中国申报世界遗产的现状与策略研究

中国自然、文化资源丰富,是拥有世界遗产类别最齐全的国家之一。中国是遗产大国,但不是遗产强国。中国政府非常重视世界遗产的申报,取得了一定的成绩,但是就实际情况来看,这还不够。通过分析我国的申报世界遗产现状,以预备清单为依据分析申报潜力,进而分析我国世界遗产申报的利益相关者、申报中的亮点与不足,并结合国外申报工作的先进经验,深入探讨我国申报世界遗产新思路     

Performing Guangzhou and Guangzhou Ren: analysing popular music in Guangzhou

The main purpose of this article is to examine the ways in which popular music in Guangzhou is implicated in the performance of places and identities, and how it is located in Guangzhou. Drawing on the qualitative methods of participant observation and interviews, this research analyses the popular music and musical performances in Guangzhou through three spatial dimensions: the place of Guangzhou, the performance venues and the human bodies. The findings of this research suggest that popular music in Guangzhou sets up the emotional communications and engenders different spaces for the participants to negotiate their embodied identities; popular music and musical performances make the connections between three spatial scales—the place of Guangzhou, the performance venues, and the human body—through its capacity of social mediation and the musical performances articulate the power relations between local residents, the local and national authorities, and the global. This research can be read as a contribution towards the wider literatures on musical performance and the exploration of doing/making place and place-based identity through popular music.     

《亚鲁王》:“英雄史诗”还是“活态史诗”

西方以荷马史诗为范例建构起来的"英雄史诗"观念有两个要素,一是一个民族对另一个民族的战争,一是凭勇敢获得财富和荣誉。"英雄史诗"只是解读《亚鲁王》的一个维度,而不能囊括其作为口头史诗的本质特征。在苗族丧葬仪式上面对亡灵展演的史诗《亚鲁王》是一种活在民间仪式中的文学,它以仪式展演为主要生存形态,以口耳相传为主要传播方式,具有鲜明的活态性。     

曾侯乙墓出土古玉器玉质特征

对曾侯乙墓出土的126件古玉器,运用宝石学和岩石学知识,以肉眼观察鉴定为主,辅以部分样品的宝石学参数测试和物理谱学测试,鉴定出曾侯乙墓出土古玉器的玉质成分有玉质和石质两大类,玉质主要是透闪石质软玉和阳起石质软玉,石质主要是粉砂岩质。不同玉质的肉眼鉴别标志有所区别。     

The Buffalo Nations/Luxton Museum: Tourism,Regional Forces and Problematising Cultural Representations of Aboriginal Peoples in Banff,Canada

This paper examines the cultural representations of Aboriginal peoples at the Buffalo Nations/Luxton Museum in Banff, Canada. The museum has been part of the cultural landscape of the tourism industry in Banff since 1952. Using interviews, newspaper articles and analyses of the exhibits, I problematise the museum's representations of Aboriginal peoples by focusing on the challenges associated with navigating regional power relations while participating in forms of capitalist exchange. My findings suggest that the museum's representations engender complex readings of Aboriginal peoples that need to be interpreted considering the processes of production, but also the broader conditions that are embedded in this history. This paper puts cultural representations of Aboriginal peoples into socio‐economic, political, cultural and historical contexts in ways that may interest scholars and practitioners from diverse disciplines and specific fields such as museum, recreation, tourism, heritage and Indigenous studies.     

Zoos as heritage tourism attractions: A neglected area of research?

Abstract

Zoos are a form of museum.¹ The main difference between zoos and other forms of museum is that zoos exhibit living objects. These objects are examples of natural heritage. Unlike other museums, the focus of much research in the past decade, zoos appear under‐researched. Zoos, however, are significant tourist attractions. There are over 10,000 zoos worldwide,² many in major world cities and some attract millions of visitors annually. Zoos date back at least three thousand years, but their role has been changing in the past twenty‐five years from menageries to conservation centres. Concern recently has focused on animal welfare when wildlife is in captivity, and this has led to a re‐examination of the purpose of zoos. This article examines the aims of zoos, their nature as heritage‐tourism attractions and the profile of zoo visitors. In an attempt to establish a new research agenda, the article also examines issues about the future of zoos, including questions concerning potential and real conflict between their educational, scientific and entertainment roles.     

The South China coast in French and Dutch literature

The article examines a number of pieces of early French and Dutch writing about the South China coast. The first is the journal of a Swiss mercenary named Ripon, who was employed by the Dutch East India Company and ventured in the East from 1617 to 1627; the second is a group of journals by Isaac Titsingh, Andreas Everard van Braam and Chrétien-Louis-Joseph de Guignes, describing their embassy to Emperor Qianlong in 1794–95; and finally there are a series reports by Dutch Protestant and French Catholic missionaries from the mid-nineteenth century onwards. Such Western sources can be an important supplement to the often scant Chinese sources for certain periods. Sources recording the same event but written by different authors and in different languages can provide an informative range of perspectives and serve to complement each other. And a range of different sources in different languages may combine to produce a fairly full historical picture of a given topic.     

南北朝交聘使节行进路线考

南北朝时期为南北对峙的局面,双方除了军事冲突,也有和平的外交往来。交聘使节通常是由本国国都出发,前往他国国都进行访问与交涉,由于事属公务,交通路线大致上是比较固定的。不过,由于北朝政权更迭,曾经数次迁都,因此,交聘的路线也随之改变。本文根据正史与诗歌中有关使节行迹的资料,逐一考证“平城—建康”、“洛阳—建康”、“邺—建康”与“长安—建康”这四条路线,希望能将当时使节穿梭往来的具体路径勾勒出来。     

《漳州市烟草志》评介 ——兼述地方行业志的内容与形式

《漳州市烟草志》是地方行业志,记载漳州市烟草全行业429年演变历史与现状及其各阶段特点,再现漳州市的烟草传入与传播、烟草种植、烟草加工、烟叶（丝）购销、卷烟营销、卷烟营销网络（流程）、烟草专卖管理、打击制售假冒商标卷烟、烟草科技、烟草社团工作、烟政管理和烟人烟事的史况与现状及其特点.