The (un)promised land: queer identity and South Africa’s post-apartheid urban landscape

Abstract

In this article, I explore the intersection of photography and contemporary urban topographies in the production of queer identity in post-apartheid South Africa. To do so I examine Thebeautifulonesarehere, a contemporary photo-collage portrait series by Kelebogile Ntladi, which attempts to queer representations of South African cityscapes to reveal the entrenched homophobia and the systematic rejection of queer subjects. Ntladi, inspired by their own experiences of counter-normativity and the omnipresent threat of violence they face as a result, took to the streets to walk through their home city of Johannesburg to photograph the urban and cultural landscape; these photographic prints were then used as the building blocks in the assembly and fabrication of imagined spaces in which they and their fellow queer citizens would be able to live without fear of violence, where they could move freely and without repercussion. Using the trope of the flâneur as a starting point, I draw on Walter Benjamin’s paradoxical experience of Paris: his writing of Paris as the ‘capital of the nineteenth century’ and ‘the promised land’ of the flâneur exists in stark juxtaposition with his own complex experience of anxiety, dislocation and impending doom while living in the city while in exile during World War II. Ntladi’s personal experience of post-1994 Johannesburg echoes the paradoxical experience.     

Prophetic Perfectionism: The Afterlives of Nat Turner and John Brown

ABSTRACT

Recent fiction, film, art, and scholarship on nineteenth-century American abolitionists Nat Turner and John Brown shed light on the politics of their prophetic religion. Both men led violent rebellions against slavery for which they were executed. Prophetic perfectionism drove Turner and Brown but tended to fade in works about them. Exceptions to this pattern of reception include Jacob Lawrence's John Brown series (1941), Nate Parker's film The Birth of a Nation (2016), and Ted Smith's book Weird John Brown: Divine Violence and the Limits of Ethics (2014). This essay situates Turner's and Brown's prophetic perfectionism and their reception in the context of contemporary political theologies and aesthetics of religion and race.     

‘The sword that was broken …’: The detection of recycled iron in the archaeological record

Although the recycling of materials such as copper and glass is widely known and generally well understood within archaeological contexts, far less is known about the recycling of iron. Iron recycling is more complex than that of other metals for two reasons. First, normal manufacturing processes, which include forging several components to make a composite object, offer the opportunity to include recycled iron. Second, the material itself is more complex than Cu alloys. The alloys of Fe, depending primarily on C content, are very different in terms of properties and can be interconverted by (normally) removing C such as decarburizing cast iron to make wrought iron. Thus, recycling practices are potentially intimately combined with such processes. These factors, combined with the poor preservation of archaeological iron and the consequent reluctance to carry out extensive studies (which often require destructive analysis via metallography), mean that there are no clear criteria for identifying recycled iron. However, limited historical documentation suggests, at least indirectly, that such recycling was common. This paper is neither comprehensive nor definitive, but merely intends to promote discussion and awareness of iron recycling by hypothesizing several possible mechanisms and providing a few illustrative archaeological examples.