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101.
Christopher Airriess Michael Hawkins Elizabeth Vaughan 《Social & Cultural Geography》2013,14(1):49-67
Various material forms of national identity have become ubiquitous features of the post-9/11 American cultural landscape. This research specifically examines the ‘In God We Trust’ (IGWT) license plate in the state of Indiana as a material expression and territorialized form of national identity. While conceptually anchored in banal nationalism research, exploring the spatial patterns of adoption or non-adoption of IGWT license plates by Indiana residents is only possible through situating this research through the mediating lens of the culture wars and civil religion. Although the IGWT license plate project legislatively materialized through the localized spatial networks of non-state actors in the context of a new and conservative state–citizen relationship firmly anchored in the culture wars, adoption behavior is also mediated through the much broader influence of civil religion. We conduct a quantitative analysis to determine license plate spatial distribution by county, but more importantly to explore the sociodemographic dimensions of IGWT license plate adoption and non-adoption. While our results generally mirror the sociodemographic findings of social issue-based electoral geography, the imbrication of banal nationalism, the culture wars, and civil religion as materially expressed by the IGWT license plate yields an ideologically different and broader dynamic when compared to culture wars defined by national identity. 相似文献
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Creativity is popularly related to innovation and new ideas. This invention‐cognition view of creativity is too narrow a concept for artistic creativity. Artistic creation is also about reproducing traditions and emotional (“affective”) processes. Widespread use of the popular invention‐cognition view of creativity in arts advocacy obscures wider dimensions of artistic creativity. This article focuses attention on the affective dimension of artistic creation. It surveys “arts therapy” literature and investigates how lessons of this literature can be used to improve the persuasiveness of arts advocacy arguments that appeal to the concept of creativity. 相似文献
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Recent research has found that discrimination against Islam and Muslims is deeply rooted in Australia. This report explores whether or how recent Iranian migrants have experienced racism, discrimination, or Islamaphobia in Sydney. These questions are explored by focusing on their experiences and issues regarding their making of new lives in Australia. This article suggests that recent Iranian migrants are experiencing far less discrimination than other Muslim diasporas in Sydney. Concluding that despite recent reports by some researchers grouping various Muslim populations together as regards Islamaphobia, there is a necessity for investigating discrimination, stereotyping, and Islamaphobia against particular diasporas to determine the needs of the Muslim population at large. 相似文献
110.
Christopher Waters 《The Journal of Pacific history》2013,48(2):194-208
This paper is an exploration of the attitudes and policies of key Australian ministers and officials towards decolonisation in the South Pacific through the 1960s and into the early 1970s. Until the late 1960s, Australian governments generally favoured a very slow pace of decolonisation for the region, feared that many territories would never make viable nation-states and actively considered the bringing together of some of the colonial territories into larger entities. Consequently, for much of the 1960s Australian governments were engaged in the ultimately fruitless task of holding back the tide of decolonisation as it swept into the South Pacific. 相似文献