Citizen Participation,Process, and Transparency in Local Government: An Exploratory Study

This study had two purposes. First, it empirically examined the relationship between citizens' participation in administrative policymaking phases and their perception of government transparency. Second, it investigated how citizens' use of both offline and online participation channels and their involvement in different phases of policymaking (i.e., agenda setting, implementation, and evaluation) were related to their assessment of transparency in government. A 2009 survey of residents of Seoul, South Korea, was used to test the study hypotheses. Using two‐stage least squares estimate techniques, the study found that citizens involved in any citizen participation programs are more likely than those not involved to positively assess transparency in government. With regard to the relationship between participation channels and transparency, citizens who used offline participation channels were more likely than nonusers to perceive enhanced transparency in local government. However, their use of online participation channels had limited effect on perceptions of transparency. Finally, participation in two phases of the policy process, agenda setting and evaluation, positively affected citizens' assessment of transparency in government.     

Archaeology’s quest for a seat at the high table of anthropology

Between 1900 and 1970, American archaeologists perceived themselves as second-class anthropologists because the archaeological record suggested little not already known ethnographically, archaeology served anthropology by testing ethnologically derived models of cultural evolution, the archaeological record was ethnologically incomplete as a result of poor preservation, and archaeologists used but did not write anthropological theory. Ethnologists of the period agreed with these points and regularly reminded archaeologists of their limited role in anthropology. A few archaeologists claimed in the 1950s that archaeology could contribute to anthropological theory but they were ignored. The claim was reiterated by new archaeologists of the 1960s, and by the 1970s worries about the poor preservation of the archaeological record had softened. However, most archaeologists after 1970 (and before 1990) used anthropological theory and did not write new theory on the basis of archaeological data. The root cause of American archaeology’s ninety-year absence from anthropology’s high table of theory seems to be the discipline-wide retention of the ninety-year old belief that archaeology is prehistoric ethnology and the (unnecessary and constraining) corollary that archaeologists must use anthropological theory to explain the archaeological record.     

早期蜀文化和汉水上游地区青铜文化的关系

早期蜀文化分布在成都平原为中心的四川盆地西部地区,包括了三星堆文化和十二桥文化两个阶段,年代相当于商代、西周、春秋。这是相对晚期蜀文化而言,晚期蜀文化指相当于战国、秦至西汉初年。     

Americanist Stratigraphic Excavation and the Measurement of Culture Change

Many versions of the history of Americanist archaeology suggest there was a stratigraphic revolution during the second decade of the twentieth century—the implication being that prior to about 1915 most archaeologists did not excavate stratigraphically. However, articles and reports published during the late nineteenth century and first decade of the twentieth century indicate clearly that many Americanists in fact did excavate stratigraphically. What they did not do was attempt to measure the passage of time and hence culture change. The real revolution in Americanist archaeology comprised an analytical shift from studying synchronic variation to tracking changes in frequencies of artifact types or styles—a shift pioneered by A. V. Kidder, A. L. Kroeber, Nels C. Nelson, and Leslie Spier. The temporal implications of the analytical techniques they developed—frequency seriation and percentage stratigraphy—were initially confirmed by stratigraphic excavation. Within a few decades, however, most archaeologists had begun using stratigraphic excavation as a creational strategy—that is, as a strategy aimed at recovering superposed sets of artifacts that were viewed as representing occupations and distinct cultures. The myth that there was a stratigraphic revolution was initiated in the writings of the innovators of frequency seriation and percentage stratigraphy.     

