The Middle Stone Age human remains from Diepkloof Rock Shelter (Western Cape,South Africa)

In the course of recent excavations at Diepkloof Rock Shelter (South Africa), three human remains were found in the Middle Stone Age layers. These human remains are two pedal phalanges (intermediate and distal) from a fifth ray, which belong to the same individual, and a deciduous first lower molar. The layers in which they were found represent the end of the Howiesons Poort and the beginning of post-Howiesons Poort occupation, and are radiometrically dated to MIS 3, between 45 and 65 kyr ago. They are thus very close in time to the assumed period of anatomically modern humans (AMH) dispersal out of Africa into Eurasia, a period for which very few remains are available in the African fossil record. Here, we describe these new remains and compare their morphology and dimensions to samples of African and Eurasian Pleistocene and Holocene humans. Our results show that the human remains from Diepkloof Rock Shelter fall well within the range of variation of AMH. The phalanges are of very small size and indistinguishable from those of recent humans. In addition, our analysis of the dm₁ underlines a large size variation at the end of the MIS 4/beginning of the MIS 3 in the Western Cape. The discovery of human remains at Diepkloof Rock Shelter, albeit limited to three small bones, enriches a poorly represented chronological period of the African hominin fossil record.     

German modernity,barbarous Slavs and profit‐seeking Jews: the cultural racism of nationalist liberals

This paper examines emblematic texts by two important protagonists of post‐1848 liberalism in Germany, Gustav Freytag and Heinrich von Treitschke, focusing on their treatment of Jews and Poles. The paper analyses the social content of their statements and argues that the elements of anti‐Semitism and anti‐Slav racism that they contain were motivated by the specific kind of nationalist liberalism that frames their affirmation of the process of modernisation. This affirmation was directed against the Poles on the one hand, seen as backward Easterners who had to be pushed into civilisation by Prussian–German colonialism, and, on the other hand, the Jews, largely perceived as representing the wrong kind of modernity against which benign (supposedly German) modernity had to be protected. At the same time, the image of the Jew in Freytag and Treitschke also participates in that of the backward Easterner, permitting to see undesirable, allegedly Jewish aspects of modernity also as distortions resulting from an alien and ancient culture. This analysis has consequences for theorisations of both liberalism and nationalism: it suggests that the racism and anti‐Semitism of nationalist liberals were intrinsically related to core aspects of the liberal world‐view rather than being merely contingent opinions held by particular individuals. It also indicates that the nationalism of many German post‐1848 liberals was ethnic as well as liberal. In this way, the paper contributes to the growing body of literature discussing the illiberal aspects of liberalism as well as the shortcomings of the long‐established conceptual dichotomy of ethnic vs. liberal nationalism.     

Design thinking for city dashboard development: Recommendations from a study of smart asset management in Sydney,Australia

The city dashboard has become an integral component of smart city asset management systems. It leverages data collected from multiple sources to monitor performance and enable evidence-based decision making. This article investigates the use of a design thinking framework to develop a functional and easy to understand city dashboard. The Smart Social Spaces project is used as a case study to illustrate how design thinking can be employed to develop an asset management dashboard, enabling efficient management of public space and infrastructure. The article profiles the unique collaboration between a local government, a multi-disciplinary team of university academics, and a street furniture designer and manufacturer, all located in Sydney, Australia. We unpack some of the design practice nuances that led this project to receive national awards and international recognition, and most importantly, created a user-friendly system to track and maintain public micro assets. We conclude with lessons learnt and recommendations for dashboard development through a design thinking process.     

Financialisation as Monopoly Profit: The Case of US Banking

Different economic measures afford different ways of seeing processes of financialisation. In the prototypical case of the US economy, the most compelling evidence of post‐1970s financialisation is found in corporate profits measures. This much has been clear for at least a decade. What remains much less clear, however, is the explanation for the long‐term maintenance and amplification of extreme financial‐sector profitability that financialisation in the United States has and continues to entail. With a specific focus on banking, this article turns to post‐Marxian scholarship on profit rate trends to explain this phenomenon. It argues that limited and declining levels of competition within the US banking sector during recent decades—rooted in high levels of industry concentration, collusive behaviour, and substantial entry barriers—have contributed to sustaining and boosting abnormal sectoral profitability. In doing so, the article theorises financialisation in the United States explicitly in terms of monopoly profit.     

Empire,Repetition, and Reluctant Subjects: British Home Movies of Kenya, 1928–72

This article examines efforts by a range of British visitors to produce ‘home movies’ or amateur film of Kenya from 1928 to 1972, and attempts by both the British film-makers and Kenyans to navigate and influence this production. By bringing cine-cameras to Kenya to record images to be consumed back in the metropole by family and friends as ‘holiday films’, these British visitors laid bare what a number of historians have identified as the ‘imperial gaze’ that defined both colonial and post-colonial conceptions of Africa. Colonialism’s obsession with ordering and positioning bodies within a projected image of power and control made cinema the perfect vessel for such an exercise, while amateur film, with its often clumsy framing and highly personal interaction between the film-maker and the film subject, grants us unique insight into the sometimes coercive, transactional and forced efforts involved in projecting such an image. The amateur films that sit at the centre of this article, which were produced by British visitors to Kenya both before and after independence, offers us the opportunity to examine the wide range of behaviours of both the film-maker and the filmed which underpinned the production of repetitive imperial image-making in colonial and post-colonial Kenya.