Lidar mapping and surface survey of the Izapa state on the tropical piedmont of Chiapas,Mexico

Recent lidar and pedestrian surface surveys have remapped the well-known Mesoamerican site of Izapa and the surrounding Soconusco piedmont. These data document: 1) occupation from the surrounding piedmont environment, 2) significantly larger estimates of the site's size during both the Formative and Classic periods as well as 3) new architectural features from the monumental site core. Methodological issues are outlined for combining high precision lidar mapping with ground truthing and pedestrian survey that focuses on surface collection of temporally diagnostic artifacts. Results are presented for 670 mounds documented in an area of 43.1 sq km in and around the ancient capital of Izapa.     

Birdmen, cemís and duhos: material studies and AMS C dating of Pre-Hispanic Caribbean wood sculptures in the British Museum

This paper presents 19 AMS radiocarbon dates from nine pre-Hispanic Caribbean (Taíno/Lucayan) wooden sculptures in the British Museum collections, provenanced to Jamaica, Hispaniola and the Bahamas. Together with strontium isotope results and wood and resin identifications, these data build a material and chronological context for some of the most recognised examples of Taíno art – from duhos (ceremonial seats) and cemís (free standing depictions of deities, ancestors and spirits) to canopied stands used to hold hallucinogenic drugs during the cohoba ceremony. Each sculpture widens our understanding of Caribbean carving traditions, stylistic variation, chronologies and material resource utilisation. A group of three sculptures recovered from Carpenters Mountains, Jamaica, carved by AD 1300 and brought together as a ceremonial ‘set’, each appear to have had their inlays renewed over a century later, suggesting long-term use. Three key examples of the main Caribbean duho categories (high-back, low-back and extended), provide insights into the diversity of styles present in the region post-AD 1100. The British Museum's corpus enables an exploration of regional styles, and potentially the work of individual artists.     

Gender Awareness in Migration Theory: Synthesizing Actor and Structure in Southern Africa

Recent developments in migration theory mirror two concerns writ large across the development literature, namely the attempt to reconcile structure and agency and the importance of gender. Using the specific context of southern Africa, this article analyses the development of migration theory over the last forty years and the dialectic between gender and the structure-agency dyad. It is argued that gender is an essential tool for unpicking the migration process and that a gender perspective has enriched and been enriched by a model of migration allowing analytical space for both the agency of migrants and the structures which surround them. Juxtaposing the various theories which have been brought to bear on migration in southern Africa also reveals the extent to which new models and classificatory systems have developed on the basis of agendas set by preceding conceptual frameworks, distinctions between competing models rarely being as clear-cut as the mode of scholarship would have them appear.     

Getting It Right, Getting It Wrong: The Soviet Collapse Revisited

Book reviewed in this article:
Michael Cox (ed.), Rethinking the Soviet collapse: Sovietology, the death of communism and the new Russia