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51.
One Gravettian feminine representation – the schematic Venus of P?edmostí – is so different from all the others that it has always been regarded as unique. The engraving, which was closely examined for the purpose of comparison in this study, represents a woman composed of geometric shapes, including a triangular head with interior lattice-work, concentric ellipses for the breasts, belly and pelvis, a double ladder for the remaining arm, hatch marks, and a thigh made up of parallel vertical lines. This article presents the discovery and discusses the authenticity of a second, feminine anthropomorph engraved on a bone shaft fragment, which is labelled as coming from the same site and is highly similar to the one described at the end of the nineteenth century. The modern history of P?edmostí reveals that the site was used as a quarry for the extraction of loess and limestone, and that tons of mammoth bones were extracted to produce spodium. Remarkable objects that were found both during early archaeological excavations and the site’s commercial exploitation went towards private collections. The history of the piece under study traces it back through a succession of owners to the collection of René de Poilloüe de Saint-Périer (b.1877–d.1950) and Raymonde-Suzanne de Saint-Périer (b.1890–d.1978). The engraving is on the periosteal surface of a limb bone from a very large mammal, probably a proboscidian. Microscopic analysis of the bone surface and engravings identify the chronology of the grooves and their relations to the stages of the bone’s alteration and fracturing, starting with: 1) heavy weathering of the bone surface that produced longitudinal cracks, which probably led to its breakage, 2) engraving of the feminine representation, 3) intense mechanical and chemical attacks that smoothed all of the bone’s surfaces and wore down the engravings, 4) covering with a consolidation agent, and, most recently, 5) some abrasion, which resulted in the creation of a few straight lines. Since no evidence is found to suggest that the highly worn appearance of the engravings composing the feminine representation resulted from modifications that were meant to artificially age the periosteal surface of the bone, we conclude that the engraving can be plausibly attributed to the Gravettian and that further analyses are warranted.  相似文献   
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Animal dung is evaluated here as a tool to reconstruct recent societal and environmental changes. Studies completed on the macro- and micro-contents from dung deposited in a mountain cave in Catalonia during the 1970–1980s, preceding the socio-economic changes in the area, was supplemented by the testimony of the last shepherd alive in the area. This information was also compared with evidence from aerial photographs of the area surrounding the cave taken in 1956 and 2009. Although taphonomic distortion of the dung shape precluded its assignment to its producers based on morphology, information from the organic remains reflects the agro-pastoral activities in the mountainous area of the Catalan coast. A lack of calcium phosphate and abundant phytolith and epidermal remains from wild species indicates that the dung was excreted by ovicaprines, who sheltered in the cave during spells of adverse weather. These indicators also signify that the animals fed only on natural vegetation. Insect remains in the dung include fragments of chafers, dung and ground beetles, bees and ants, and whilst the latter may have foraged in the cave, the others may have been accidentally ingested by herbivores. The nannofossils and diatoms found in the dung derive from tertiary crops 4 km away from the cave but within the range of the ovicaprine herd. The lack of cereal and vegetable remains in the dung is consistent with the ethnographic record that shepherds and farmers could not afford to supplement the herds’ diet with fodder crops or grain, a consequence of the low productivity of the local subsistence agriculture. This study further discusses the socio-economic impacts of the introduction of intensive farming, industrialisation and tourism in Catalonia during the latter part of the last century and how they are represented in the dung.  相似文献   
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This comparative study on the urban re-imagineering performed through large-scale urban refurbishment focuses on the specific post-socialist and post-conflict contexts of former Yugoslavia. Through the analysis of legislative and planning documents, expert interviews, reports, and media coverage, this study shows how initiatives for the implementation of grandiloquent urban megaprojects (UMP) in the capital cities of Serbia and Macedonia became extreme examples of national image reconstruction, carried out through autocratic state-led interventions that disregarded public input. The two main insights that the study provides classify these cases as rather particular in the European framework. First, the national governments have played a decisive role in conceiving entrepreneurial strategies for national rebranding through urban re-imagineering of its capital cities. Second, this politically orchestrated processes advanced through non-transparent decision-making, in spite of the rising opposition by the civic alliances. In conclusion, autocratic implementation of UMPs in the urban contexts of the Yugoslavian successor states played out much more forcefully, overriding the imperative to satisfy genuine public interest.  相似文献   
