Seashore Settlement Patterns in the Koné and Naïa Periods: Case Studies from Southwestern New Caledonia

As part of a geological survey in southwest mainland New Caledonia, potsherds were recorded in the profiles at four coastal sites. Subsequent archaeological investigations at two of these sites have allowed us to diversify the ceramic data and show them to be local variants of Podtanean, Puen, and Plum ceramic types. These are characteristic of production in the southern part of the archipelago during the first millennium BC and first millennium AD. The presence of fishing sites showing no indication of permanent settlements on these seashores, and the clear absence of second millennium AD occupations related to the “Traditional Kanak Cultural Complex”, characterized by large sedentary hamlets, illustrate a significant shift in settlement patterns between the first and second millennium AD.     

Engagement in a Public Forum: Knowledge,Action, and Cosmopolitanism

Facing challenges to the civic purpose of higher education, some scholars and administrators turn to the rhetoric of engagement. Simultaneously, the political philosophy of cosmopolitanism has gained intellectual favor, advocating openness to the lived experiences of distant others. We articulate linkages between these two discourses in an extended case study, finding that a cosmopolitan ethos of engagement in a rural context can improve (1) understanding among people ordinarily separated by spatialized social‐ecological differences, (2) prospects for longer term environmental sustainability, and (3) the visionary potential of collaborative inquiry. Despite globalization of food systems and neoliberal shifts in fishery management, an annual fisheries forum facilitates coalitions that overcome dichotomies between technocratic and local knowledge, extending benefits to fishing communities, academia, and public policy. Iterative and loosely structured capacity building expands informally through affective processes of recognition and care, as decentralized leadership supports collective mobilization toward alternate futures.     

Archaeometallurgical Investigations in Nakhchivan,Azerbaijan: What Does the Evidence from Late Chalcolithic Ovçular Tepesi Tell Us about the Beginning of Extractive Metallurgy?

The Late Chalcolithic (4400–3950 b.c.) occupation levels from Ovçular Tepesi have yielded a significant assemblage of copper objects and remains of copper production. Together with ore finds, two fragments of nozzle, crucible remains, and a number of small metal artifacts, this assemblage includes the unexpected discovery of three copper axes in an infant burial jar. These axes are the earliest examples of large copper tools known to date in southwestern Asia, whether it is in the Caucasus, Iran, or the Anatolian highlands. More importantly, the fact that these objects were locally produced suggests that significant metallurgical activities were being carried out at Ovçular as early as the second half of the 5th millennium b.c. After presenting the evidence from Ovçular Tepesi, this paper will proceed to a reassessment of the available archaeological and geochemical data concerning the emergence of extractive metallurgy in the southern Caucasus.     

Sexualities,subjectivities and urban spaces: a case for assemblage thinking

In this essay, we argue that assemblage thinking has much to offer geographers attempting to conceptualize the interrelationships between sexualities, subjectivities and contemporary urban spaces. In our current research on queer mobilities, we found that despite the explanatory weight provided by mobilities approaches, two fundamental questions remained: how to conceptualise the nature of ‘the queer subject’, and how to better explain why certain kinds of urban spaces still seemed to support these newly mobile queer subjects. Here we speculate on the potential of assemblage thinking to formulate some new theoretical and conceptual responses to these questions. While quite preliminary, there is the potential to understand how interlocking (but temporary and unstable) notions of identities, subjectivities and mobilities (of ideas, people, knowledge, capital, etc.) can be ‘assembled’ in and across urban spaces, recursively reshaping sexualities and places.     

Western plague literature,the Irish Famine and Anthony Trollope’s Castle Richmond

This article places Castle Richmond, Anthony Trollope’s controversial Irish Famine novel, within the context of Western plague narratives as outlined by recent plague narrative scholars and by René Girard in his seminal 1974 essay “The Plague in Literature and Myth”. By demonstrating Castle Richmond’s conformity to a very particular cluster of attributes found in Western plague literature, this article helps expand our reading of Trollope’s novel, a work that is otherwise often seen as an incoherent failure. This article proposes that Trollope used Western plague discourse to structure and organise his response to Ireland’s Great Hunger. I contend here that we see in his novel’s construction the scaffolding of Judaic, Greco-Roman, Medieval and Renaissance plague narrative traditions, traditions that follow a predictable pattern of transgression, punishment, near social collapse, atonement achieved by expelling or sacrificing a scapegoat or scapegoats, followed by the restoration of an improved social order. This line of reasoning encapsulates Castle Richmond’s overt logical structure. Yet, this article goes on to argue that there are numerous ways in which Trollope undermines the logical “inevitability” and the “divine ordination” of the Famine which his use of Western plague discourse implies.     

Magic,Memory & Mimesis—the “Power” of the Historical Moving Image to Possess?

In 1936 and 1937, Diana and Antoinette Powell-Cotton made a film that purported to show a healing practice involving possession. Over seventy years later, the film produced the start of a possession state in an audience from the same region in which the film was made. This paper uses the explanations given by those in the audience for this near possession to challenge some frequently cited thinking on the mimetic, magical power of film to possess. It offers an alternative approach to the viewing of archive film drawing on a form of mimesis rooted in habitual bodily memory. This mimetic relationship allows for an immanence of past in the present dependent on the past experience of the viewer rather than the power of the image.