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21.
In the 1960s, archaeology was a newcomer to Quebec’s cultural francophone scene, and commercial archaeology made its first appearance at the end of the 1970s. Today, in a context of global chronic economic crisis, we intend to examine the effects of provincial and federal ideological and economic trends on the praxis of archaeology in Quebec. These include a progressive deregulation of the public sector by weakening the institutions through the termination of archaeological posts or/and non-replacement of retired archaeologists, and a progressive disengagement of the public sector through conditional regulation, accompanied by a lax attitude towards entrepreneurs, and stickler regulations for archaeologists. We present a series of current issues and examples in Quebec archaeology which illustrate these trends, in particular two case studies occurring in Montreal and Northern Quebec, respectively.  相似文献   
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In this essay, I reflect on the massive and dramatic re-emergence of the dead of Cape Town’s District One in 2003, and its aftermath. I discuss how the resurfacing of these ancestors helps us understand how heritage discourses operate in Cape Town, and how their agency forces us to consider what it means to live in the city during post-apartheid urban renewal. I argue that the agency of the District One dead hinges on their exposure of the internal workings of discourse and the associated disciplinary practices through which we experience Cape Town and its heritage. This story ends ambiguously. I discuss how, following the storage of the District One dead in the Prestwich Ossuary, the gaze on Cape Town was redirected away from the city’s past and towards its future; I explore how their reinterment foreclosed a series of discussions regarding the reconciliation of past events with the present realities of Cape Town. I argue, finally, that truth at District One can be understood as a form of historical recapitulation.  相似文献   
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Writing The History of the Sevarambians in the 1670s, the Huguenot Denis Veiras borrowed many ideas from Garcilaso de la Vega, also known as El Inca, whose Royal Commentaries of the Incas was published in 1609. Both works describe the history of an empire and justify it on the ground that it brought peace and unity. While Garcilaso’s book purported to be a history, his selection of facts reflected his goal of improving the treatment of the Incas by the Spanish. Veiras’s story also claimed to be a history, but it was transparently a fiction, even to the point of lifting many elements from Garcilaso’s book. What both works equally emphasized was that empires could aim at, and could be justified by, the benefits they provided their subjects. Both tell stories of benevolent and paternalistic rulers who founded nearly ideal societies in the countries they conquered. These were models of empire for peace and unity rather than merely promoting toleration of differences or concord among differing parties. Veiras’s utopia thus offers an instructive case study of the effects of cross-cultural borrowings of literary and political ideas.  相似文献   
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This paper explores the topic of animal alterity in Argentinian cinema in general, but primarily in Fabián Bielinsky's El aura. Through one of its much overlooked main characters, a wolfish dog, and her relationship with the human protagonist, this thriller develops a dialogue with the excluded and repressed visual subject status of animals. Historicizing this visual paradigm as originating in Renaissance perspectivism, and theorizing it alongside the gendered category of castration anxiety and the representation of women as to-be-looked-at-ness in film, this essay proposes that El aura reworks these traditions and comes to an innovative, even radical, conclusion about the possibilities of the human in relation to other, non-human forms of subjectivity. The dog fills the gap, and alters the parameters, of the missing femme fatale, if we read the film as pertaining to the noir (or neo-noir) genre. In its treatment of the relationship between the canine and human protagonists, it also reorients the viewer, thematically as much as esthetically, with regards to hegemonic binary categories such as active/passive, good/evil, predator/prey, and strong/weak. This article engages centrally with recent scholarship on human-animal relations.  相似文献   
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Résumé  L'article s'attache à dégager le fil rouge qui relie les réflexions de Wilhelm Gottfried Leibniz sur les jeux de société à la théorie des jeux, telle qu'on la trouve dans l'ouvrage de John Von Neumann et Oskar Morgenstern. L'itinéraire décrit passe par les travaux de plusieurs mathématiciens du XVIIIe siècle sur différents jeux de hasard, pour aboutir aux recherches de quelques-uns des fondateurs des mathématiques modernes, comme Ernst Zermelo pour la théorie des ensembles et émile Borel pour la théorie des probabilités. II montre comment une analyse mathématique des jeux de société a débouché sur l'élaboration d'une grille générale d'analyse des phénomènes sociaux. Son cheminement révèle, en outre, la longue parenthèse du XIXe siècle où ce programme s'est trouvé abandonné et esquisse, en conclusion, quelques hypothèses pour l'expliquer. The paper strives to find the clue which links Leibniz' thoughts on parlour games to the mathematical theory of games in John Von Neumann and Oskar Morgenstern.Magna opera the way goes through the works of several XVIIIth century mathematicians on various games of chance to reach the research of some of the modern mathematics founders, as Ernst Zermelo for the sets theory and émile Borel for the theory of probabilities. The paper shows how a mathematical analysis of parlour games ends at a general framework to study the social phenomena. Its development also reveals how this research program has disappeared, all along the XIXth century, and suggests, in conclusion, some tentative explanations of this development. Une version préliminaire de cet article a été publiée dans la revue de l'Association historique des élèves du lycée Henri IV,Jeu et histoire, no spéc.:L'émoi de l'histoire, 25–26, printempsautomne 2002, p. 94–115.  相似文献   
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Studies of old aerial photographs of the Bahrain burial mound fields have revealed that a small number of both Early Type (c. 2200–2050 BC) and Late Type (c. 2050–1750 BC) mounds are encircled by an outer ring wall, apparently marking out the mound as belonging to an elite. Four of these mounds have been excavated, and the results are presented. The geological differences between the Early Type and the Late Type mound landscapes are discussed.  相似文献   
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The persistent uncertainty on the classification of the “new” glume wheat found in Neolithic and Bronze Age sites from Greece and other European settlements might be resolved only through analysis of its ancient DNA. Tools able to discriminate among different Triticum species on the basis of scarce, very damaged DNA, are therefore essential. While current attempts concentrate on DNA fragments sequencing and comparison, in some instances PCR-based selective amplification techniques might offer a cheaper and quicker alternative. The purpose of this research was therefore the identification of species-specific primers, able to distinguish caryopses of Triticum timopheevii subsp. timopheevii from those of Triticum turgidum subsp. dicoccum. Primers and their working conditions were defined and optimized using DNA from modern accessions. The ribosomal primers ITS1 tim and ITS2 tim, and the nuclear primer acetyl-coenzyme A tim clearly discriminated the sequences of Triticum timopheevii from other species. Finally, Neolithic charred wheat grains found in the sites of Sammardenchia (Pozzuolo del Friuli, Udine) and La Marmotta (Lago di Bracciano, Roma), belonging to the “new” wheat type or to emmer, were tested with the three selected primers. However, the results were not conclusive, because the samples analysed were apparently too degraded to yield useful DNA.  相似文献   
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