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This article utilises the south Wales coalfield in the interwar period as a case study to illustrate the applicability of two sociological theories – family systems theory and the social ecology of the family – to impairment in the past. It demonstrates that a theoretically-informed approach can help to situate impairment in its particular contexts, most especially the family and the community, and give a better sense of the lived experience of disability. It also demonstrates the complexity of the experience of disability as the family and economic circumstances of each impaired individual varied and led to different forms of care-giving or the utilisation of different sources of support. The article also sheds further light on the ubiquity of disability as many families included a number of individuals with different impairments and this too had consequences for experiences and coping strategies. 相似文献
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Michael?J.?O’BrienEmail author Matthew?T.?Boulanger Briggs?Buchanan R.?Alexander?Bentley R.?Lee?Lyman Carl?P.?Lipo Mark?E.?Madsen Metin?I.?Eren 《Journal of Archaeological Method and Theory》2016,23(2):692-740
Tool design is a cultural trait—a term long used in anthropology as a unit of transmittable information that encodes particular behavioral characteristics of individuals or groups. After they are transmitted, cultural traits serve as units of replication in that they can be modified as part of a cultural repertoire through processes such as recombination, loss, or partial alteration. Artifacts and other components of the archaeological record serve as proxies for studying the transmission (and modification) of cultural traits, provided there is analytical clarity in defining and measuring whatever it is that is being transmitted. Our interest here is in tool design, and we illustrate how to create analytical units that allow us to map tool-design space and to begin to understand how that space was used at different points in time. We first introduce the concept of fitness landscape and impose a model of cultural learning over it, then turn to four methods that are useful for the analysis of design space: paradigmatic classification, phylogenetic analysis, distance graphs, and geometric morphometrics. Each method builds on the others in logical fashion, which allows creation of testable hypotheses concerning cultural transmission and the evolutionary processes that shape it, including invention (mutation), selection, and drift. For examples, we turn to several case studies that focus on Early Paleoindian–period projectile points from eastern North America, the earliest widespread and currently recognizable remains of hunter–gatherers in late Pleistocene North America. 相似文献
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Vangelis Tourloukis Nicholas Thompson Charalampos Garefalakis Panagiotis Karkanas George E. Konidaris Eleni Panagopoulou 《Journal of Field Archaeology》2016,41(1):68-83
We here report the first results from a systematic research project in Mani (Southern Greece), which includes survey and test excavations. Forty-six caves, rockshelters and open-air sites in lowland settings were surveyed. Geomorphological data were collected in order to assess how geological processes affect the preservation of sites and bias site distribution patterns. Artifacts manufactured from non-local rock indicate potential raw material transfers and suggest links among the different regions of Mani, related to mobility patterns. Our research in the Mani has nearly doubled the number of known Middle Palaeolithic sites from the region and confirmed that the peninsula has the strongest ‘Neanderthal signal’ identified to date in Greece. Almost all sites are located at coastal areas. Despite the influence of Pleistocene landscape dynamics, this distribution emerges as a persistent pattern, perhaps indicating a preference for coastal locations. The Neanderthal occupation of Mani can illuminate important aspects of Middle Palaeolithic adaptation in one of the southernmost coastal regions of Europe. 相似文献
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Carl Grodach 《International Journal of Cultural Policy》2016,22(3):353-375
This paper studies arts industries in all 366 US metropolitan statistical areas between 1980 and 2010. Our analysis provides evidence that the arts are an important component of many regional economies, but also highlights their volatility. After radical growth and diffusion between 1980 and 2000, in the last decade, the arts industries are defined more by shrinkage and reconcentration in fewer metropolitan areas. Further, we find that the vast majority of metros have strengths in particular sets of arts industries. As we discuss in the conclusion, these conditions present challenges and opportunities for urban cultural policy that goes beyond the current focus on the arts as consumption amenities. 相似文献