Emplacement and the politics of heritage in low-income neighbourhoods of Marseille

Recent scholarship addressing efforts to celebrate heritage in low-income neighbourhoods and housing estates has stressed the importance of attending to the continuity of place-based social relationships as a key factor in residents’ understandings of heritage, and, drawing on Smith’s conception of an ‘authorised heritage discourse’, the ways these understandings differ from hegemonic and generalised expert discourse emphasising the deficiencies of the material environment. In this article, I examine a new object of state intervention in France, ‘the heritage of popular neighbourhoods’, and describe points of convergence and conflict between local heritage work in Marseille and the recent discursive framework established to employ heritage as a tool in reorganising French state policy towards urban peripheral neighbourhoods (the politique de la ville). Drawing on ethnographic research (2007–2014), this article identifies emplacement as a key feature in residents’ performances of neighbourhood heritage, a feature often absent or poorly elaborated in heritage work promoted by French urbanist policy in the past. I describe the ways emplacement has been expressed aesthetically in arts projects, trace the range of social networks and relationships enacted, and describe the political implications of these performances as a tool for promoting solidarity across time and space in Marseille.     

New insights about the construction and use of shell mounds from the geochemical analysis of mollusks: an example from the greater San Francisco Bay

A new method developed by Schweikhardt et al. (2011) for the geochemical analysis of bay mussels is applicable (when combined with radiocarbon assessments) for examining the seasonal construction patterns and growth cycles of coastal mound sites over time. Ideally suited for the analysis of mollusk fragments in museum collections, this method allows archaeologists to evaluate divergent models about the functions of mound sites, as well as the mobility practices and social organizations of the mound builders. In this case study, the method is employed to examine two adjacent mounds (Ellis Landing, Brooks Island) in the San Francisco Bay Area, California to assess whether their occupants may have participated in a broader multi-site community dating to the Late Period (1100–250 BP).     

Eight Byzantine Shipwrecks from the Theodosian Harbour Excavations at Yenikapı in Istanbul,Turkey: an introduction

Excavations at Yenikap? in Istanbul, Turkey, related to the Marmaray Project, have unearthed remains of Constantinople's Theodosian Harbour, including 37 Byzantine shipwrecks of 5th‐ to 11th‐century date. Eight of these shipwrecks, six round ships and two of the first long ships, or galleys, to be excavated from the Byzantine period, were studied by archaeologists from the Institute of Nautical Archaeology. These well‐preserved shipwrecks are an important new source of information on the maritime commerce of Constantinople and the gradual shift from shell‐based to skeleton‐based shipbuilding in the Mediterranean during the second half of the first millennium AD.     

Echoing the Environment in Kam Big Song

Kam big song is an important genre sung within Kam (in Chinese, Dong) minority communities in southeastern Guizhou, China. It has traditionally served as a medium for transmitting historical, philosophical and ecological knowledge. Since the 1978 reforms, this region of Guizhou has been increasingly drawn into the national labour economy and has experienced a surge in economic development. The ensuing youth migration to urban centres, growing school attendance rates, and a marked rise in television viewing have led to a decline in Kam singing amongst younger generations. Nevertheless, in recent years certain forms of big song have featured increasingly in staged Kam cultural performances intended for broader audiences. Kam big song was recognised as a form of National Intangible Cultural Heritage (ICH) in 2006, and was included on UNESCO's Representative List of the ICH of Humanity in 2009. This study draws upon various big songs that I learnt during almost twenty-four months of musical research in rural Kam regions from 2004 to 2011. It illustrates the cultural and ecological significance of this musical tradition, and the importance and complexities of its maintenance at a time of social transformation.