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991.
This paper explores the origin and theoretical roots of the concept of ‘Palaeolithic art’ in the late nineteenth and early twentieth centuries (1895–1906). It identifies three main sources for this concept: the Western category of ‘art’, the idea of evolution and the notion of primitive. This article shows how the traditional conception of ‘Palaeolithic art’ is a particular case of the wider idea of ‘primitive art’, a category that was born as an attempt to harmonise the notion of ‘primitive society’ and the nineteenth-century bourgeois concept of ‘art’. Additionally, I discuss this traditional conception as the source of a number of ideas that have persisted in our way of interpreting Palaeolithic images until recently, including the understanding of prehistoric images through the lens of the modern notion of ‘art’, their interpretation in symbolic-religious terms and their formal definition based on the idea of naturalism.  相似文献   
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The 1920 British Empire Statistical Conference was the direct outcome of the Dominions Royal Commission's Final Report, which had spelt out the need to increase the uniformity and comparability of statistics originating from various parts of the Empire and had proposed setting up an imperial central statistical office. Over 24 days, delegates debated a large number of topics, ranging from the practical and empirical subject matters of statistical inquiry to more abstract issues such as the nature and object of statistical data collection and analysis, and to the problems raised by the establishment of a statistical bureau that would operate on an unprecedented scale. This article seeks to understand why, despite apparently favourable conditions, this project soon ended in complete failure. The reasons must be sought in the neatly distinctive outlooks held by the British government and Dominion representatives as regards the function of statistics for the purpose of government, in the quite different bureaucratic settings that embodied and sustained these views, as well as in the tensions and centrifugal pressures that acted upon inter-imperial relations following the Great War.  相似文献   
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The traumatic decolonisation of Algeria has tended to overshadow more peaceful transfers of power elsewhere in the French African Empire. This is particularly so in the case of the Sahara, where local populations accommodated themselves exceptionally well to colonial rule after the First World War. In the late 1950s and early 1960s, the political stability of the region, combined with its newly discovered energetic resources and strategic value as a nuclear testing site, led the French to reflect upon ways of preparing for the Sahara a future separate from the rest of Algeria, the fate of which was increasingly clear as de Gaulle had no choice but to gear his policy towards self-determination. The Common Organisation of Saharan Regions (OCRS) intended to merge all French territories in the Sahara, in an attempt to guarantee prolonged French control over the region while justifying it on the grounds that oil revenue was to finance the development of the areas where extraction took place. The widely publicised developmental concerns of the initiative were at odds with its neo-colonial undertones, and it could not have escaped the attention of the two successive US administrations that had to deal with the controversial question of their position vis-à-vis a NATO ally embattled in what seemed a lost colonial cause. The role of the US in post-war decolonisation processes has been given more prominence in recent historiography, but it had never been studied in the case of the Sahara, in spite of repeated French fears of American interest in Saharan oil resources at the time of the Algerian war. Based on State Department archives, this paper throws lights upon an often-forgotten aspect of Franco-American relations in the context of the decolonisation of European empires.  相似文献   
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