拉萨八廓历史文化街区旅游发展居民感知研究

历史街区是特定地域历史、社会、文化的核心载体,兼具遗产保护、旅游开发价值,在历史街区旅游发展过程中,如何平衡保护与开发是历史地段发展一直面临的挑战。拉萨市八廓街为\"中国历史文化名街\",代表着藏族历史文化街区的价值与特色,同时也是西藏集宗教、文化、旅游、商业为一体的重要旅游吸引物。本文以八廓街历史文化街区为例,通过实地观察及问卷调查等方式,探讨旅游开发影响与居民感知之间的关系。研究表明,旅游对于地方经济的积极效益已得到普遍肯定,但是旅游对历史街区的具体作用,尤其是对社会文化负面影响的表现是存在分异的,由此也形成了居民态度的差异。     

Diet in transitory society: isotopic analysis of medieval population of Central Europe (ninth–eleventh century AD,Czech Republic)

Dietary behavior in the context of the formation of state structure, Christianization, and significant urbanization was studied, using the Great Moravian Empire (ninth–tenth century AD, Czech Republic) as a representative example. We also analyzed the impact of the disruption of social structure at the beginning of the tenth century and subsequent recovery of society during the eleventh century. Carbon and nitrogen isotopic values were measured in 189 adults (both sexes) and 74 animals representing different socioeconomic contexts (power centers/hinterlands) and chronology (Great Moravian/Late Hillfort period). Statistically significant differences in animal protein consumption were observed between centers and hinterlands. For centers, significant relationship was found between nitrogen isotopic values and socioeconomic status in males but not for females. Diachronic diet changes were observed, with the eleventh century diet characterized by higher millet consumption in both sexes and lower consumption of animal protein in males. These results confirm that Great Moravia represented a highly stratified society socioeconomically. Social status appears to determine the consumption of animal protein much more in males than in females. The diet of females also proved to be more uniform in the diachronic frame. The diachronic change in dietary behavior suggests that through the apparent recovery in the eleventh century, Moravian society did not reach its original level of welfare at least in terms of the quality of diet.     

The Cold War's cultural ecosystem: angry young men in British and Soviet cinema, 1953–1968

Using examples from postwar British and Soviet cinema, this article interprets European Cold War culture within the framework of a shared cultural ecosystem. The case study of reformist movements in 1950s and 1960s British and Soviet cinema makes clear that analogous sociopolitical and economic developments across postwar Europe inspired film heroes, narratives, and aesthetics that transcended national and ideological borders. The concept of a continent-wide cultural ecosystem elucidates how and why specific cultural phenomena—such as the figure of the “angry young man”—reflect an existence of a dynamic trans-systemic Cold War culture.     

夜市，城市的一门“生意”

对于一个城市．旅游业应该讲求商机的“务实”,夜市其实是一门“生意”,而且．可以是门庞大的生意。台湾旅游观光协会曾做过一项调查:“旅客对台湾印象最深,最流连忘返的去处并非华丽的购物商场或是名山胜水,而是夜市。”的确．台湾从北部到南部,大大小小的夜市不计其数．其夜市文化自成一格．很具地方特色．既是小吃的集散地．也聚集着各种各样售卖流行服饰、手工艺品的摊贩。     

杨增新的上台与新疆回队

清末民初的新疆正值多事之秋,伊犁武装起义的成功震撼全省。新疆巡抚袁大化因省军军力不敷使用,饬令杨增新招练回军马队五营。杨增新却借机网罗了一批回族豪杰之士,将回军马队打造成近似于私家军队,并在回队和穆斯林政治集团的鼎力支持下,使用灵活的政治手腕,最终夺取新疆都督的宝座,由此拉开了杨增新时代的序幕。     

La Quintrala's Confessions: The Contesting of Female Agency and Indigeneity in Two Popular Chilean Visual Narratives

Doña Catalina de los Ríos y Lisperguer, known as ‘La Quintrala,’ a seventeenth-century aristocratic woman of mixed ancestry accused of torture, witchcraft, and murder, has persisted as a recurring figure in the Chilean imaginary. While literary representations of this figure have been well explored, this article contributes an examination of two visual narratives, paying particular attention to the manner in which genre and context influence the repurposing of this violent woman: the 1986 teleserie La Quintrala, produced by Chile's state-owned television station (TVN), and the Chilean newspaper Las últimas noticias's 2008 comic ‘La Quintrala y el Cristo de Mayo.’ The teleserie, a product of the Pinochet era, positions her as an antithesis to the ideal Chilean woman, simultaneously denying her agency and condemning her. The comic echoes the rhetoric of the Concertación governments as it prominently links La Quintrala's downfall and redemption to the genesis of modern Chile at the cost of her distinctive racial and gendered characteristics. Ultimately, each work employs the structure of confession to recall her crimes while rejecting the female agency and racially mixed heritage La Quintrala represents.