Marina Carr’s Hecuba: agency,anger and correcting Euripides

ABSTRACT

This paper focuses on Marina Carr’s 2015 adaptation of Hecuba for the Royal Shakespeare Company. Hecuba sees Carr return to a fascination with Greek tragedy, difficult female characters and reimagining foundational myths. Of all Euripides’ plays Hecuba has rarely been popular, yet the themes Carr prises open – of violence, desire, gendered experience and the politics of perspective – are acutely topical. Indeed, Hecuba seemed to anticipate the frustrations that erupted on 28 October 2015 in response to the Abbey Theatre’s “Waking the Nation” programme. Drawing on twentieth and twenty-first century debates around the politics of tragic form, Roland Barthes theorising of myth, and the tradition of Greek adaptation in modern Irish drama, this paper examines how Hecuba reorients its sources. It goes on to assess the outcomes of these reorientations in order to problematise the critical predisposition to find an inevitably progressive poetics/politics in her engagement with tragic myths.     

CULTURAL AND SOCIAL DISCONNECTION IN THE CONTEXT OF A CHANGED PHYSICAL ENVIRONMENT

The context of the study was provided by the enforced relocation of an old coal mining community in the UK and describes the changes that were experienced by relocatees. The study is longitudinal in design over a six year period and this article is based on the qualitative part of the study. The old village had consisted of five straight rows of terraced houses whereas the new village was built in a curvilinear design with additional housing, occupying a much larger space. Reduced visual access to others not only diminished a sense of connectedness but also restricted an information flow which had been part of the functioning of the previous community, leaving indigenous participants with a sense of isolation. This unwanted isolation diluted the previous collective identity and weakened social support. In addition, an abrupt change in the community's socio‐cultural patterns occurred and previously learned privacy mechanisms were found to be inappropriate in the new setting. New values, priorities, lifestyles and overt materialism were evident and the data suggest that the earlier mostly collective functioning of the community had been replaced by individual functioning. It is proposed that spatial aspects provide constraints and opportunities for different behaviour patterns, highlighting the crucial importance of the physical environment and illustrating the essentially dynamic relationship between person, group and place.     

The interpretation of a group of Saxon pits in Southampton

Environmental material from waterlogged pits on a Saxon site in Southampton is examined and interpretation attempted. It is suggested that the material largely represents waste from a butcher's yard, although the lack of associated structural evidence makes interpretation difficult.