Jean-Jacques Rousseau on women and citizenship

This paper aims at understanding why Rousseau excluded women from citizenship. Citizenship, for Rousseau, is not a matter of right, not even a matter of behaviour (of how to behave individually to be a good citizen). It is a matter of social condition. How should society be constituted so that there can be citizens? The answer to this question is that there must be women in the private sphere so that there can be citizen in the public sphere. The paper begins with Montesquieu's model of the republican condition of women, considers the way Rousseau updated this model, and concludes with the idea, that much more than the male figure of citizenship (which remains a stereotype), the woman, in Rousseau, is the true figure of modernity.     

Geologic constraints on rain-fed Qocha reservoir agricultural infrastructure,northern lake Titicaca Basin,Peru

This paper reports new data on qocha ponds from the Rio Pucara–Azángaro interfluvial zone, northern Lake Titicaca Basin, Peru. Qocha are a little known form of Andean agriculture that developed around 800–500 B.C. and remain in use today. Prior estimates suggested that in the study area, there were more than 25,000 qocha. While most Andean sunken beds are excavated to reach groundwater, qocha are rain-fed ponds. How these rain-fed ponds functioned has been an open question, but one that is answered in part by research presented in this paper. We suggest that a thick impermeable stratum of clay that was possibly deposited by paleolake “Minchin” created a perched water table that makes rain-fed qocha reservoir agriculture possible. Field geology shows that within the study area, this stratum only exists under Terrace E. Based on this model, we hypothesized that persistently used qocha should only be found on Terrace E. To test this hypothesis we used remotely sensed data to inventory qocha and to determine their distribution by each terrace present. We identified 11,737 qocha. By area 93.77% and by count 94.33% of the qocha are located on Terrace E. These results strongly supported our hypothesis. This case study illustrates that the long term viability of this form of agriculture is made possible by a physical context that is beyond human control.     

Looking at Domestic Textiles: An Eye-Tracking Experiment Analysing Influences on Viewing Behaviour at Owlpen Manor

Decorative textiles were once ubiquitous and important, occupying a significant social and cultural space in the early modern interior, yet their impact upon how individuals engaged with domestic spaces is largely unknown. One way of approaching their impact is through an exploration of how present-day individuals engage visually with them in relation to other objects as they walk around an historic space. This article reports on one such investigation, an eye-tracking study which explored responses to the narrative hangings in Queen Margaret’s Chamber at Owlpen Manor in Gloucestershire. Using eye-tracking equipment, we compared the viewing behaviour of two groups of participants, to whom we gave key information before they entered the room. We found that both the expertise of the viewers and the information provided influenced their viewing behaviour. Our findings highlight the importance of individual understanding and information provided to viewers when engaging with historic spaces, and can inform museum and heritage practice as well as enhancing our comprehension of how viewers engage with such textiles in historic spaces.     

‘What say you to free trade in literature?’ The Thief and the Politics of Piracy in the 1830s

Between 1832 and 1834, Henry Mayhew and Gilbert Abbot à Beckett produced a weekly twopenny paper called The Thief. As its title suggested, this publication consisted of articles, stories and illustrations extracted, condensed and brazenly stolen from other periodicals, magazines, newspapers and books. Modelled on the format of Le Voleur, an early paper of Émile de Girardin, the great innovator of French popular journalism, scholars of Mayhew have generally treated The Thief as inconsequential hack work, if they even mention it at all. This essay, the first analysis of the paper itself, argues that The Thief is less ‘throwaway’ than it first appears. In satirical fashion, the paper used the methods of the radical press to critique the ‘liberal values’ of useful knowledge and free trade. Mayhew's involvement with The Thief connected him with a vibrant radical underground print culture. Moreover, in its suspicion of middle-class liberalism and of the rhetoric of free trade, The Thief set the thematic tone for much of Mayhew's later work.     

Andrew Dury's map of the present seat of war,between the Russians,Poles, and Turks (1769)

Abstract

The chance assembling of a number of different impressions of Andrew Dury's Map of the present Seat of War between the Russians, Poles, and Turks (1769) in the British Library led the authors to examine the map's carto‐bibliographical history. Nine states of the map, two of which were sometimes sold with printed paste‐ons, have been identified to date. The two earliest states of the map are now in the State Historical Museum, Moscow. Although both are best described as proof, or pre‐publication, impressions, each bears evidence of intensive use at the highest levels of the Russian army command. Indeed, the circumstances leading to the creation of the map by Andrew Dury and Peter Bell and to a succession of different versions over the three decades or so of intermittent Russian‐Turkish hostilities highlight the interplay of international politics, individual initiative and commercial factors in late eighteenth‐century map production in London.     

Stamped Signs on Manuscript Maps in the Renaissance

Abstract

The cordiform projection employed by Oronce Fine, Gerard Mercator and Abraham Ortelius may have had a hermetic meaning. The focus in this paper is on Ortelius, for recent studies have suggested connections between Ortelius, Christopher Plantin and a clandestine religious sect in Antwerp, called the Family of Love (Family of Charity), whose emblem was the heart, source of divine illumination and of Free Will. It is argued that Ortelius's contemporaries in the radical religious circles of northern Europe would have perceived the Theatrum orbis terrarum in such a light. As Guillaume Postel's evaluation of Ortelius's work demonstrates, the atlas was considered a talismanic book based on the power of the images.