Living with everyday environmental risks: giving a voice to young people in the design of community-based risk communication programs in the city of San Luis Potosí, México

Risk communication programs (RCPs) can contribute to the improvement of community health in marginalized settlements by improving health-related information and practices. Yet, there is a need to include young people's concerns in the design and implementation of RCPs. This study analyses young peoples’ risk perceptions in the city of San Luis Potosí, Mexico, using visual methods such as drawings and photography. Research was conducted with 74 students from two deprived urban neighborhoods. Results indicate that the use of visual techniques enabled them to identify environmental health risks such as unhealthy sedentary habits and the exposure to hazardous items. We conclude that visual methods may help young people to critically reflect on everyday elements in their environment that affect their well-being. By giving them a voice in a reflexive way, visual methods may engage young people as key multipliers in the awareness raising process, and promote their sense of everyday agency.     

Los adioses (1954) de Juan Carlos Onetti: procedimientos para alcanzar la sugerencia y el énfasis en el significado como nouvelle

Based on a presentation of the production of nouvelles in Hispanic America and its current study, in which the permanent academic and critical interest in Juan Carlos Onetti's Los adioses (1954) stands, this article raises and discusses the procedures used by the author to achieve a narrative that by its nature of nouvelle refuses the explicit in exchange for the suggestion. Among such procedures are the character of the narrator, the ellipsis, and a language of conjecture and doubt. With all of those procedures Onetti builds an open and multiple text in which his major emphasis during the writing process lies in the development of the meaning of the text, instead of just narrating the story, as proposed by Henry James in various prefaces to his nouvelles.     

‘Las Indias del Pirú en lo alto de España … ’. Relaciones entre la Nueva corónica de Felipe Guaman Poma de Ayala y los qeros coloniales

It is proposed that there is an iconographic and epistemological relationship between some drawings in Felipe Guaman Poma de Ayala’s Nueva corónica y buen gobierno and the images recorded in several colonial wood vessels (qeros) which circulated widely during the time that Guaman Poma was writing his letter to the King of Spain. This connection shows that the work of Guaman Poma was not an isolated or singular act in the colonial context and that both communicative and creative processes, that of the Nueva corónica and that of the qeros, formed part of a process of shared colonial semiosis through which Andean societies maintained a certain autonomy in the production and circulation of their own discourses. Secondly, the article discusses the epistemological tension that results from the coexistence of different narratives (European and Andean) that used their own temporal and spatial categories to account for new colonial conditions.