at the exhibition and in the nineteenth century.