‘Le mot déclin est presque trop doux’: Michel Houellebecq’s (Euro)déclinisme

ABSTRACT

Michel Houellebecq’s views on the European Union have been consistently negative, recently declaring in an interview that anti-Europeanism is his ‘only political engagement.’ Houellebecq’s work takes for granted civilizational decline, what Oswald Spengler called the ‘decline of the West’, and regards the EU, described in Submission as a ‘putrid decomposition’, as central to this vision. The only way to revitalise Europe and to reverse this decline, Submission suggests, is by reinstating the traditions and moralities that have been eradicated in Europe by post-‘68 moral and sexual liberalisation. On this view then, only those cultures untouched by progressive politics can rebuild Europe and in Submission only the Muslim Brotherhood can provide ‘the moral and familial rearmament of Europe.’     

Cultural policy archetypes: the bathwater and the baby

ABSTRACT

Cultural policy archetypes have been fundamental to comparative cultural policy study and continue to be influential in both everyday and scholarly characterizations of national cultural policy systems. This paper explores the proposition that cultural policy archetypes reflect what people believe to be true about culture – their cultural ideologies. Cultural ideologies are integral to the formation of cultural policy and, thus, must be considered in any theory that hopes to measure the extent to which and explain why cultural policies differ. Cultural ideologies embody ideas about why culture is important and how it should be governed. Those ideologies spotlight certain administrative mechanisms, overemphasizing their role in systems that actually are deeply administratively hybrid. This makes archetypes poor tools for analyzing the mechanisms of cultural policy; however, because archetypes tell us about cultural ideologies in straightforward and powerful ways, it is essential that they continue to be a part of comparative cultural policy study.