A Zoroastrian Dispute in the Caliph’s Court: The Gizistag Abāliš in its Early Islamic Context

The Gizistag Abāli? is a ninth- or tenth-century Pahlavi text, recording a debate which took place at the court of al-Ma?mūn between a Zoroastrian priest and a heretical dualist. This article, the first in-depth study of this important work, examines the text in its broader Islamicate environment. It argues that the narrative itself is probably fictional, but reflects a real historical phenomenon, namely the interreligious debates which took place among Zoroastrians, Muslims, Christians, and Jews during the ?Abbasid period. It argues that the text is a unique Zoroastrian example of a literary genre that was common among Christians at the time, namely, “the monk in the emir’s majlis.” By comparing the Gizistag Abāli? to these Christian texts, it explores why Zoroastrians generally did not launch explicit polemics against Islam, comparable to those of other non-Muslim communities. It seems that Zoroastrian authors were more concerned with explaining their own doctrines than critiquing the beliefs of others. This is curious considering the large numbers of Zoroastrians who were converting to Islam at the time. Finally, the article proposes new ways of refining the way we read Pahlavi texts, by analyzing them alongside the literatures of other religious communities in the early Islamic empire.     

Australian energy diplomacy

While Australia is considered an energy superpower, Australian foreign policy has often overlooked energy diplomacy. Given the transformations taking place in global energy markets, the time is ripe to begin a policy discussion in Australia on energy diplomacy. I argue that Australian diplomatic efforts should broaden beyond a historical focus on promoting fossil fuels and securing export markets, to driving global energy governance reforms through the G20. This will not only help to ensure that the international energy architecture is capable of achieving governance objectives around energy security, energy access and climate change, but significantly, it will also help Australia to achieve broader foreign policy goals, such as ensuring emerging economies become responsible stakeholders within the international system.     

Suicides of German Jews in the Third Reich

This article re-examines Jewish responses towards Nazi racismby studying German-Jewish suicides. Its purpose is twofold.First, it moves beyond the discussion of suicide as a statisticalincidence and asks what motivated German Jews to commit suicide.Statistics, however elaborate, disregard individual fates andcircumstances. While not entirely dismissing suicide statistics,this article is primarily concerned with qualitative questionsof social context and individual motives. It introduces hithertoneglected archival sources, including suicide notes. These sourcesallow us to assess the impact of Nazi racial policies on individualsuicides and to study the emotional effect of Nazi policieson German Jews. This article also takes up the question as tohow far, if at all, German-Jewish suicides can be considereda form of resistance towards Nazism and to what extent theywere an act of despair and hopelessness. The Nazis claimed tobe the arbiters over the lives of Jews once the deportationsstarted in 1941. The vast majority of Jews left in Germany afterNovember 1938 were fairly elderly. They could not be expectedto go into hiding, and their will to live may have been less,as was, undoubtedly, the ability or desire to start a new lifeelsewhere. In this bleak context, the overwhelming majorityof German-Jewish suicides derived from personal despair andthe desire to preserve individual dignity and agency. Nazi racialpolicies coalesced in a condition of anomie, an overturningof normal life and its norms and values that increases the likelihoodof suicide, prompted by the collapse of hope in the possibilityof a future. Emile Durkheim originally developed the conceptof anomic suicide as a way to explain suicide as a social phenomenon.This concept helps us understand the suicides of German Jewsin the Third Reich both in their wider political and privateimplications.     

The Sociopolitics of Archaeology in Quebec: Regional Developments within Global Trends

In the 1960s, archaeology was a newcomer to Quebec’s cultural francophone scene, and commercial archaeology made its first appearance at the end of the 1970s. Today, in a context of global chronic economic crisis, we intend to examine the effects of provincial and federal ideological and economic trends on the praxis of archaeology in Quebec. These include a progressive deregulation of the public sector by weakening the institutions through the termination of archaeological posts or/and non-replacement of retired archaeologists, and a progressive disengagement of the public sector through conditional regulation, accompanied by a lax attitude towards entrepreneurs, and stickler regulations for archaeologists. We present a series of current issues and examples in Quebec archaeology which illustrate these trends, in particular two case studies occurring in Montreal and Northern Quebec, respectively.     

Truth as historical recapitulation: the dead of Cape Town’s District One

In this essay, I reflect on the massive and dramatic re-emergence of the dead of Cape Town’s District One in 2003, and its aftermath. I discuss how the resurfacing of these ancestors helps us understand how heritage discourses operate in Cape Town, and how their agency forces us to consider what it means to live in the city during post-apartheid urban renewal. I argue that the agency of the District One dead hinges on their exposure of the internal workings of discourse and the associated disciplinary practices through which we experience Cape Town and its heritage. This story ends ambiguously. I discuss how, following the storage of the District One dead in the Prestwich Ossuary, the gaze on Cape Town was redirected away from the city’s past and towards its future; I explore how their reinterment foreclosed a series of discussions regarding the reconciliation of past events with the present realities of Cape Town. I argue, finally, that truth at District One can be understood as a form of historical recapitulation.     

Empires for Peace: Denis Veiras’s Borrowings from Garcilaso de la Vega

Writing The History of the Sevarambians in the 1670s, the Huguenot Denis Veiras borrowed many ideas from Garcilaso de la Vega, also known as El Inca, whose Royal Commentaries of the Incas was published in 1609. Both works describe the history of an empire and justify it on the ground that it brought peace and unity. While Garcilaso’s book purported to be a history, his selection of facts reflected his goal of improving the treatment of the Incas by the Spanish. Veiras’s story also claimed to be a history, but it was transparently a fiction, even to the point of lifting many elements from Garcilaso’s book. What both works equally emphasized was that empires could aim at, and could be justified by, the benefits they provided their subjects. Both tell stories of benevolent and paternalistic rulers who founded nearly ideal societies in the countries they conquered. These were models of empire for peace and unity rather than merely promoting toleration of differences or concord among differing parties. Veiras’s utopia thus offers an instructive case study of the effects of cross-cultural borrowings of literary and political ideas.     

The New Cinema Going to the Dogs? The Encounter with Animal Otherness in the Film El aura

This paper explores the topic of animal alterity in Argentinian cinema in general, but primarily in Fabián Bielinsky's El aura. Through one of its much overlooked main characters, a wolfish dog, and her relationship with the human protagonist, this thriller develops a dialogue with the excluded and repressed visual subject status of animals. Historicizing this visual paradigm as originating in Renaissance perspectivism, and theorizing it alongside the gendered category of castration anxiety and the representation of women as to-be-looked-at-ness in film, this essay proposes that El aura reworks these traditions and comes to an innovative, even radical, conclusion about the possibilities of the human in relation to other, non-human forms of subjectivity. The dog fills the gap, and alters the parameters, of the missing femme fatale, if we read the film as pertaining to the noir (or neo-noir) genre. In its treatment of the relationship between the canine and human protagonists, it also reorients the viewer, thematically as much as esthetically, with regards to hegemonic binary categories such as active/passive, good/evil, predator/prey, and strong/weak. This article engages centrally with recent scholarship on human-animal relations.