浅析中外声乐艺术的异同——以欣赏和演唱角度为例

本文从欣赏和演唱的角度出发,以中西演唱方式、部分中西声乐作品和中西艺术家为例,对比、总结了它们之间的共性与个性：从情感表现和歌唱技能来说,有其共通之处;在文化观念、歌唱心理结构和生理器官配合等方面又有其独特的特点。     

Portrayals of Non-North Koreans in North Korean Textbooks and the Formation of National Identity

This article examines the portrayal of non-North Koreans in North Korean textbooks to assess the influences on the formation of North Korean identity, and how such identity formation is important in Kim Jeong-il's retention of power. This study not only looks closely at textual representations; it also examines how political and ideological changes in North Korea had a critical influence on these texts. The study encompasses both lexico-grammatical analysis and the analysis of textual and visual images, based on an examination of six North Korean language textbooks published from 1954 to 2000. It demonstrates that North Korean identity is defined through the portrayal of non-North Koreans, particularly enemy others. The portrayal of non-North Koreans facilitates the formation of a solid North Korean identity – an identity that entails serving their political leaders, remaining vigilant against threats to their country, and liberating South Koreans from poverty and oppression by America and its puppet states.     

国外社会化媒体在旅游业中的应用研究进展及启示

随着信息技术在旅游业中的广泛应用,新技术和新应用对旅游业的发展产生了深远影响,并促使旅游研究范式发生转变。基于社会化媒体与旅游业紧密结合的现实,通过对国外社会化媒体和旅游相关研究进行梳理,从社会化媒体概念界定、社会化媒体类型划分、社会化媒体对旅游主客体的影响、社会化媒体在旅游业中的应用四个方面进行了归纳和综述。研究发现,目前国外关于社会化媒体与旅游的相关研究处于快速发展阶段;社会化媒体对旅游业的多方面深刻影响也逐渐被学者认识,但是研究的广度和深度还有待加强。最后,从基础理论和实际应用角度提出相关的研究启示。     

南京大学人文地理学发展系谱

本文梳理了南京大学人文地理研究机构的发展历程,总结南京大学人文地理研究机构由基础层、应用层、联合应用层三个层级组成。将南京大学九十年的人文地理学科发展历程划分为三个历史时期,即1919年到建国初期的近代中国人文地理学源地与人才培养的摇篮,建国初期到20世纪70年代末80年代初承担全国性科学研究和生产任务的先行者,20世纪80年代初期至今的优势学科凸显,同时"大人文地理科学"蓬勃发展与国际化阶段。认为南京大学对中国人文地理学科发展有四大贡献,即中国人文地理学的摇篮与创新源地,中国人文地理学思想理论发展的中坚,中国人文地理学主要分支学科建设的引领者,以及中国人文地理学承担国家重大项目的主体。     

谦虚、勤奋、审慎、严谨：李民先生访谈录

袁广阔（以下简称袁）：李先生您好!很荣幸有这么一个机会跟您进行交流。作为先秦史研究领域的专家,您能谈一谈您当初是如何步入这一领域的吗？     

宪宗元宵行乐图卷赏析

唐裴孝源在《贞观公私画史》记录了魏晋时期魏高贵乡公所画《新丰放鸡犬图》。从名称上看,此画描绘的是当时农村日常生活情景。唐代风俗画更多,据裴孝源记载有如刘填《少年行乐图》、杨修“两京图》、史道硕《田家社会图》、顾宝光《洛中车马图》《越中风俗图二卷》、史文敬《张平子西京赋图》、杨子华《邺中百戏图》、     

雍正王朝与景德镇官窑瓷（下）

4．粉彩瓷的继承与发展 粉彩是康熙晚期在五彩的基础上,受珐琅彩瓷的影响,由景德镇陶瓷工匠创制的彩瓷新品种。五彩瓷烧成温度高,色彩对比强烈;粉彩瓷烧成温度低,色彩柔和淡雅,故五彩又称“硬彩”,粉彩又称“软彩”。粉彩瓷格调上所以有如此变化,主要是彩料中新引进了一种不透明的乳白色玻璃粉末,俗称“玻璃白”。其作用一是利用其乳浊作用,使各种彩料加以粉化,从而使色彩具有浓淡、深浅的色阶变化;其次是“玻璃白”的加入,可使瓷器上的画面,具有国画中用粉后的渲染效果。     

论经典注释的传意目标及其实质

经典注释活动是古代经典传承的重要方式之一.此类传承活动,须经过注释主体的理解、解释两个不同阶段,是一传意的过程.无论是在理解还是解释的过程中,受传意目标的影响,往往形成不同的注释结果及对此的评论.这既是学术的论争,也是以经典为依傍的学术发展路径.不同历史时期的经典注释目标,按主观性大小分为重主观性、重客观性、将主观性与客观性结合起来三类.任何一类目标的确立都是对前代的批判与否定.研究经典注释史不可轻信某一目标下的评论及断语,因为典籍注释均是主观性与客观性相统一的行为,只是存在客观性程度上的区别.     

Probable human hair found in a fossil hyaena coprolite from Gladysvale cave,South Africa

Until now, the oldest known human hair was from a 9000-year-old South American mummy. Here we report fossil hairs of probable human origin that exceed that age by about 200,000 years. The hairs have been discovered in a brown hyaena (Parahyaena brunnea) coprolite from Gladysvale cave in South Africa. The coprolite is part of a hyaena latrine preserved in calcified cave sediment dated between 195,000 and 257,000 years ago. This find supports the hypothesis that hyaenas accumulated some of the early hominin remains found in cave sites, and provides a new source of information on Pleistocene mammals in the Sterkfontein Valley.     

Detection of parasite eggs from a moat encircling the royal palace of Silla, the ancient Korean Kingdom

We conducted a paleo-parasitological study on soil samples from the ancient moat ruins of Weolseong palace, of the Silla Dynasty (BC 57–AD 935) of Korea. Based on the cultural remains found in the mud-soil layer, the layer was precipitated onto the floor of a moat between the 5th and 8th centuries AD. We found Trichuris trichiura eggs only in that mud-soil layer, whereas no parasite eggs were identified in the other archaeological strata of the ruins. As T. trichiura eggs are shed only in human feces, we speculated that palace toilet contents were continually drained into the moat; therefore, at a certain point in time after construction, the moat finally became a ditch around the palace. Structures in the stone embankments of the moat, possibly designed to make the water flow continuously in one direction, might reflect the Silla people's efforts to alleviate the ever-increasing problems inherent in a moat.