La resignificación de los márgenes del teatro independiente: Oratorio,del Teatro Estudio Lebrijano

Abstract

Oratorio, by Alfonso Jiménez Romero and Teatro Estudio Lebrijano, is arguably among the most representative plays of 1970s Spain’s independent theater. This play experienced many changes and adjustments before it was staged in the Festival Mondial de Théâtre de Nancy in 1971. These changes were tested in performances in Andalusia before audiences with little exposure to theater but sympathizing with the play. By studying a production that developed for three years, this article challenges the claims that support a history of theater as a catalogue of finished products. This article aims at considering the creative process that emerges from the direct contact with audiences in performing spaces. Independent theater archives have limitations, but they are made up with oral histories from troupe members. This article studies both the incorporation of theatrical devices associated with ritual participation of the audience and the use of flamenco reassessed as protest music. The latter included in the play as an artistic device since the tour in Andalusia. This play made explicit references to the Spanish Civil War, which prompted physical reactions from the audience in towns where the repression was fierce.     

El exilio interior y sus máscaras: Voaxa e Carmín de Esther F. Carrodeguas

Abstract

In Santiago de Compostela, La Alameda is a place frequented by students and tourists. The passerby discerns within the crowd a statue of two small women, arm in arm, dressed in bright colors and wearing extravagant make up. “As dúas Marías,” Maruxa and Coralia Fandiño, were two sisters who were brought up in a family of anarchist leaders of the CNT. With the arrival of the civil war and the dictatorship, the illusion created by the government of the Republic and the drafting of the Statute of Autonomy was soon transformed into silence and reprisals. The Fandiño men managed to flee, but the women remained in the house and were victims of torture and rape. Their only defensive mechanism was the solidarity between them and the embracing of madness. Thus it became a daily event in Santiago: at two o’clock in the afternoon, Maruxa and Coralia went out for a walk, dressed in bright colors and flamboyantly make up to compliment the students. Voaxa e Carmín by Esther F. Carrodeguas recreates one of those walks. This article will focus on how the inner exile of the protagonists is revealed, that is, their loneliness, their fear, their isolation, through the strategies of the theater of the absurd, and the metatheater. These resources include the use of the mask, the exchange of roles and the repetitive language.     

Change within the change: pregnancy,liminality and adventure tourism in Mexico

Abstract

Despite the growing number of pregnant women engaging in outdoor adventure activities, very few studies have explored pregnancy or the specific needs and challenges of pregnant women in tourism research. To fill this gap in the literature, we examine the participation of pregnant women in adventure tourism through the theoretical lens of liminality. Conceptualising pregnancy as a liminal stage in which women are ‘suspended’ between two statuses, opens diverse possibilities to delve into women’s experiences of embodiment, bodily image and control. In this sense, pregnancy is understood as an ‘internal change’, which adds specific challenges to women’s practice of adventure tourism, including bodily changes and different perceptions of risk-taking. Similarly, the context of adventure tourism provides an ideal space to reflect on liminal transitions and the ‘outside changes’ that pregnant women go through in the predominantly masculinised spaces that characterise this tourism segment. Semi-structured interviews were conducted with 35 Mexican women who actively pursue adventure tourism and who had engaged in these activities during at least one pregnancy. The analysis indicates the importance of norms and social expectations experienced by pregnant women when doing adventure tourism. The concept of the ‘rhizomatic body’ proved to be a valuable tool when looking at the social taboos, prohibitions and rules that apply to pregnant women in specific sociocultural contexts (in this case, Mexico). By reframing and reconceptualising pregnant women and their practice of adventure activities, the social construction of pregnancy is elucidated. Finally, the study contributes to the understanding of alternative models and experiences of being a woman in gendered spaces, while shedding light on relevant behavioural patterns among pregnant tourists and the sociocultural impacts of these patterns.     

The British Isles and Great Moravia in the early middle ages

The work of the Irish or Iro-Scottish missioneries on the continent of Europe in the sixth to eighth centuries is well known. An attempt is made here to show how the characteristic design of early Celtic churches found its way partly via Bavaria, where for example the Irishman Virgil became bishop of Salzburg in the mid-eight century, into Moravia, along with other Iro-Scottish cultural influences, a century or so before the well-known Christianizing mission launched into that area from Byzantium by the two brothers SS Cyril and Methodius, in 863.     

