Ethnoarchaeology: A Non Historical Science of Reference Necessary for Interpreting the Past

Ethnoarchaeology appears nowadays as a poorly formulated field. However, it could become a real science of reference for interpreting the past if it was focused upon well-founded cross-cultural correlates, linking material culture with static and dynamic phenomena. For this purpose, such correlates have to be studied in terms of explanatory mechanisms. Cross-cultural correlates correspond to those regularities where explanatory mechanisms invoke universals. These universals can be studied by reference to the theories found in the different disciplines they relate to and which are situated outside of the domain of archaeology. In the domain of technology, cross-cultural correlates cover a wide range of static and dynamic phenomena. They allow the archaeologist to interpret archaeological facts—for which there is not necessarily analogue—in terms of local historical scenario as well as cultural evolution. In this respect, it is shown that ethnoarchaeology, when following appropriate methodologies and focussing on the universals that underlie the diversity of archaeological facts, does provide the reference data needed to climb up in the pyramid of inferences that make up our interpretative constructs.     

The Art of Taphonomy and the Taphonomy of Art: Layer IV,Molodova I,Ukraine

Level IV of Molodova I, an open-air Middle Paleolithic site in the Ukraine has been described by some researchers as a possible source of evidence for early symbolic behavior. We examined bone objects from this layer that were identified by Ukrainian researchers as exhibiting possible Neandertal produced engravings including two anthropomorphic figures. While we have determined that there is no evidence of symbolic activity at Molodova I, the database we have created, with its systematic recording of traces left by taphonomic agents on faunal remains, provides a better understanding of the overall site taphonomy.     

Reviews

SPECIAL STUDY ON ECONOMIC CONDITIONS IN NON‐SELF‐GOVERNING TERRITORIES. United Nations, N.Y., 1960. Pp. v + 42. $1.50.

LAND, “WATER AND FOOD. Herbert Addison. 2nd edition, London, Chapman & Hall, 1961. Pp. xii + 284. Stg. 21/‐.

THE ATTACK ON WORLD POVERTY. Andrew Shonfield. London, Chatto & Windus, 1960. Pp. x + 244. Australian Price 34/9.

THE ECONOMICS OF DEFENSE IN THE NUCLEAR AGE. Charles J. Hitch and Roland N. MeKean. Cambridge, Mass., Harvard University Press, 1960. Pp. xiv + 422. Australian price 98/3.

DEFENCE BY COMMITTEE. F. A. Johnson. London, Oxford University Press, 1960. Pp. viii + 416. Australian price 81/3.

EMPIRE INTO COMMONWEALTH—the Chichele Lectures, Oxford, May 1960. Earl Attlee. London, Oxford University Press, 1961. Pp. 54. Australian price 12/6.

TANGANYIKA AND INTERNATIONAL TRUSTEESHIP. B. T. G. Chidzero. For the Royal Institute of International Affairs. London, Oxford University Press, 1961. Pp. xii + 286. 2 maps. Australian price 57/9.

MULTI‐RACIAL SOUTH AFRICA. Z. J. de Beer. For the Institute of Race Relations. London, Oxford University Press, 1961. Pp. vii + 69. Australian price 10/‐.

POLITICAL AFRICA: A WHO'S WHO OF PERSONALITIES AND PARTIES. Ronald Segal. London, Stevens, 1961. Pp. xii + 475. Australian price 72/‐.

INDIA'S CONSTITUTION IN THE MAKING. B. N. Rau. Calcutta, Orient Longmans, 1960. Pp. 510. Rs. 25.

OIL IN THE MIDDLE EAST. S. H. Longrigg. For the Royal Institute of International Affairs. London, Oxford University Press, 1961. Pp. xiii + 401. Australian price 55/6.

TRADE PROTECTION IN AUSTRALIA. A. J. Reitsma. Leiden and Brisbane. H. E. Stenfert Kroese and University of Queensland Press, 1960. Pp. xi + 195. Australian price 40/‐.

