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121.
Guillaume Porraz John E. Parkington Jean-Philippe Rigaud Christopher E. Miller Cedric Poggenpoel Chantal Tribolo Will Archer Caroline R. Cartwright Armelle Charrié-Duhaut Laure Dayet Marina Igreja Norbert Mercier Patrick Schmidt Christine Verna Pierre-Jean Texier 《Journal of archaeological science》2013
This paper presents the first multidisciplinary synthesis of the Middle Stone Age sequence of Diepkloof Rock Shelter (South Africa). We explore the main cultural changes that characterized southern African hunter–gatherer societies from OIS 5 to the beginning of OIS 3. We discuss the tempo of these changes, test the current interpretative hypotheses and explore an empirical model to explain the early appearance of symbolic marking within the Pleistocene hunter–gather societies of southern Africa. 相似文献
122.
This article presents the results of the anatomical identification of wood charcoal from pre-Still Bay, Still Bay and Howiesons Poort assemblages at Diepkloof Rock Shelter (South Africa) using scanning electron microscopy. In the earliest phases, with pre-Still Bay stone tools, the charcoal shows a predominance of Afromontane forest taxa, some riverine woodland species, mesic thicket and proteoid fynbos vegetation. With a change in lithic technology in Still Bay contexts, the balance of Afromontane and thicket taxa shifts towards favouring the latter. A more diverse array of proteoid fynbos species emerges, and there is evidence for the use of plants from the local wetlands of the Verlorenvlei. In Howiesons Poort contexts, typified by a different lithic technology, the charcoal shows some Afromontane forest persisting, but the overwhelming change is towards greater species diversity, with the woody taxa being increasingly representative of thicket and shrubland. Some of the fynbos and thicket species are typical of vegetational communities which inhabit well-drained soils, rocky or dry locations at the present day. More wetland plants from the Verlorenvlei were selected for use. 相似文献
123.
Caroline Elkins 《The Journal of imperial and commonwealth history》2013,41(5):731-748
Restorative justice in various forms is a phenomenon that has swept across the globe over the last three decades. Most recently, it is unfolding in the High Court of Justice in London where five Kenyans have filed a claim against the British government, alleging that they suffered acts of mistreatment and torture at the hands of British colonial and military personnel. Three revisionist Mau Mau historians have served as advisors and expert witnesses for the claimants. Judicial procedure and the positivist stance of the court have framed their production of evidence and its reading. This article will examine the production of the historians’ witness statements, and the impact that the recent Hanslope Disclosure has had upon their work. The discussion is framed within the broader context of Mau Mau revisionism and the critiques that ensued after the publication of Imperial Reckoning and Histories of the Hanged. 相似文献
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Martin R. Bates Nigel Nayling Richard Bates Sue Dawson Dei Huws Caroline Wickham‐Jones 《International Journal of Nautical Archaeology》2013,42(1):24-43
Investigation of shallow‐marine environments for submerged prehistoric archaeology can be hampered in many localities by extensive bedrock exposure and thus limited preservation potential. Using the concept of ‘seamless archaeology’ where land‐based archaeology is integrated across the intertidal zone through to the offshore, a multi‐disciplinary approach is essential. This approach taken in the Bay of Firth, Orkney uses geophysics, historical archive and ethno‐archaeology, coastal geomorphology, palaeo‐environmental analyses and sea‐level science, and allows a clearer understanding of the landscape in which prehistoric settlers lived. While acknowledging the limitations of the preserved environment, we are successful in identifying areas of archaeological potential on the sea‐bed for both upstanding structural elements as well as sediment preservation that contains evidence for human occupation. This has wider implications beyond Orkney's World Heritage sites to provide a blueprint for similar studies elsewhere in the coastal zone. © 2012 The Authors 相似文献
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Caroline Frick 《International Journal of Heritage Studies》2013,19(4):319-331
Global discussions relating to heritage preservation, with their traditional focus upon architecture, archaeological sites, and landscape, often overlook and, at times, even devalue the role of the moving image. The last century witnessed the emergence and development of moving image preservation practice, which largely remains a separate vocation with a unique agenda and approach. With a case study of historical conservation and presentation in San Antonio, Texas, this paper argues for greater dialogue and collaboration between moving image archivists and traditional heritage preservation practitioners. Creative use of archival media offers unparalleled opportunities to illustrate and explore the development and historical trajectory of heritage sites, the visitors to them and, most importantly, the local communities that participate in and facilitate the evolution of this heritage. 相似文献
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Caroline Magennis 《Irish Studies Review》2013,21(2):178-187
This article considers the cultural and social context for the music of the Northern Irish band The Divine Comedy. It focuses on three mid-1990s albums – Liberation (1993), Promenade (1994) and Casanova (1996) – and debates the significance of this performance of alternative Ulster masculinity during the peace process. It will detail the lyrical obsession with a very particular type of imagined Anglo-Irishness during the first two of these albums, and then consider the complicated uses of the ‘Britpop’ genre in Casanova. This music is baroque, literary and written by an Anglican bishop's son, Neil Hannon, who grew up in Enniskillen during the Troubles. It will consider how Hannon cobbles together an acceptable identity through the use of literary pretentiousness and a carefully crafted pop persona. 相似文献