Tenue de soirée de rigueur: Incursion chez les warocqué

The Warocqué family, “nouveaux bourgeois”, were characterised by their constant intention to change the world in which they lived. They were thus industrialists and businessmen and political representatives as was appropriate, but also inventors, paternalist, philanthropists and employers. The Warocqués thus present a multitude of facets and possibilities for study. It was necessary to give greater importance to one of them, particularly as everything could be encompassed as family business. It is precisely the evolution and progression of the family in its local, Belgian and even international contexts that is analysed here—family, tradition and dynasty even: inaugurated by Nicolas, it progresses, develops and reaches its apogee with Raoul, who benefited from the power of the name. This social rise was also interpreted on the level of traditions, of family, of prestige or of a way of life. The article aims to study this particular aspect while successively reviewing some ‘chapters’ in the life of this dynasty: the family (taken as it should be in the broad sense, joining the very current concept of ‘network’), its sociability and passions.     

Archaeological Evidence for the Emergence of Language,Symbolism, and Music–An Alternative Multidisciplinary Perspective

In recent years, there has been a tendency to correlate the origin of modern culture and language with that of anatomically modern humans. Here we discuss this correlation in the light of results provided by our first hand analysis of ancient and recently discovered relevant archaeological and paleontological material from Africa and Europe. We focus in particular on the evolutionary significance of lithic and bone technology, the emergence of symbolism, Neandertal behavioral patterns, the identification of early mortuary practices, the anatomical evidence for the acquisition of language, the development of conscious symbolic storage, the emergence of musical traditions, and the archaeological evidence for the diversification of languages during the Upper Paleolithic. This critical reappraisal contradicts the hypothesis of a symbolic revolution coinciding with the arrival of anatomically modern humans in Europe some 40,000 years ago, but also highlights inconsistencies in the anatomically–culturally modern equation and the potential contribution of anatomically pre-modern human populations to the emergence of these abilities. No firm evidence of conscious symbolic storage and musical traditions are found before the Upper Paleolithic. However, the oldest known European objects that testify to these practices already show a high degree of complexity and geographic variability suggestive of possible earlier, and still unrecorded, phases of development.     

TWO BRONZE AGE MINIATURE WAGON AND WHEEL BURIALS IN ENCS (NORTH-EASTERN HUNGARY)

During an excavation of a Bronze Age, Füzesabony-culture cemetery at Encs (north-eastern Hungary), a clay wagon model with spoked wheels (grave 1290) and three miniature solid clay wheels were found (grave 1389). Miniature wagon and wheel models in burials began to appear in the Late Copper Age and lasted until the Iron Age in Central Europe. Their presence allows of several interpretations. These spoked wheels of grave 1290 provide early evidence about the appearance of such in the Carpathian Basin. Focussing on the two graves from Encs, this article reports AMS radiocarbon dates that suggest the spoked wheels belong to the early second millennium BC. The implications of these finds are interpreted though a comparative review of both wagon models from the Füzesabony culture and the evidence for early spoked wheels in the Carpathian Basin.     

A NARRATIVE TURN: HUMAN AGENCY IN ROCK CARVINGS AT NÄMFORSEN,NORTHERN SWEDEN

The idea to create pictorial narratives seems to have occurred long after humans learned to produce iconic images, that is, depictions based on visual similarity to external objects. In Scandinavia, e.g. in Gärde, Sweden or Stykket and Bøla, Norway, early Mesolithic images (e.g. rock carvings from before c.5000 BCE) often feature animals that are solitary or without suggestion of causal or narrative relations to other figures, although they sometimes are grouped by proximity or are superimposed on each other. Notable is also the almost complete absence of human figures. However, in subsequent Neolithic configurations (after c.5000 BCE), there are renderings of human agents involved in various forms of interaction with each other or with animals, often within distinguishable ‘scenes’ or compositions. In this paper we outline the emergence of pictorial narratives in Scandinavian rock carvings. In particular, we focus on some of the first depictions of human agency as displayed in Nämforsen, Sweden (c.5000–1800 BCE). Further, we present an analysis of occurring human-animal relationships, interpretable as early attempts to create narrativizing images.