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Thomas Willis made numerous contributions to the neurosciences that were broad in scope. In an age of scientific breakthroughs and intellectual revolutions, Willis bestowed upon medical research the clinical rigor that set the stage for subsequent medical breakthroughs. In Cerebri Anatome, Willis introduced a measure of empiricism hitherto unknown in medieval times. By coupling the delineation of brain and neural anatomy with functional studies, Willis brought the science of clinical neurology into fruition. Psychiatry, too, benefited from Willis' elucidation of mental illness and intellectual disability, and modern behavioral psychologists claim Willis as one their early, most ardent champions.  相似文献   
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Chicago's remarkably flexible growth machine, like their brethren across Rust Belt America, continues to aggressively press forward to build an internationally competitive city. This paper deepens our understanding of Chicago's recently changed growth machine. It focuses on its current redevelopment narrative as it is used on the South Side and chronicles two new features about it: its revamped use of fear and its re-fashioned notion of culture. I flesh out these two elements as they circulate through a now dominant redevelopment program: historic preservation. I chronicle three points in this paper. First, programs like historic preservation, like so many current city programs, have now fully shifted to being a neoliberal economic development tool to promote the “go-global Chicago” project. Second, two dominant fears recently nuanced anchor the narrative: fear of a city-destroying globalization and fear of city-subverting poor African-Americans. Third, a revamped notion of culture is used that helps provide resonance and dark appeal to the two offered fears. The culture notion is put into play as two dominant things, as the idealized and timeless glue that unifies Chicago's mainstream and as problematic values and meanings carried by black bodies which renders them civic tainting “ocular trash”.  相似文献   
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The Rio Grande border of the United States and Mexico is over 1,000 miles long. This presentation of that border is by means of a photo essay interpreting the physical, economic, political, and cultural complex that has evolved. These photos were all taken in 1990 on a reconnaissance that followed both sides of the border for the entire distance from Ciudad Juarez and El Paso on the west to the Gulf of Mexico on the east. Numerous crossings of the border were made at official and non-official points. Informal field interviews were conducted on both sides of the border with government officials, agricultural workers, tourists, farmers, industrial managers, factory laborers, retirees, undocumented migrants, beachcombers, shoe-shiners in the plaza, sportsmen, clergymen, children, and loafers. The photos with an accompanying text are presented in an order that is conducive to a comprehension of the salient aspects of the physical and human geography and the complex social issues found in the borderland. The final photos and text are on the maquiladoras and the international interplay of history, markets, labor, and technology resulting in striking structural change.  相似文献   
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This article examines how concepts of ‘play’ can be used within studies of cultural heritage to build an alternative to the dominant use of consumer-orientated models within current scholarship. Using the example of how the traditions, motifs and history of Ancient Greece have been reused within New York, from the nineteenth century to the present day this work demonstrates that this is a heritage that has been ‘played with’ by successive generations as a means of establishing identity within the metropolis. Whilst the ideals of Athenian democracy and classical learning inspired the formation of the early American republic, these associations were brought into wider usage in New York with the arrival of significant Greek immigration into the city during the twentieth century. This provided a new opportunity of a playful use of Ancient Greek heritage as this émigré community built new identities and became established in the metropolis. The Greek American enclave of Astoria, located in the borough of Queens, will be the focus of this study as the site where this playful use of heritage has taken place, undertaken both by members of the Greek American community and also by individuals and groups responding to their presence.  相似文献   
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This paper reflects on processes of memory- and history-making at the Elihu Akin House, a historic site in a New England coastal village. Since the late 18th century, the house has been a place of dwelling and deliberate recollection. Recent archaeological excavations, a 1922 silent movie, and an Akin son’s 1778 letter represent multiple media, periods, and perspectives, for which the house serves as a touchstone. These three occasions comprise an archive of nostalgia. Remembrance is repeatedly filtered through and entangled with in-process experiences. The material and emotional are mutually constituted as the house is reinvested with significance. Understanding these processes has implications as the site is developed into a heritage center striving to present not only local and regional history, but also the methods and challenges of heritage management.  相似文献   
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