Two Byzantine Albanian icons: a non-destructive archaeometric study

The present work is part of a project aimed at studying the pigments and painting techniques used by Albanian iconographers to produce Byzantine and post-Byzantine icons dating from the fourteenth to the nineteenth centuries; the state of conservation of these icons was also explored. Inorganic pigments are identified by means of X-ray fluorescence, reflectance spectrophotometry and UV fluorescence analysis. These analysis techniques were performed to discriminate between pigments on the basis of their typical features. Moreover, the study of the optical properties of paintings is of fundamental importance for correct restoration. This work enabled us to recognise the palette used in two artworks by anonymous painters of the fourteenth and fifteenth centuries. Only three small samples were taken from the edge and the back of the wooden tables in order to achieve information on preparatory layers. Twelve to fourteen non-destructive measurements were made to characterise the palette used by the two anonymous painters.     

Minero-petrographic characterization of fine ware from Cales (South Italy)

79 samples of black glazed pottery, Terra sigillata, fine common ware, and production indicators were recovered in the archaeological site of Cales and investigated via a multi-analytical program (polarized light microscopy, thermal analyses, XRPD, XRF, FESEM, FESEM-EDS). Among the materials, finds of important production indicators, represented by welded pieces of black glazed pottery and spacers, attest a local production. Polarized light microscopy shows that the inclusions consist of feldspar, quartz, mica, calcite, and lithic fragments of both volcanic and sedimentary nature. Additional information about the mineralogical assemblage comes from the XRPD that revealed the presence of neoformed Ca-silicates, indicating equivalent firing temperatures ranging from 750 to 1050°C. All the samples show a Ca-rich character and an extreme compositional homogeneity, including the production indicators. The comparison with some Ca-rich Campanian clay raw materials shows a greater affinity with the Mio-Pliocene marine clay sediments of the Apennine sector, which include local clays. This allowed us to formulate the first hypotheses about clay sources used to produce fine pottery during the third century BCE to the early imperial period in Cales.     

Preliminary Assessment on Seismic Vulnerability of Masonry Churches in Central Chile

ABSTRACT

The 2010 Maule Chile earthquake (Mw 8.8) caused extensive structural damage to the built heritage. In particular, the poor seismic performance of a set of unreinforced masonry (URM) churches highlighted the need to implement protective and safety strategies in order to preserve these buildings which exhibit unique constructive and typological features, as a result of a combination of Chilean and European construction cultures.

The peculiarity of this heritage and the high seismic hazard of Chilean territory have motivated the present study which aims to apply systematic procedures to assess the seismic vulnerability of these buildings. This article is of archival nature and presents a complete database generated from the geometrical, constructive, and structural characteristics of a representative stock of 106 churches located in central Chile, with the goal of proposing fragility curves to be used in seismic risk assessment. Considering variables related with geometrical, architectonic, and stylistic features, as well as damage levels for the 2010 Maule earthquake, this church sample is classified into three homogenous groups: colonial, neo-classic, and neo-gothic. Moreover, a preliminary qualitative assessment of the seismic capacity of these structures is provided using a survey and analysis of geometric indices for each of the three selected groups.     

POST‐COLONIAL RUINS: Archaeologies of political violence and IS

The carefully staged and hyper‐mediated destructions at a number of world‐famous archaeological sites in the area controlled by the Islamic State across Syria and Iraq have often made the headlines in recent months; and these spectacles can be counted among IS' visual markers of identity. In the mainstream media, they have largely been interpreted either as ‘cultural cleansing’ or as an expression of IS' inhumanity, of its barbaric iconoclasm and its criminal fight against idolatry. In this paper, I propose to interpret them as overdetermined acts or rather spectacles of destruction that must be situated within a specific political genealogy. I highlight the long‐standing, deep entanglement between archaeology and (empire and) state building in the Levant.     

‘…but not gagged’: Responding to Covid-19 and its control measures in France,Italy and the USA

The beginning of the Covid-19 pandemic was far from the ‘great equalizer’ sometimes described by the media. This article shares themes emerging from research conducted in 2020 in France, Italy and the USA concerning responses to the pandemic and its social effects. The authors analyze how the pandemic elicited varied reactions within the three countries where they conducted anthropological fieldwork. They propose that narratives of the Covid-19 response can shed light on how individuals navigate social and political relationships in each context.     

Wild Birds of the Italian Middle Ages: Diet,Environment and Society

ABSTRACT

Wild birds are intrinsically associated with our perception of the Middle Ages. They often feature in heraldic designs, paintings, and books of hours; few human activities typify the medieval period better than falconry. Prominent in medieval iconography, wild birds feature less frequently in written sources (as they were rarely the subject of trade transactions or legal documents) but they can be abundant in archaeological sites. In this paper we highlight the nature of wild bird exploitation in Italian medieval societies, ranging from their role as food items to their status and symbolic importance. A survey of 13 Italian medieval sites corresponding to 19 ‘period sites’, dated from the fifth to the fifteenth centuries, reveals the occurrence of more than 100 species (certainly an under-estimate of the actual number). Anseriformes and Columbiformes played a prominent role in the mid- and late medieval Italian diet, though Passeriformes and wild Galliformes were also important. In the late Middle Ages, there is an increase in species diversity and in the role of hunting as an important marker of social status.     

‘A NEW SEASON FOR PLANNING’: URBAN GARDENING AS INFORMAL PLANNING IN ROME

This article investigates the relationship between urban gardening and planning by building upon the results of field research on gardening initiatives in the city of Rome, Italy. The work is aimed at suggesting that, while often associated in geography and planning literature with urban informality practices (e.g. accidental city or self‐made urbanism), urban gardening actually presents the character of a distinctive form of people's interaction with urban space, here defined as “informal planning”. This includes practices that are intentionally put forward by local dwellers with the intention of urban space planning and organizing public life in the absence of legal definition, guidance and funds provided by public authorities or the private sector. Urban gardening cases in Rome exemplify the emergence of informal planning and show how, by questioning the counterplanning tradition that understands urban gardening as an antagonist spatial practice opposing institutional planning, informal planning can open up collaborative possibilities. A new mode of interaction between citizens' agency and the formal planning initiatives of local administration can lead to creative solutions to address some of the problems associated with the neoliberal transformation of the city space, most notably the decrease in public space and its deterioration.