The Role of "Sibling Rivalry" in the "(Re)discovery of America Controversy"

French Louisiana is Catholic country. Because of the association between the Louisiana French and the Roman Catholic Church, the Church's role in French ethnic persistence has always been taken for granted. However, from a paternalistic colonial Church, the Louisiana Catholic Church has become an American one very much out of touch with the cultural character of the population it has served. In the racial field the Church's conformity to American values has impaired the unity of the Louisiana French. In the matter of language the Church has helped to undermine the position of French in French Louisiana society. The assertion of one's Catholicism in French Louisiana at a time of increasing Anglo-American contacts may simply be a reliable way of saying “we are us—not them.”     

Beyond Brassens: Twenty-First Century Chanson and the New Generation of Singer-Songwriters

This article considers the relevance of the notion of ‘generation’ for the study of cultural shifts in the production and critical reception of singer-songwriters in contemporary France, in the period 2005–12. Defining a ‘generation’ as an age cohort sharing socio-cultural characteristics and patterns of socialisation, it focuses on Camille, Benjamin Biolay, La Grande Sophie, Barbara Carlotti and other singer-songwriters who were all born in ‘the long 1970s’, and who achieved notoriety and success in the period in question. It demonstrates that the traditional discourse of chanson, dominant since the 1950s, defined by literariness and embodied by Georges Brassens, is being replaced by an emphasis on seduction, Anglophilia and multi-instrumental sophistication. Although these features have been central to the compositions of a number of ‘older’ singer-songwriters, including Serge Gainsbourg, Françoise Hardy and Alain Souchon, the deployment by today's critics of the notion of ‘generation’ helps to give superficial coherence and symbolic originality to the younger artists who uphold these values and techniques. As a result, and because the music reviews referenced in this article are extracted from ‘high-brow’ magazines (including Télérama), this article also considers the changing place of chanson in the elite discourse of contemporary France.     

La protestation collective dans une France en mutation

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Galland, O. et Lemel, Y., La nouvelle société française: Trente années de mutation (Armand Colin, 1998), 287 pp., 125F., ISBN 2 200 01929 7

Groux, G., Vers un renouveau du conflit social (Bayard, 1998), 248 pp., 123, 50F., ISBN 2 227 13725 8

Meyer, D. and Tarrow, S. (eds), The Social Movement Society: Contentious Politics for a New Century (Rowman & Littlefields 1998), 282 pp., £17, ISBN 0 8476 8541 1