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Rural Transformation and Cultural Industries: Popular Music on the New South Wales Far North Coast 总被引:1,自引:0,他引:1
Chris Gibson 《Geographical Research》2002,40(3):337-356
This article explores the emergence of popular music as a niche cultural industry, connected to economic and social transformations on the New South Wales Far North Coast (also known as the ‘Northern Rivers’ region). The various images of the New South Wales Far North Coast as a ‘lifestyle’ region, ‘alternative’ locale and coastal retreat have attracted a diverse mix of ex–urban professionals, unemployed persons, youth subcultures, backpacker tourists and retirees. Yet, despite population growth, the region continues to suffer unemployment rates among the highest in Australia. Against this backdrop, diverse popular music ‘scenes’ have emerged, constituting an industry with linkages to cultural production in Sydney, Melbourne and overseas. While the region’s unique cultural mix has been suggested as a key site of comparative advantage, future employment is likely to remain transient, insecure, and governed by industry–wide labour relations. This case study illustrates some of the complexities underpinning contemporary urban–regional change in Australia, and provides cautious assessment of the capacity of the cultural industries to reinvigorate rural economies. 相似文献
63.
Geoff Miller 《Australian Journal of International Affairs》2002,56(2):197-206
This article examines the capacity of Australia's overseas network to respond to a range of different challenges confronting today's diplomats. These include doing more with less at a time of greater international interaction and activity; deepening our understanding of foreign societies at a time when it can be increasingly dangerous to do so; and doing both these things at a time when questions remain about our basic standpoint. 相似文献
64.
This paper considers the earliest metalwork hoards in Scotland, most of which have been found at conspicuous points in the landscape. The treatment of individual objects suggests that they had been carefully selected before they were deposited. Fieldwork, combined with computer reconstruction, shows that half the collections with adequate provenances come from places with direct views of the rising and setting sun at the solstices. The main emphasis seems to have been on midwinter. 相似文献
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On the eve of the royal wedding, two anthropologists and an actor – members of a street theatre troupe known as ‘The Government of the Dead’– were arrested for conspiracy to stage a performance. We adopt a Bakhtinian perspective of carnival laughter as essential to the scientific investigation of officialdom and ceremonial power. 相似文献
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Ian Miller 《Irish Studies Review》2014,22(3):396-398
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