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In 1969, a few short months after the Warsaw Pact invasion of Czechoslovakia, Sergei I. Prasolov, advisor to the Soviet Ambassador in Prague, informed František Šorm, President of the Czechoslovak Academy of Sciences, at a formal meeting that he welcomed Šorm's suggestion to intensify scientific exchange between Czechoslovakia and the Soviet Union. Šorm politely declined this offer. Behind the veneer of diplomatic courtesy on the part of both actors, a real drama was taking place. Šorm and the Czechoslovak Academy of Sciences had actually never formulated such a request. To the contrary, since the late 1950s the academy had repeatedly pointed out that the Soviets were incapable of coordinating scientific activities in the Eastern Bloc. The Soviet system of academic cooperation within the Eastern Bloc had already begun to collapse after the Geneva Summit of 1955, where the Soviets opened the door to international collaboration across the Iron Curtain. Yet it was only in the late 1960s that the Soviets realized that while they dominated large-scale international collaboration, they had lost control of internal developments within the Eastern Bloc.  相似文献   
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A representative group of seal dies made of copper alloys from the collection of the National Museum of Slovenia was investigated by energy-dispersive X-ray fluorescence spectrometry (EDXRF). Chronologically, the artefacts date from the early 13th century to the present. Non-destructive EDXRF screening of elemental fingerprints of Cu, Zn, Pb, Ag, Sn and Sb was performed on 95 seal dies, and the obtained elemental data set was further processed by chemometric tools such as principal component analysis (PCA). The relationships between the elemental composition of analysed seal dies, type of alloy applied and their historical context—date, location of manufacture and, possibly, social rank of the owner—were examined in detail.  相似文献   
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Distance is an important and basic concept in geography. Many theories, methods, and applications involve distance explicitly or implicitly. While measuring the distance between two locations is a straightforward task, many geographical processes involve areal units, where the distance measurement can be complicated. This research investigates distance measurement between a location (point) and an area (polygon). We find that traditional polygon-to-point distance measurements, which involve abstracting a polygon into a central or representative point, could be problematic and may lead to biased estimates in regression analysis. To solve this issue, we propose a new polygon-to-point distance metric along with two algorithms to compute the new distance metric. Simulation analysis shows the effectiveness of the new distance metric in providing unbiased estimates in linear regression.  相似文献   
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李牧 《民俗研究》2022,(1):21-32
表演理论是20世纪美国民俗学对于学界的重要贡献,其核心是"表演"和"语境"。在表演理论提出以后,民俗学经历了从关注文本向强调语境的转向,使得以差异性为基础的本真性再次成为学术研究的中心议题。然而,在随后以"语境"为中心的研究实践中,研究者们逐渐开始质疑本真性问题存在的逻辑合理性以及在实际民俗活动中的可操作性,研究重点也由此从辨析民俗事象的真伪,转变为讨论本真性背后的权力关系和文化政治。正是基于对"本真性"的祛魅,在当代非物质文化遗产保护的具体实践中,学术话语所追求的本真性与实际操作中的共享原则之间的矛盾,便因此而消解,这为当代公共民俗学实践提供了去语境化和再语境化的理论支撑和实操可能。在此,以行动认同为旨归的"表演"(形式)在"语境"(意义)的"式微"中重新凸显,实现了民俗传统的实践回归。  相似文献   
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Academic research on contemporary Dutch nationalism has mainly focused on its overt, xenophobic and chauvinist manifestations, which have become normalised since the early 2000s. As a result, less radical, more nuanced versions of Dutch nationalism have been overlooked. This article attempts to fill this gap by drawing attention to a peculiar self‐image among Dutch progressive intellectuals we call anti‐nationalist nationalism. Whereas this self‐image has had a long history as banal nationalism, it has come to be employed more explicitly for political positioning in an intensified nationalist climate. By dissecting it into its three constitutive dimensions – constructivism, lightness and essentialism – we show how this image of Dutchness is evoked precisely through the simultaneous rejection of ‘bad’ and enactment of ‘good’ nationalism. More generally, this article provides a nuanced understanding of contemporary Dutch nationalism. It also challenges prevalent assumptions in nationalism studies by showing that post‐modern anti‐nationalism does not exclude but rather constitutes essentialist nationalism.  相似文献   
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