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91.
In Soviet sources from the Brezhnev era, the history of architectural preservation after 1917 was presented as a triumph of rational state‐building and cultural organisation: with the support of Lenin, the Bolshevik government had rapidly put in place effective measures to protect historic buildings for future generations. As this article shows, the evolution of legislative and practical measures was considerably more complicated than this optimistic representation would suggest. In the early Soviet period, a highly ideologised understanding of the past meant that preservationist ambitions might (especially during the ‘Great Break’ of 1928–1932) be seen as intrinsically reactionary. The canon of historical buildings was shaped by perceptions of centrality to Soviet values, as well as historical and aesthetic importance. The article also explores the transformation of attitudes to architectural heritage as a response to destruction by the invading forces during the ‘Great Patriotic War’, after which commitment to preservation became far more whole‐hearted, although enforcement and financial support continued to be inconsistent. The Soviet case indicates not just the importance of heritage preservation to the cultural ambitions and self‐image of the modern state but the limits of commitment to preservation and the pressure placed on this by the commitment to all‐out modernisation and to the propaganda of new identities and values.  相似文献   
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This essay attempts to stage an encounter between post‐Foucauldian approaches to masculinity in the ancient world on the one hand, and the reading of Augustine of Hippo's idea of Original Sin as a disjunction of the will, put forward in Robert Markus's Saeculum: History and Society in the Theology of Saint Augustine. Emphasis is placed on Book XIV of the City of God, where Augustine emblematises the result of Original Sin not –pace Foucault – through an image of irrepressible lust, but rather through that of the impotent male, humiliated by his inability to embody his desire.  相似文献   
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North-East Ambae, a member of the Oceanic sub-group of Austronesian, is spoken on the volcanic island of Ambae, in northern Vanuatu. Like many Austronesian languages, it has a complex system of spatial reference. In this paper I describe one aspect of this system, the use of the members of the word class of ‘directionals’. Directionals can be used to refer to both direction of movement and location in space, and involve the interaction between an absolute and a deictic system. The absolute system is based on a division of the environment that uses both the vertical axis and the landward-seaward axis, although it also uses other divisions. Onto this absolute system is mapped a partially deictic system, such that each of the oppositions of the absolute system can be marked according to a three-way distinction relative to the participants of the speech act. That the speakers are highly attuned to their environment is reflected in the use of this complex spatial reference system. The paper underlines the importance of detailed analyses of spatial reference systems in describing languages, reflecting the significance of such systems in common language use.  相似文献   
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The prison narrative attributed to the early third‐century Christian martyr Perpetua of Carthage has long attracted attention because of its dramatic portrayal of a Roman father's failure to extract obedience from his adult daughter as he tries to dissuade her from allowing herself to be punished as an enemy of the Roman state. This study explores the alignment between paternal authority and the authority of the Roman procurator Hilarianus in Perpetua's narrative, considering how the civic spaces of forum and arena became theatres for both filial and civil disobedience.  相似文献   
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Accounts and images created by foreign travellers on the Egyptian Nile over the past four centuries indicate the widespread use of rafts and floats for both local and long‐distance travel. Many of the materials employed survive poorly in archaeological deposits, or are otherwise easily overlooked as components of river‐craft: moreover, several of these raft‐types were built for a single journey or season, then dismantled. These travellers' accounts and images alert us to much humbler vessels than the well‐preserved wooden boats of the Pharaonic elite which have so far commanded the attention of maritime archaeologists. © 2010 The Author  相似文献   
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This paper explores the relationship between new forms of speakability and continuing unthinkability in the context of British local government lesbian and gay work, particularly post-1997. The paper argues new municipal speech acts ushered in progressive modes of sexual citizenship; at the same time, local government's refusal to think hard, deeply or critically, limited the modes of active citizenship made possible. The paper addresses the easing out of active citizenship through an analysis of local government's self-care and its intensification of firewalls – firewalls which restricted the possibility of certain non-state forces guiding from ‘a distance’.  相似文献   
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This essay explores the significance of the Elizabethan house of commons meeting in a converted royal chapel within the Palace of Westminster. In 1548 the dissolved collegiate chapel of St Stephen at Westminster was given over to the exclusive use of the Commons, providing MPs with a dedicated meeting space for the first time. Although a great deal has been written about Elizabethan parliaments, little attention has been paid to the physical spaces within which MPs gathered, debated and legislated. Drawing on parliamentary diaries and exchequer records and informed by digital reconstructions of the Commons chamber modelled by the St Stephen's Chapel project at the University of York, this essay argues for the enduring influence of the architecture and decoration of the medieval chapel on the procedure, culture, ritual, and self‐awareness of the Elizabethan house of commons. Famously likened to a theatre by the MP and writer on parliamentary procedure, John Hooker, the Commons chamber is analysed as a space in which parliamentary speeches were performed and disrupted. The sound of debate is contrasted with other kinds of noise including scoffing and laughter, disruptive coughing, and prayers led by the clerk and the Speaker of the Commons. The iconography of the chamber, including the royal arms above the Speaker's chair and the mace carried by the serjeant‐at‐arms, is interpreted as enabling a culture of counsel and debate as much as an assertion of monarchical power. Evidence is also presented for the Commons chamber as a site of political memory.  相似文献   
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