Assessing Surface Correspondence and Trade of Maya Figurines and Moulds Using Multi‐Stripe Laser Technology and Metrology*

One of the most intriguing questions for archaeologists studying clay artefacts concerns technologies employed in their manufacture and whether standardization can be demonstrated through traditional ceramic analysis. Visual comparisons and mechanical measurements have been used to determine correlations and infer standardization. Using a laser multi‐line scanner and software developed to quantify Hausdorff distances between vertices in 3D surfaces, we analysed sample collections of figurines and moulds from Belize, Mexico and Honduras. The results indicated that this procedure was a more precise indicator of common source and standardization in moulded clay artefacts. This method provided data relevant to assessing the scope of ancient trade networks and the nature of social and economic relationships that existed among the ancient inhabitants of Mesoamerica.     

The (Pregnant) Mouse Freed from the Gallows: A Ballad Parallel for the Conclusion of Manawydan fab Llŷr

In the concluding episode of the Third Branch of the Mabinogi, the Welsh nobleman Manawydan takes the (pregnant) mouse that he has captured to the magically significant site Gorsedd Arberth and prepares to hang her for theft, according to the law. As he prepares the gallows, various figures attempt to intervene until finally a ‘bishop’ redeems his transformed wife by disenchanting the land, freeing Manawydan’s companions, and swearing not to take vengeance. We argue that this scene is strikingly similar to the famous ballad widely attested all over Europe, ‘The Maid Freed from the Gallows’, a parallel which not only illuminates this episode in the Mabinogi, but also suggests how the Welsh storyteller used traditional material in shaping these narratives.     

Hume,Bishop Butler,and the Revival of Ritual in Anglophone Protestantism

A sweeping reassessment of the role of ritual, ceremony, and aesthetics took place in anglophone Protestantism between the late eighteenth and the late nineteenth centuries. While the nineteenth‐century developments themselves have been extensively studied, little scholarly attention has been paid to the importance of the earlier emergence of philosophical language capable of explaining and justifying, in a Protestant context, the ritual and aesthetic dimensions of religious practice. I argue that this language, paradoxically, grew out of a symbiosis of sceptical modernity, traditional religious apologetics, and the religious “enthusiasm” of the early eighteenth century. I approach the topic through the interconnected oeuvres (and careers) of David Hume and Joseph Butler, presenting the first synoptic account of their ideas about the psychological underpinnings of religious worship, and the use made of their ideas by later generations of anglophone Protestants. As mainstream Anglicans, Episcopalians, and Presbyterians confronted the challenges presented by Methodism and Evangelicalism, they found support in a synthesis of Butler's and Hume's ideas. Eventually, the beneficial role of ritual and aesthetics in religious worship came to be widely accepted throughout the anglophone Protestant world.