La Naissance Posthume D’Évariste Galois (1811–1832)

The publication of Galois' works in the Journal de Liouville (1846) was announced during a debate between academicians Libri and Liouville as early as 1843. Rather than limiting this publication to a study of controversy, we would like to show that it is inscribed in a larger context of the redefinition of algebra, which this debate illuminates. In order to understand the rediscovery of Galois, it must be inscribed in the median time of mathematical practices and usages.     

Willingness to Pay for Multifunctional Megaprojects: A Stated Preference Analysis Among Firms in the Amsterdam Zuidas Area

Urban (re-)development projects may generate various positive and negative spatial externalities to employers. The assessment of such benefits is fraught with many methodological and empirical problems. This study aims to assess the order of magnitude of expected net benefits for incumbent employers that may accrue from a large-scale development project in the Zuidas area in the South-Western part of Amsterdam, the Netherlands. This development project is planned to transform the area into a large multifunctional urban agglomeration. We employ a specific stated preference method (namely, a willingness-to-pay method) to gauge the project's net socio-economic benefits for the current firms in the area concerned, paying special attention to the benefits associated with multifunctionality.     

‘… that great swollen belly’: the abject maternal in some recent Northern Irish fiction

This essay will consider the representation of the maternal in some contemporary Northern Irish fiction written by men. It will examine, using feminist theories of embodiment and subjectivity, the power of the maternal image in Irish literary and critical discourse. The work of Julia Kristeva, Elizabeth Grosz and Mikhail Bakhtin will be employed in this argument. The pregnant body has the power to radically unsettle order, and this essay will explore the way in which men write their fears of this all-consuming imago. Northern Irish men write out their fears of all-consuming national ideology through infanticide and grotesque mother figures and this essay will trace how this figure is complicated through political ideology in Northern Ireland. The texts under consideration will be Ripley Bogle and Eureka Street by Robert McLiam Wilson and Resurrection Man and The Last of Deeds by Eoin McNamee, as well as a glance towards the work of Glenn Patterson as a possible alternative to the hegemonic view of the grotesque or abjected maternal.     

Cheese Gives you Nightmares: Old Hags and Heartburn

Stories of witches transforming men into beasts of burden told by Homer, Apuleius, and St Augustine follow a narrative schema also found in legends of people turned into horses by witches with magic bridles. The stories figuratively convey symptoms of the nightmare, known as the "Mare" or "Old Hag." Cheese features in several of them. Although these narratives seem a far cry from the commonplace that cheese is indigestible and causes nightmares, indigestion and the Mare are inextricably entwined. This essay explores the relationships between them. [1]     

Millet and sauce: The uses and functions of querns among the Minyanka (Mali)

The central role of grinding activities in the dietary practices of traditional agricultural populations can be approached from an ethnoarchaeological point of view. The comparison of ethnographic references raises the question whether the function and the socioeconomic context in which grinding slabs are used allow to assess issues related to conclusions drawn from archaeological contexts. Our discussion is based on the analysis of the manufacturing of grinding slabs, their use cycles and their social status in several Minyanka villages (Mali), providing useful references when examining the way in which archaeologists explain and interpret technological, functional and spatial observations. The typological and technical evolution and variability of querns results from a combination of several factors determined by the available raw materials, the skill of shaping techniques, the organisation of manufacturing and the transference of the function of grinding tools. But these factors alone cannot explain the encountered range of variation. Our study thus emphasises the very role of cultural aspects within these temporal and regional developments, and the impossibility of dissociating the use of a quern from its socio-economic context.     

Nerven‐Saiten‐Stimmung. Zum Wandel einer Denkfigur zwischen Musik und Wissenschaft 1750–1850

‘Stimmung’. The Career of a Concept in Music and Science between 1750 and 1850. The German word ‘Stimmung’ originally refers to the musical praxis of tuning instruments. Whereas the English concepts of ‘tonus’ and ‘atunement’ used to describe the physical status of the body developed independently from the psychological ‘mood’, ‘Stimmung’ was used metaphorically in both physiology and psychology in the discussed period. This leads to various interrelations between the areas of knowledge involved. The paper investigates these on a synchronic and diachronic level. By concentrating a) on the analogy between musical strings and nerve fibres within the framework of a mechanistic conception of the body and b) on the metaphoric use of ‘Stimmung’ as a psychological concept describing the general mood of an individual, it becomes evident that the different metaphorical adaptations do not only have consequences within the specific area of knowledge, but also lead to distinct interpretations of musical effect. The second half of the paper concentrates on the diachronic development of ‘Stimmung’ in physiology and analyses the shifts within the semantic field of the metaphor occurring during the transformation from a mechanical to an organic conception of the body. On a theoretical level the emphasis lies on the conceptual potential of vague metaphors and the function of marginal metaphors in periods of theory change. In this context the results question Thomas Kuhns theory of an abrupt, gestaltlike change of theory by emphasizing the importance of continuous shifts within the semantic fields of vague metaphors.