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61.
Charcoal-tempered pottery is uncommon in North America, but was produced with notable frequency in Northeast Florida from ca. AD 300–600. Thirty-six thin sections of pottery were analyzed by petrographic analysis and compared to 10 clay samples in order to characterize the paste of charcoal-tempered wares in terms of charcoal and mineralogical composition and abundance, assess the number of clay sources used to make the pottery, identify the species of wood represented in charcoal inclusions, and infer techniques of ceramic production. This analysis identified four temper categories, three texture groups, and three distinct clay resources used to make charcoal-tempered pottery, all of which were likely local to Northeast Florida. Identified wood taxa include pine (Pinus sp.), cedar (cf. Juniperus sp.), cypress (cf. Taxodium sp.), and sassafras (Sassafras albidum), with pine suspected to be the most common. These genera of charred wood, which exhibit minimal shrinkage in the samples, along with the prevalence of bone and grog inclusions, indicate that hearth contents were processed as temper, sometimes in combination with quartz sand. Potential reasons for the use of hearth contents as temper are considered. 相似文献
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Hye‐Kyung Lee 《International Journal of Cultural Policy》2013,19(3):289-305
This article argues that arts marketing theory is embedded in the existing context of the nonprofit arts sector – that is, Romantic belief in the universal value of the arts and producer authority over the consumer. As “a set of techniques” and “a decision‐making process”, marketing was able to sit comfortably in the nonprofit arts context during the 1970s and 1980s. However, recent recognition of marketing as “a management philosophy” has brought out incompatibilities between the customer orientation of the marketing notion and the Romantic view of artistic production. This article demonstrates that arts marketing writings embrace Romanticism through the following: generic marketing concept; relationship marketing approach; extended definition of the customer; extended definition of the product; and reduction of marketing to function. Such findings suggest that persistence of the existing belief system and the embeddedness of the market be considered when marketisation in the arts sector is analysed. 相似文献
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Terence Lee 《International Journal of Cultural Policy》2013,19(3):281-299
The availability and “readiness” of culture as a mode of governmental control makes cultural policy a matter of great importance in any contemporary society. This is true not only in liberal democracies with established arts councils or cultural policies, it is also proactively pursued by a technologically advanced yet illiberal regime like Singapore, eager to position itself as the global “Renaissance City” of the twenty‐first century. What this “renaissance” model entails remains highly cryptic, not least because cultural terms and political markers are often elusive, but also because the very concept of “cultural policy” shifts along with the political and economic tides in Singapore. Drawing on a rarely cited essay by Raymond Williams, this article offers an historical look at cultural policy in Singapore – from its first articulation in 1978 to its present standing under the rubric of “creative industries” (2002). It considers some of the problems encountered and the societal changes made to accommodate Singapore’s new creative direction, all for the sake of ensuring Singapore’s continued economic dynamism. This article contends that cultural policy in Singapore now involves extracting creative energies – and economies – out of each loosely termed “creative worker” by heralding the economic potential of the arts, media, culture and the creative sectors, but concomitantly marking boundaries of political exchange. In this regard, culture in Singapore has become more than ever a site for governmentality and control. 相似文献
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Abstract This article describes the background and reconstruction of the Belgian 1961 census sample file. Recently, a complete codebook for the sample file has been drawn up, and the representativeness of the sample has been evaluated as accurate, except for the loss of cases that occurred for three Belgian subregions. With the addition of the 1961 census sample, cross-sectional microdata from the five successive population censuses since that year, covering a broad range of topics, are now available to the research community. The reconstruction of the 1961 census sample was part of the activities of the HISSTAT project, which is currently being run by a consortium of research institutions in Belgium to bring together cross-sectional aggregated data since 1800, aggregated longitudinal data since 1880, and cross-sectional microdata since 1961, all covering the entire country. 相似文献
70.
Lee Briscoe Thompson 《The American review of Canadian studies》2013,43(1):56-85
This article ponders the quest for a new Quebec constitution. It critically analyzes a proposed Quebec constitution introduced as a bill in Quebec's National Assembly in 2007 1 and probes the meaning and significance of such a provincial constitution. It makes some comparisons of Quebec's current constitution with those of other provinces and concludes by reflecting on the political prospects and legal effects of such a proposed new constitution. The adoption of a new Quebec constitution, along the lines proposed in 2007 and 2008, should not significantly alter Canada's constitutional order under Canadian law or affect Quebec's current constitutional arrangements with Ottawa and the other provinces. Such a new constitution might, however, come to prevail over other Quebec laws. The objectives of the proposed new constitution are to forge and reinforce Quebecers' sense of a common political identity. The project, however, is not currently at the forefront of discussion. 相似文献