Walking a Fine Scientific Line: The Extraordinary Deeds of Dutch Neuroscientist C. U. Ariëns Kappers Before and During World War II

Dutch neuroscientist Cornelius Ubbo Ariëns Kappers is famous for pioneering neuroembryological work and for establishing the Amsterdam Central Institute for Brain Research. Less well known is his anthropological work, which ultimately played a role in saving Dutch Jews from deportation to their deaths during the Holocaust. Ariëns Kappers extensively campaigned against anti-Semitism and Nazi persecution during the 1930s. During World War II, he utilized his credentials to help create anthropological reports “proving” full-Jews were “actually” partial- or non-Jews to evade Nazi criteria, and at least 300 Jews were thus saved by Ariëns Kappers and colleagues. His earlier work demonstrating differences between Ashkenazic and Sephardic Jewish skull indices became the focus of an attempt to save hundreds of Dutch Portuguese Jews collectively from deportation. Ariëns Kappers and colleagues brilliantly understood how anthropology and neuroscience could be utilized to make a difference and to save lives during a tragic era.     

The politics of violence and trade: Denia and Pisa in the eleventh century

In the eleventh century, as ports and cities expanded their involvement in the Mediterranean, they came into contact and conflict with one another; both were integral parts of the Mediterranean renewal after the relative decline of the early Middle Ages. Of these cities, relations between Pisa and Denia were perhaps the most exemplary of the extremes possible within the new Mediterranean. On the surface, theirs would seem to be merely a series of clashes based on religious friction, jihād, or territorial ambitions, as shown by their conflict over Sardinia. However, when viewed together with diplomatic and commercial relations, it becomes apparent that violence was only a part of the Mediterranean dynamic, and that where conflict did exist it was along new lines. Economic ambitions were becoming the motivating factor, and trade routes and commerce were the new stakes in the medieval Mediterranean.     

Taiwan: Changes and Challenges

In January and March 2008, Taiwan's citizens voted primarily for domestic political reasons to oust the Democratic Progressive Party administration and promulgate the second peaceful transfer of power in Taiwan's relatively young democracy. Surveys suggest that the new administration of President Ma Ying-jeou in its first few months in office has failed to meet voter expectations. Taiwan's new international relations with the United States, Japan and China have also raised concerns both within Taiwan and overseas.

     

Reflections on Retelling a Renaissance Murder

This mischievously artful essay plays out on several levels; think of them as storeys of an imaginary castle much like the real, solid, central Italian one it explores and expounds. On its own ground floor, the essay recounts a gruesome murder, a noble husband's midnight revenge upon his wife and upon her bastard lover, his own half–brother, in her castle chamber, in bed. In sex. Of course. The murder itself is pure Renaissance, quintessential Boccaccio or Bandello, but the aftermath, in fort and village, is more singular, more ethnographically delightful, as castle and village trace a ceremonious passage from frozen limbo to fluid grief and storytelling, finally set in motion by the arrival of the dead wife's brother. Meanwhile, one flight up, the essay retells my own investigation of the real castle's geometry, as I clambered through rooms, peered out windows, prowled the roof, and scanned blueprints seeking the places of the plotters' plots. In an expository attic, I lodge reflections on my teaching stratagems, as I led a first–year seminar into detection's crafts and exposition's ploys. All the while, on its rooftop, this essay dances among fantastical chimneys and turrets of high theory and literary practice, musing on the patent irony of artful artifice, which evokes both the irony and the pathos of scholars' cool histories about hot deeds and feelings. Art suggests we authors had best hide ourselves, unlike normal essayists, so as not to spoil the show. But, I posit, our self–effacement is so conspicuous that it proclaims our presence, as in fact it should, and, by so doing, trumpets the necessary tensions of our artifice and craft. Thus artfulness itself nicely both proclaims and celebrates the bittersweet frustrations of historians' and readers' quest for knowledge and, especially, for experience of a lost past.