Damage caused by insects during the mummification process: an experimental study

The process of mummification had been known since the Fourth Dynasty of the Old Kingdom (ca. 2600 bc) and continued to develop throughout ancient Egyptian history. Although mummification protected the body from decay, especially by microbes, some mummification techniques left the body susceptible to insect attack. Certain types of insects have been detected in the mummies. In scholarly publications, most authors have dealt with microorganisms, while few have concerned themselves in depth with the effect of insects on the mummies. This study aims to discuss the significance of insects and the changes they affected to the mummies during embalming. To achieve this goal, experiments were carried out replicating various mummification techniques using albino Wistar rats. Analysis and investigative techniques used included visual observation, Fourier transform infrared spectroscopy, investigation of the surface morphology by a scanning electron microscope, and color change by a spectrophotometer. The following insects could be identified as being present during the second and third processes of mummification: Dermestes maculatus, Necrobia rufipes, Saprinus gilvicornis, Chrysomya albiceps, Wohlfahrtia magnifica, and Attagenus fasciatus. In addition, the majority of our findings confirmed that the degradation by insects increased with the second and third methods of mummification. Finally, the experimental study conducted using the mummification techniques of the New Kingdom (ca. 1570–1070 bc) indicated that they were more resistant to insect attack than the other types.     

Phylogeography of einkorn landraces in the Mediterranean basin and Central Europe: population structure and cultivation history

Einkorn (Triticum monococcum L.) was one of the first cereals to be domesticated in the Old World ca. 10,000 years ago and to spread towards Europe and North Africa. Its cultivation declined before the Iron Age and it remains today only as a relic crop in remote areas. To investigate if the geographic distribution of genetic diversity in modern einkorn landrace accessions could be informative about the movement of this crop during prehistory, we genotyped 50 accessions of einkorn from Europe, North Africa and the Near East. Using nuclear and chloroplast microsatellites and clustering methods, we detected two main gene pools in einkorn. The distribution of these lineages revealed differences between accessions from Morocco and the Iberian Peninsula from the rest of Europe and the Near East and suggests different regional dynamics in the spread of this crop.     

On some Anomalies Observable in the Earlier Styles of English Architecture

Excavations in the south range of the cloister of Bordesley Abbey have produced an unusual sequence. The construction scheme of the buildings to the south of the cloister arcade—centring on the refectory and kitchen—was piecemeal and took over two hundred years, from the later twelfth to early sixteenth centuries. At an early stage the range included timber (which may have been part of the original temporary structures) and stone buildings. In the fifteenth century there was a major change of use: the refectory became a workshop and dumping area while the kitchen was used for non-ferrous metalworking: these activities probably continued to the Dissolution. The implications of the excavations are considered in the context of the development of the cloister and then the precinct. The important evidence for adaptation and innovation is discussed in the light of work elsewhere in order to argue that the results have a relevance for other Cistercian houses and monasteries in general.     

Peverell’s Castle in the Peak

The church at Hardham is a small simple building constructed of sandstone and ironstone rubble interspersed with Roman tiles; originally it was whitewashed. It was built without a tower, but a bell turret was added in Victorian times. There are no features which prove that it was built before the Conquest, but three of the deeply-splayed windows are primitive; one of them has a rebate on the outside for a shutter. Other windows were cut later, the earliest being a double lancet behind the altar which dates from the thirteenth century. The church consists of a nave, 9.6 m x 5.8 m (31 ft 6 in x 19 ft), and chancel, 5.2 m x 4.7 m (17 ft x 15 ft 6 in). The insertion of the lancet window has destroyed the centrepiece of the decorative scheme of paintings which extended over both parts of the church and formed an integrated whole (Johnston 1901a, 74; 1901b, 62; Milner Gulland 1985, 27, 43; Baker 1986, 49–49). In both nave and chancel the theme of the decoration is the contrast between good and evil. Thus, in the nave the Sacrificial Lamb with angels waving censers is placed over the chancel arch and is confronted by a representation of the damned in hell which faces it on the west wall. In the chancel, Christ seated in Majesty, adored by Cherubim and the Elders of the Apocalypse, was painted on the east wall and faced a representation of the Fall of Man and the history of Adam and Eve on the east face of the chancel arch. This scheme interprets the words of St Paul, As in Adam all die, so in Christ shall all be made alive' (I Corinthians xv, v 22). The central part of this composition was destroyed by the insertion of the thirteenth-century window. The theological idea that sin was brought into the world by the disobedience of Adam and Eve, and could only be expunged by the Life and Passion of Christ, is often illustrated in the Middle Ages. This, for instance, is the theme of the illustrations in the St Albans Psalter, which was produced during the first half of the twelfth century (Dodwell et al. 1960, 49; see especially Pacht 1962, 49–53).     

The Parliaments of Cambridge

Re-examination of St-Brieuc and Wilburton metalworking shows they cannot align, and this requires a general reordering of the Atlantic Late Bronze Age sequence. They have many differences, principally sword types. St-Brieuc always has U-butt Kerguérou (Limehouse in Britain) swords, whereas Wilburton always has Wilburton swords. Wilburton must follow St-Brieuc, so a new Limehouse stage is inserted between Penard and Wilburton, to align with St-Brieuc. The combination of U-butt sword and straight-mouthed chape of St-Brieuc and Limehouse is consistent throughout Atlantic Europe. So too are the characteristics of Wilburton metalworking which followed, and its Brécy equivalent in France. In Britain the contemporaneity of Wallington and Wilburton is reaffirmed. Both played a part in the emergence of Ewart Park 1 metal-working, with South Yorkshire/Lincolnshire a vital contact zone. The Atlantic Late Bronze Age unravelled after Wilburton. Iberia effectively dropped out after Huelva, diverted by Phoenician influences. Links between Britain and Atlantic France declined, and their sword and axe preferences diverged. The various weapon complexes of Ewart Park 1 in Britain have no equivalents in France. Ordering and sub-dividing this final phase of the LBA has always been imponderable but has been helped by the identification of St-Philbert (Huelva) swords, which show what are Ewart Park 1 hoards in Britain and contemporary Longueville hoards in France. They also make clear that the Carp's tongue complex must be relegated to the last part of the Late Bronze Age.