Ways of Seeing Early Modern Decorative Textiles

Abstract

The article introduces and contextualises this special issue on ‘Ways of Seeing Early Modern Decorative Textiles’, which comprises a series of essays that draw on the activities, research findings and insights of an Arts and Humanities Research Council-funded research network, ‘Ways of Seeing the English Domestic Interior, 1500–1700: The Case of Decorative Textiles’. Critically evaluating the results of the network’s findings, the paper situates them within a broader investigation of the role of decorative textiles in shaping the experience of domestic interiors in the past and present, and explores new ways of reading such objects in the context of the household. It examines the historiography and current range of approaches to the study, interpretation and exhibition of historic textiles, and analyses the insights offered by bringing together different disciplinary and professional perspectives. It argues for the key significance of these textiles for both historical and modern perceptions of the domestic interior and for the importance of collaborative, cross-disciplinary approaches to researching them in order to understand how they functioned in the early modern period and to inform new directions for their display and presentation in the present.     

Spreading fear,communicating trust: writing letters and telegrams during the Panic of 1873

Abstract

This article analyses how journalists and businessmen used and perceived the Atlantic cable following the failure of New York banking house Jay Cooke & Co. in September 1873, an event which sparked stock markets panics in Vienna and Berlin. It is argued that while bankers successfully used telegraphic cables to communicate intelligence such as price information, letters proved superior as a medium for establishing personal trust, as the case of New York banker George Opdyke shows. Journalists, too, were critical of the telegraph’s performance, blaming the paucity of information available on the technology’s supposedly inherent deficiencies. This criticism, it is argued, was ultimately based on the ‘imagined reception’ of cables by their senders, as well as on the persistence of earlier imagined uses of telegraphy. These, I argue, continued to inform contemporary expectations of telegraphy’s performance.     

Écrire la mort, écrire l’amour dans La Part secrète de Carol Bernstein

La Part secrète (1999) is the second text by Carol Bernstein, an American writer living in Paris, the first having been Le Rival invincible. This latest text exemplifies several contemporary discourses, addressing issues of disease, trauma, biography and autobiography, parentage, and testimony. Although at the crossroads of so many current debates, to date it has not attracted any critical studies. Faced with this lack, due perhaps to the brevity and apparent, but misleading, simplicity of this story, I first consider the text as a narrative about illness, relying primarily on Susan Sontag’s study Illness as Metaphor as well as Arthur W. Frank’s The Wounded Storyteller: Body, Illness, and Ethics. I then show that via writing the narrator manages to work through his feelings of loneliness, to overcome the lies that surround him and to inscribe himself within his family history. This second part of the article, which analyses the redemptive power of writing to rise above the ravages caused by an unnamed disease, is however only a fragment of the exposition because this act of writing is probably not in fact that of the narrator. It could be that of his daughter, usurping her father’s identity in an act of ventriloquism. Finally, I consider the daughter’s motivations in order better to understand how the writing of La Part secrète illuminates in a disturbing way the father-daughter relationship.     

Digital Technology and a Community Framework for Heritage Rock Art Tourism,Makgabeng Plateau,South Africa

Using digital technologies in the process of collecting and documenting oral heritage allows previously marginalised voices to feed into heritage and historical narratives for rock art heritage tourism. Literary heritage narratives have tended to dominate the dissemination of information on African heritage, whereas African cosmologies and oral traditions are the intangible values of place that attract visitors to heritage sites. In the Makgabeng, oral heritage narrated through stories, songs, dances and poetry and collected using digital technologies will help preserve African values threatened by the onslaught of Western ones, especially through written European languages and social media. The Makgabeng Community Rock Art Project re-values the role of elders in sustainability of heritage tourism initiatives and the integration of a community structure as a sustainable “ready-made” framework to heritage management in Africa.     

New Light on the Medieval Gough Map of Britain

Remarkably little is known about the earliest surviving separate-sheet medieval map of Britain that takes its name from its former owner, Richard Gough (1735–1809), and that has been variously dated to between 1300 and 1400, and later. It presents a sophisticated cartographical image at a time when detailed maps of individual regions were almost unknown in Europe, yet nothing is agreed about its possible origins, context (ecclesiastical or secular), or why and how it was compiled. In the belief that historical interpretation has to stem from an intimate knowledge of the map as artefact—the state of the parchment, nature of the inks, palaeography—as well as image, an informal study group of historians and scientists (the Gough Map Panel) was convened in 2012 to examine the map through high resolution digital reproduction, hyperspectral analysis, three-dimensional analysis and Raman pigment analysis. Although the study is still ongoing, much that is new has been discovered, notably about the way features were marked on the map, Gough’s application to the map of a damaging reagent to render place-names readable, and the extent to which the original map (now dated to c.1400), although never completed, was nonetheless reworked on two different occasions in the fifteenth century, effectively creating two further maps. These and other findings are summarized here to encourage the further study of the map’s features that is needed before it can be fully understood.