Ritual Patterns in the Deposits of Fauna Associated with Iberian Burials: The Necropolis of El Poblado During the Fourth to Second Centuries bc (Archaeological Complex of Coimbra del Barranco Ancho,Murcia)

The study of grave goods, including animal deposits, offers a deeper understanding of social issues. This paper presents the results of the analysis of human and animal bone samples from the Iberian necropolis of El Poblado, Murcia. The examination focusses on 18 deposits of ovicaprids radii and ulnae, mostly of the left side, that were derived from 14 cremation tombs of the 74 studied. By considering the human and animal remains together, it is possible to highlight differences in the rituals of certain graves and variations in animal symbolism related to human sex and age. This provides a new understanding of the social and cultural differentiation that existed in the Iberian communities of this period. Copyright © 2012 John Wiley & Sons, Ltd.     

Reviews of books

Historia, utopía y ficción de la Ciudad de los Césares. Metamorfosis de un mito. Por FERNANDO AINSA. Madrid: Alianza Editorial, 1992. Pp. 120.

Cultural Diffusion of Spanish Humanism in New Spain: Francisco Cervantes de Salazar's ‘Diálogo de la dignidad del hombre.’ By DIANNE M. BONO. New York: Peter Lang, 1991. Pp. 161.

Soldiers of the Virgin: The Moral Economy of a Colonial Maya Rebellion. By KEVIN GOSNER. Tucson: University of Arizona Press, 1992. Pp. xiv, 227.

La crisis del orden colonial. Estructura agraria y rebeliones populares de la Nueva España, 1750–1821. By ERIC VAN YOUNG. México: Alianza Editorial, 1992. Pp. 515.

Esthetic Recognition of Ancient Amerindian Art. By GEORGE KUBLER. New Haven: Yale University Press, 1991. Pp. xvii, 276.

Books of the Brave: Being an Account of Books and of Men in the Spanish Conquest and Settlement of the Sixteenth‐Century New World. By IRVING A. LEONARD. Introduced by ROLENA ADORNO. Berkeley: University of California Press, 1992. Pp. xlvii, 453.

Family and Frontier in Colonial Brazil: Santana de Parnaíba, 1580–1822. By ALIDA C. METCALF. Berkeley: University of California Press, 1992. Pp. xvi, 280.

Los naufragios. By ALVAR NUÑEZ CABEZA DE VACA. Edición crítica de ENRIQUE PUPO‐WALKER. Madrid: Castalia, 1992. Pp. 334.

Estudios de literatura hispanoamericana. Sor Juana Inés de la Cruz y otros poetas barrocos de la colonia. By GEORGINA SABAT‐RIVERS. Barcelona: PPU, 1992. Pp. 355.

Vida i sucesos de la monja alférez. Autobiografía atribuida a Doña Catalina de Erauso. Edición, introducción y notas de RIMA DE VALLBONA. Tempe: Center for Latin American Studies, Arizona State University, 1992. Pp. 236.     

Fluvial spatial taphonomy: a new method for the study of post-depositional processes

Traditional taphonomic analyses do not consider the emergent properties resulting from the relationship of variables. Several of these emergent properties are expressed spatially. Here, we present a spatial taphonomic approach to the understanding of post-depositional processes affecting experimental assemblages modified by fluvial currents. Spatial statistical methods are a great tool to understand how different taphonomic variables relate at a spatial scale. The results of the application of this method to bone assemblages affected by low- and high-energy flows show the loss or modification of most of the original spatial taphonomic relationships. It also shows the degree of bone loss according to element, anatomical section and bone structure, and shape types. Anisotropy is identified in both experimental contexts. These results add new criteria to assess the impact of water flows in bone assemblages and contribute to define the properties of lag assemblages.     

Resisting relocation and reconceptualising authenticity: the experiential and emotional values of the Southbank Undercroft,London, UK

In 2013 the Southbank Centre proposed the redevelopment of a complex of buildings including a famous skate spot known as the Undercroft. The 2013–14 campaign to protect the Undercroft drew strongly on heritage arguments, encapsulated in the tagline, ‘You Can’t Move History: You Can Secure the Future’. The campaign, which was ultimately successful as the Undercroft remains open and skateable, provides a lens through which three key areas of heritage theory and practice can be examined. Firstly, the campaign uses the term ‘found space’ to reconceptualise authenticity and places a greater emphasis on embodied experiences of, and emotional attachments to, historic urban spaces. Secondly, the concept of found space opens up a discussion surrounding the role of citizen expertise in understanding the experiential and emotional values of historic urban spaces. Finally, the paper concludes by considering the place for found space and citizen expertise within current heritage discourse and practice. The paper is accompanied by the award-winning film ‘You Can’t Move History’ which was produced by the research team in collaboration with Paul Richards from BrazenBunch and directed by skater, turned filmmaker, Winstan Whitter.     

Miocene algae and spores from Tierra del Fuego,Argentina

Continental deposits of the Cullen Formation (early or middle Miocene) exposed on the northeast coast of Isla Grande de Tierra del Fuego (southernmost Patagonia) are analyzed. Twenty-four taxa of algae, and bryophyte and pteridophyte spores are identified, including three new species, which are Anthocerisporis gandolfii sp. nov., Coptospora archangelskyi sp. nov. and Ophioglossisporites cullensis sp. nov. Sedimentologic and palynological data suggest a system of meandering water channels. The diverse and abundant spore assemblage reinforces the proposed paleoenvironment indicated by pollen assemblage and stratigraphy, consisting of humid temperate forests and local occurrences of bog, freshwater and near-shore lake communities.     

La exportación de la Ilustración Peruana. De Alejandro Malaspina a José Ignacio de Lecuanda (1794–1799)

Este artículo analiza la desconocida divulgación de la ilustración peruana en Madrid a partir del discurso que sobre la ‘idea del Perú’ impulsó la Sociedad de Amantes del País en el Mercurio Peruano a fines del siglo XVIII. Este proyecto utilitario de los mercuristas se hizo manifiesto durante tres momentos: primero, en la confección del informe político sobre el Perú que redactó el marino ilustrado Alejandro Malaspina en 1795; segundo, en la divulgación que impulso el ilustrado vasco José Ignacio de Lecuanda en las páginas del periódico titulado Viajero Universal en 1798; tercero, en el diseño que patrocinó el propio Lecuanda en el Cuadro de historia civil, natural y geográfica del Perú pintado por Luis Thiebaut (1799). El estudio discute las razones por las cuales Malaspina y Lecuanda creyeron que la exportación de este proyecto ilustrado iba a convertir al Perú en un reino utilitario para la Monarquía hispánica.