Relational creativity and improvisation in contemporary dance

ABSTRACT

In a study combining methodological elements from cognitive psychology and social anthropology, we worked with professional contemporary dancers making choreographic movement material to investigate the effects of working with others during improvisation. Dancers improvised alone, in pairs, and in a trio, they self-reported the number of new movement ideas created within two and four minutes, and self-rated ease, interest, originality, and clarity. Within two minutes, higher ratings were assigned in the unfamiliar pair than the familiar pair condition but there was no effect of group size on the number of ideas created. Within four minutes, more ideas were created in the solo condition than the pair condition with no effect of group size on ratings. Open-ended responses suggested that the quality and relevance of the ideas increased in the duo and the trio conditions. The conclusions point to emergent aspects of relations between persons as fundamental to creativity.     

Digital diaries: new uses of PhotoVoice in participatory research with young people

ABSTRACT

New technology offers extremely novel and useful ways of exploring ‘the everyday’ of young people’s lives and can include videos, live feeds filmed on social media, text messages, email communication, and messaging or headset communication on gaming consoles. The significance of mobile communication in the lives of young people means that digital diaries offers alternate ways of implementing PhotoVoice methods. This viewpoint proposes the ways in which digital diaries are a useful method of collecting data in research with young people and highlights the challenges and ethical concerns that must be considered when using this method.     

The performance of youth voice on the airwaves

ABSTRACT

This paper uses the case study of a youth-led community radio station, KCC Live, to argue that community radio is not a cure-all solution for disenfranchised and silenced young people. Drawing on 18 months of participant observation at KCC Live and data from in-depth interviews with volunteers, I argue that, owing to institutional constraints by station management; college management; and the regulatory body Ofcom, young people consider the airwaves to be a supervised, as opposed to emancipatory, arena. However, in attempting to combat the restricting nature of the airwaves, young people find new, performative ways to communicate. This paper provides empirical evidence which goes beyond previous simplistic conceptualisations of voice in youth media production and argues that romanticised notions of youth voice preclude performance and creativity. This paper offers an important contribution to children’s geographies in finding that pretend play, characterised by performance, can be considered a ‘life-span activity’.     

The desire for relevance (Respond to this article at http://www.therai.org.uk/at/debate)

In this editorial, the authors ask how anthropology constitutes its public compared to publics in other disciplines.     

Three reflections on public anthropology (Respond to this article at http://www.therai.org.uk/at/debate)

Clarifying the difference between engaged and public anthropology rests on the collaborative, confrontational, and transformative orientation of the former and the messaging concerns of the latter. Both are strengthened by a solid foundation in key theoretical concepts that distinguish the discipline's fundamental ways of knowing from other forms of social inquiry and engagement, like journalism and activism. These concepts include empiricism, translation, incommensurability, obligation, critique, subjectivity, circulation, emergence, rupture, and imagination. I also suggest an exploration of ‘ethnography‐scapes’ that trace the impact of ethnographies on readers, subjects, and most especially the connections among them.     

Women bargaining with patriarchy in coastal Kenya: contradictions,creative agency and food provisioning

Gender analysts have long recognised that challenging existing patriarchal structures involves risks for women, who may lose both long-term support and protection from kin. However, understanding the specific ways in which they ‘bargain with patriarchy’ in particular contexts is relatively poorly understood. We focus on a Mijikenda fishing community in coastal Kenya to explore contradictions in gendered power relations and how women deploy these to reinterpret gendered practices without directly challenging local patriarchal structures. We argue that a more complex understanding of women’s creative agency can reveal both the value to women of culturally-specific gendered roles and responsibilities and the importance of subtle changes that they are able to negotiate in these. With reference to food provisioning, the analysis contributes to more nuanced understandings of gendered household food security and women’s creative approaches to maintaining long-term security in their lives.