Archaeological carved slabs of the Langobard art in churches of Peligna Valley and Spoleto (Italy): provenance of the stones

In this study we investigate the provenance of the limestone and marble used to made carved slabs today placed in three churches located in Raiano and Vittorito (Peligna Valley, Abruzzo, Italy) and in Spoleto (Umbria, Italy). The slabs, representative examples of the Langobard art (Middle Ages), are dated approximately from 8th to 9th centuries A.D. and have the same pattern in terms of decoration, suggesting a progressive expansion of Langobards in central and southern Italy, after the foundation of the Pavia Kingdom.     

Beyond Orientalism: When Marceline Desbordes-Valmore carried Saʿdi’s Roses to France

This article follows a thread of translation and intertextual dialogue, taking us from the thirteenth-century Persian poet Sa?di to the nineteenth-century French poet Marceline Desbordes-Valmore. It reads Desbordes-Valmore’s poem ‘Les roses de Saadi’ (1860) with the two passages from Sa?di’s Golestān from which it was inspired, shedding new light on the poem’s metapoetic subtext. The original Persian text is compared to two French translations that were circulating at the time when Desbordes-Valmore was writing. This analysis of the Golestān’s reception forms the basis for the argument that Desbordes-Valmore recast in secular terms Sa?di’s discourse on poetic language, emphasizing the continuity, rather than difference, between her concerns and Sa?di’s. The case of Desbordes-Valmore thus reveals a forgotten facet of nineteenth-century French engagements with Middle Eastern culture: one of identification and literary influence, which existed alongside the processes of “othering” for which the period is better known.     

Italy's Postcolonial ‘Question’: Views from the Southern Frontier of Europe

In Italy, like in many other European countries, cultural roots and national identity are currently shifting as the result of contemporary transnational migrations and globalization. This essay analyses how the paradigm emerging from the Italian national case contributes to a redefinition of the postcolonial canon centered on British history and culture and to the notion of a “European” postcolonial as a whole. To this aim, the authors identify in colonial history and contemporary immigration the threads that connect the postcoloniality of Italy to that of other European countries. At the same time, they locate the specificity of the Italian postcolonial in the intersection between these factors and other events in Italian history that have strongly influenced the process of shaping an Italian national identity: the Southern question, intranational and international mass emigrations, new mobilities, the subaltern position of Italy within the European Union, and the geopolitical dislocation of Italy as the Southern frontier of Europe. The authors close their essay by presenting a Mediterranean Southern perspective grounded in new forms of knowledge and aesthetic sensibilities that counteract Europe's sense of encroaching and its politics of border protection.     

Archaeometric evidences of the 4th–2nd century BC amphorae productions in north eastern Sicily

This work focuses on the petro-archaeometric analysis of several transport amphorae dated back from 4th to 2nd century BC which were found in various archaeological excavations recently carried out in Messina and Milazzo (north eastern Sicily). These amphorae, generally known as Graeco-Italic, raise the problem of the identification of their production areas. Petrographic analyses proved the presence of two groups characterised by the presence of coarse metamorphic or volcanic inclusions and one group with finer metamorphic inclusions. Multivariate statistical analyses made it possible to detect the production area of the amphorae with metamorphic inclusion in north eastern Sicily, comparing them with locally produced bricks and clay sediments cropping out near the ancient cities. On the contrary, the studied amphorae rich in volcanic inclusions have petrographic and chemical features which can be attributed to production areas in the Campanian region.     

Glückliche Fügung: Experiments’ Potential to Integrate Disciplines**

This essay reviews the discipline-connecting potential of experimentation. Two examples are used to illustrate how researchers in the first half of the twentieth century profitably combined resources from different disciplines in their experiments. These experiments were designed to test mechanism models describing chemical processes underlying the behavior of biological systems. The researchers had clear expectations about how certain interventions should affect the behavior of the organisms studied, if that behavior was indeed based on the presumed chemical processes. They manipulated the organisms in the relevant ways and determined how the behavior of the organisms changed as a result.     

Artistic Critiques of Modern Dictatorships

Under a political dictatorship it is primarily from the margins that an artistic critique can be articulated, as suggested by the examples presented in this article from Romania and Chile during the 1970s and 1980s. By focusing on their threefold marginality—of the artist, the art form, and the subject of art—and by applying to them Jacques Rancière's concept of dissensus, the analysis of artistic variants of marginality sheds light on the relationship of art and politics in totalitarian regimes.