NEW MEN OF PAPUA: A STUDY IN CULTURE CHANGE. Robert F. Maher. Madison, University of Wisconsin Press, 1961, Pp. xii + 148.     

Anton Raederscheidt's distorted self-portraits and their significance for understanding balance in art

Following a right cerebral stroke, the German artist Anton Raederscheidt produced a remarkable series of self-portraits that depicted his severe visual neglect and gradual recovery. These distorted images, like those drawn by others with this disorder, inform us about lateral balance in art and why it is common in the art of cultures separated in time and space. After describing how artists in various cultures have employed lateral balance, I present Arnheim's view that this aspect of art is the result of visual forces generated by the brain. Following a brief history of visual neglect, I present evidence that this disorder provides us with clues to the origin of the visual forces responsible for lateral balance in art. The relevant brain mechanisms control exploration of visual space by integrating orienting movements with visual spatial information. The prevalence of lateral balance in art becomes understandable when we consider that these brain mechanisms evolved to promote survival in our vertebrate ancestors. I end with a speculative neurological account of the aesthetics of lateral balance--why it is pleasing and its absence is displeasing.     

Gamming Chairs and Gimballed Beds: Seafaring Women on Board Nineteenth-Century Ships

During the nineteenth century, many captains’ wives from New England took up residence on the ships their husbands commanded. This article focuses on how those women at sea attempted to use material culture to domesticate their voyaging space. While writing in their journals, they referred to not only the small personal things such as books and knitting needles that they brought in their trunks, but also large items, built for and used by women, such as gamming chairs, deckhouses, parlor organs, sewing machines, and gimballed beds. Mary Brewster attempted to retreat from the ship’s officers in her small deckhouse, Annie Brassey slept in the gimballed bed, and Lucy Lord Howes disembarked in a gamming chair when captured by Confederates during the Civil War. Evidence of these artifacts found during shipwreck archaeology could be used to further what is known of the culture aboard ships on which women lived. Analysis of the material culture reveals how a captain’s wife domesticated space, altered her environment, and made a home on the ship for her family.     

The Maritime Cultural Landscape of Northern Patagonia

This article is a contribution to the study of the indigenous navigation and its boats in the region of northern Patagonia. This article also aims to contribute to the understanding of indigenous navigation practices and technologies and their origins from prehistoric times to the mid-twentieth century. It presents and discusses the concept of Westerdahl’s Maritime Cultural Landscape in relation to other landscape concepts. This model is applied to northern Patagonia in order to discuss if it is possible to speak of a true maritime culture in the region. For this purpose, archaeological, historical and ethnographic data are presented in an integrative and innovative methodology for the discipline. Finally, the Maritime Cultural Landscape model will allow the integration of aquatic and terrestrial landscapes as routes traveled by native inhabitants of northern Patagonia and southern Chile, and propose an important and diversified maritime, river and lake tradition.     

Prehispanic Dugout Canoes in Mexico: A Typology Based on a Multidisciplinary Approach

Navigation implies a deep knowledge of the environment in which it is practised as well as the development of correlated technologies and techniques. In fact, sailing in lakes, rivers, along coasts or in high seas requires specific skills. This is why watercraft reflect the specific expertise of cultures in relation to the available resources and materials. Navigation as a means of movement and boats as modes of transportation is a well-documented topic in Europe, Asia and the Pacific Ocean, whether focusing on antiquity or the present. Nonetheless, in the New World, especially in Mesoamerica where the Aztec, Tarascan and Mayan Empires flourished, indigenous maritime history has been thoroughly under-investigated. This article explores the first prehispanic dugout canoes of the region, based on a multidisciplinary approach for the Mexico and Pátzcuaro Basins, in the Late Postclassic period (AD 1325-1521). For the first time, a typology of these dugout types is proposed, with a discussion of the importance of dugout canoes as a means of transportation in Mesoamerican civilizations, where wheels and draught animals did not exist.