The New View of Makeup and the Consumption of Cosmetics among the Women of Shanghai in the Modern Age

Under the pressure of the national crisis in modern China, millennia-old traditional concepts have been broken and adjusted, and new trends and ideas have emerged in large numbers. In order to defeat local cosmetics, from the moment they entered China foreign cosmetics companies attacked the traditional Chinese cosmetics of eyebrow pigment (dai), lip pigment (gong), rouge (zhi), and face powder (fen). Corresponding to the enlightenment ideas of the early twentieth century, women could no longer pursue beauty in a way that harmed their bodies. In the movement to liberate women’s bodies in the 1920s, radical intellectuals developed a severe criticism of the bad habits of using corsets and applying powder, and the concept of “healthy beauty” came into being. However, in the context of the development of the women’s liberation movement and the respect for women’s consumer rights, the healthy beauty theory failed to suppress women’s consumption of beauty products, and “natural beauty” and “artificial beauty” ultimately coexisted in lifestyles of women in the modern era of Shanghai.     

Radialimbricatus,a new ichnogenus from the lacustrine sandstone facies of the Lower Cretaceous Jinju Formation,South Korea

Lee, D.-C. February 2017. Radialimbricatus, a new ichnogenus from the lacustrine sandstone facies of the Lower Cretaceous Jinju Formation, South Korea. Alcheringa XX, XXX–XXX.

The trace fossil Radialimbricatus igen. nov. with type species of R. bitoensis isp. nov. occurs in river-mouth-bar sandstone beds of a lacustrine sequence of the Lower Cretaceous Jinju Formation in South Korea. Radialimbricatus is a horseshoe-shaped or elliptical, convex hyporelief structure characterized by imbrication of traces with radial ridges and a median furrow. These features differentiate Radialimbricatus from arthropod ichnofossils such as Rusophycus and Cruziana, possibly cnidarian ichnofossils such as Astropolichnus and vermiform organism ichnofossils such as Oldhamia. Cross-sectional features of R. bitoensis, including upward mud protrusions at lateral margins, demonstrate that R. bitoensis can be formed as an open epigenic furrow at the water/mud interface or an endogenic burrow along the sand/mud interface at the same time. Analysis of discrete and imbricating horseshoe-shaped traces indicates that the tracemaker maintained an obligate inclined posture even when forming trails. The radial ridges and pit along the median furrow are interpreted to reflect feeding behaviour, and the imbrication to result from unidirectional and more or less regular movements to next feeding sites. The tracemaker is thought to have been an organism with an elliptical body outline, radially arranged body parts at the base of or around the body (probably for collecting and transporting foods and moving to feeding sites) and a mouth near the centre of the body, which is consistent with body plan features of arthropods, cnidarians and annelids.

Dong-Chan Lee [dclee@chungbuk.ac.kr], Department of Earth Sciences Education, Chungbuk National University, Cheongju, 28644, South Korea.     

Chinese popular music as a musical heritage and cultural marker of the Malaysian Chinese

Chinese popular music, inspired by pre-war Shanghai music known as ‘shidai qu’ (时代曲) (songs of the era) and evolving to include Canto pop and Taiwanese Mandarin songs, has always been popular among the Chinese in Malaysia. This music is featured on radio, television, karaoke, and performed by orchestras such as the Dama Chinese Orchestra (大马) to enthusiastic reception. The songs have a broad appeal that transcends time, generation, and place. Of significance is the observation that the music has become a cultural marker and musical heritage for Chinese in Malaysia and in the region. The paper looks at factors behind this development.     

Eye in the sky: visual geographies and emotional topographies of First World War airmen

Although the First World War highlighted human vulnerability through the terrors of a mechanised warfare ravaging the male body in new ways, it also fostered moments of intimacy and tenderness that privileged commonality, mutuality, and generosity, and encouraged friendship and comradeship as cornerstones of martial masculinities. This article explores such intimacies through analysis of letters and diaries written by British Royal Flying Corps airmen during combat on the Western Front. Informed by history of emotions approaches, I discuss the ways the sensual geographies of aerial combat and their promise of mastery and expanded vision shaped the emotional topographies of airmen’s combat lives. Following Santanu Das’s scholarship on the claustrophobic haptic geographies of trench warfare, this article addresses the following question: If the claustrophobia of the trenches and the impoverishment of visual experience facilitated certain geographies of senses that shaped male intimacies, what might similar emotional terrains look like for airmen exposed to more expansive visual practices?