Liebe Leserin, lieber Leser,

Ohne Zusammenfassung     

Ritual,what else? Papal letters,sermons and the making of crusaders

ABSTRACT

This article investigates the importance of papal letters and crusade sermons for the process of recruiting crusaders and analyses different communicative aspects which were at play during events recruiting for the crusade. It argues that both papal letters and sermons were vital elements for effective crusade propaganda but that they fulfilled distinct functions. While letters emanating from the papal curia set the strategic, organisational and legal goalposts for crusade propaganda, crusade sermons were central to the successful recruitment of crusaders. The article highlights the performative aspects of crusade preaching by Pope Urban II at Clermont in 1095 and Abbot Martin of Pairis at Basel in 1200 and shows that ritualised communication played an important role during recruitment events.     

Maisons Tropicales/Maisons Coloniales: contesting technologies of authenticity and value in Niamey,Brazzaville, Paris,New York and Venice

This article draws on multi-sited anthropological fieldwork to analyse institutional practices of producing cultural authenticity and value under conditions of globalization. It focuses on the ‘re-discovery’ of three so-called Maisons Tropicales as modern architectural heritage in Niamey and Brazzaville. These prototypes of a colonial building project were subsequently translocated, commoditized and displayed as modern works of art in Paris and New York. The article describes the global connections and disconnections between the actors involved, claiming that the alternative practices of appropriating the Maisons Tropicales rely on competing and conflicting technologies of authenticity and value. Adding to scholarship on exchanges of material culture, as well as on the production of cultural authenticity and value, the article reframes debates in heritage studies pertaining to the ethics of site-specificity, material integrity, and integrity of place; preservation, conservation, and restoration; restitution and repatriation; as well as questions of cultural identity and the notion of a ‘shared’ colonial heritage. Ultimately, the article re-contextualizes the Maisons Tropicales in their (post-)colonial legacies. It concludes that critical interjections by artists and ethnographers suggest potential to reassemble the dominant technologies of authenticity and value in the fields of art and heritage preservation.