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In A Florida Fiddler, Gregory Hansen has done a masterful jobof bringing to life a portrait of a traditional artist, placinghim in the context of his geography, time, and community. Throughthe use of interviews, transcribed public performances, andobservation, the author lets Richard Seaman speak for himself,in his own voice, to tell his own  相似文献   
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Palynology, radiocarbon dating, and open-section stratigraphies from archaeological trenches are used to examine the impact of human activity around the time of Norse landnám on vegetation and landscape associated with a small farm (Ø34) in the Qorlortoq valley, Eastern Settlement, Greenland (61° N 45° W). Peat deposits from a mire abutting the Norse ruins revealed a discontinuous palaeoenvironmental record containing a possible hiatus from ca. AD 410–1020. Palaeovegetational data were recovered either side of this period. Pollen assemblages suggest that open Salix scrub dominated the landscape during the pre-settlement phase. The later phases of landnám resulted in the creation of hay fields and heavily-grazed grassy heath. Site abandonment is reflected by a re-expansion of Salix. This occurs shortly before the onset of deposition of a Sphagnum peat, dated to cal AD 1420–1630 (2σ) and reflecting an increase in mire surface wetness, probably in response to a deteriorating climate. Radiocarbon dates were obtained on peat and plant macrofossils sampled from either side of the proposed hiatus at two different but closely-spaced (<20 m) locations across the mire. These produced significantly different dates for the cessation of peat formation in the pre-landnám period (cal BC 2130–1770 and cal AD 240–410 respectively), but near-synchronous dates for the recommencement of peat growth (cal AD 890–1150 for peat and a probably more reliable interval of cal AD 1020–1190 based on plant macrofossils). It is suggested that this hiatus may represent the first direct evidence for peat cutting in Norse Greenland.  相似文献   
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In an attempt to introduce concerns with social identities into the discussion and understanding of the making of what we call Paleolithic art, this article considers issues of gender, skill, apprenticeship, and tradition. We note that, as in every period of history, Paleolithic art can be seen as embedded in the society that studies it. Over the last 20 years, the research attention given to women in Paleolithic societies has grown considerably, leading us to ask what could have been the roles of women in Paleolithic art. On what criteria could we base a determination of those roles or of other social identities that were likely part of the making and viewing of Paleolithic art?Thanks to our microscopic analysis of engravings, it is possible to identify the skill level and expertise of the artists and thus to address the question of apprenticeship and how these techniques were transmitted. We observe many similarities that allow us to group together various works of art, sometimes from very distant sites, which indicate a movement of ideas, objects, and people. Are we talking about “imitation”? How can we define an “invention” within a social context strongly bound by traditions?  相似文献   
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This article considers the scope and types of support given through the system of museum public finance in the USA as well as the attitudes to support this system reflects. This examination provides a deepened understanding of the significance of ties between museums and government that are mediated by dollars. The degree of directness through which government dollars are delivered to a museum tells us something important about the museum’s public status. But several other contextual factors also influence this status; money has dimensions of significance that can only be understood by looking at characteristics of the institutions, mechanisms, and systems through which it moves. In other words, money, in a policy system, does not express strictly numerate relations. The article concludes by pointing up ways that an acknowledgement of this multivalence of money can be valuable for developing nuanced theory about the relationships between cultural economics and cultural policy.  相似文献   
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Management systems in archaeology seek to impose the scientific objective‐reductionist paradigm on archaeologists and their data. This orthodoxy has been enshrined in English Heritage's document Management of Archaeological Projects (English Heritage 1991) which prescribes rigorous application of a standardized methodology. MAP II, as it is known, is based on a processual model in which ‘data’ enter at one end and valuable archaeology emerges at the other. Such a view not only lacks any appreciation of the distinctions between ‘data’ and ‘information’ but also fails to acknowledge the beliefs and values which underpin the decision‐making criteria crucial to the model. In this paper we argue for an approach which un‐manages the past — by building relativistic humans into our strategies for dealing with the past. Examples are given which demonstrate how such an approach might work in practice.  相似文献   
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