Vicarious passions: the private life of Hollywood stars in 1950s Portuguese magazines

ABSTRACT

Life in Hollywood in the 1950s seemed completely at odds with the moral foundations of authoritarian Portugal. By looking at the coverage of the lives of Hollywood stars in Portuguese magazines, however, it is possible to imagine how a conservative society could be exposed to changing values. Readers became acquainted with the period’s most famous cases of divorce. Divorce was at first seen as unacceptable, but the continuous news on the lives of famous people produced a strange impact on the Portuguese public sphere: the end of marriage became familiar and even acceptable in some circumstances. The article disentangles this paradox, by treating magazines as a mediated social actor. The foreign origin of the news may have led readers to assume that divorce was a distant phenomenon. Simultaneously, the social circulation of magazines permeated the everyday with subversive ideas. Magazines thus constitute a decisive source for exploring how North American cultural forms work through the fabric of foreign societies. Imagining the impact of Hollywood in Portugal through the mediation of magazines allows us to identify forms of social change evolving in an apparently uneventful decade, and to grasp the contribution of feelings and attitudes in historical transformation.     

Advances in Morphometrics in Archaeobotany

ABSTRACT

Morphometric analysis offers an alternative or augmentation to traditional archaeobotanical methods to address differences within and between plant species and their remains, refining and enhancing taxonomic resolution. Morphometrics, the measurement of size and shape, and the multivariate statistical analysis of generated quantitative variables, have long played a major role in biological research, including plant taxonomy and systematics, although its application in archaeobotany is relatively recent. Over the last few decades, there has been an increasing interest in the use of morphometrics for analysing a varied range of archaeological plant materials (mainly seeds, pollen, phytoliths, and starch grains). In particular, morphometrics have contributed to the study of the domestication and spread of many cereals world-wide, as well as that of other taxa including legumes, underground storage organs (USO), and fruits (such as olives, grapes, and dates). This paper reviews current methodologies, recent applications, and advances in the use of morphometrics in archaeobotanical research, discusses its role in exploring major research questions, and suggests possible future directions for its use.     

The Living and The Dead,Memory and Transition: Bayesian Modelling of Mesolithic and Neolithic Deposits from Vlasac,the Danube Gorges

The paper applies Bayesian statistical modelling to radiocarbon dates obtained for a stratigraphic sequence comprising occupation features and superimposed burials from the Late Mesolithic (c.7400–6200 cal BC) to the Mesolithic–Neolithic transition (c.6200–5900 cal BC), from Vlasac in the Danube Gorges region of the north‐central Balkans. This sequence, investigated in the course of excavations at the site in 2006–9, yielded stratigraphic evidence of the transformation of local forager populations as a result of contact with Neolithic communities. Our paper provides a reliable chronological framework for changes from Late Mesolithic burial rites to new, Neolithic types of ornamental beads at the top of the sequence. The use of the same burial location and continuities in burial rites over a considerable period of time raise significant questions about the role of tradition and the potential for enduring practices in prehistoric societies.     

Inhabiting a risky earth: The Eyjafjallajökull eruption in 2010 and its impacts (Respond to this article at http://www.therai.org.uk/at/debate)

The eruption of Eyjafjallajökull in Iceland in 2010 caused havoc to global air traffic. This article examines that event by looking at theories of risk and culture. We demonstrate the fragility of today's mobilities, which depend on unpredictable nature as well as complex technological systems. A new type of risk was revealed by the eruption, which has since become a feature of cultural risk portfolios in contemporary society.     

Trampling experiments at Cova Gran de Santa Linya,Pre-Pyrenees,Spain: their relevance for archaeological fabrics of the Upper–Middle Paleolithic assemblages

The study of fabrics, that is, the analysis of the orientation and slope of archaeological and sedimentary materials associated with the Middle Palaeolithic/Upper Palaeolithic (MP/UP) transition at Cova Gran shows substantial differences. Archaeological assemblages are characterised by greater isotropy in the fabrics than the sedimentary levels within which they are located, indicating that these differences may be generated by anthropic processes. One of the anthropogenic processes associated with horizontal and vertical displacement of archaeological artefacts is trampling and circulation caused by later occupations. In order to evaluate the effect of movement on materials, we undertook experiments simulating geological and archaeological conditions at Cova Gran. The results show that human trampling does not cause major isotropy in fabrics, but arranges archaeological assemblages towards planar or linear materials according to surface geometry. We were not able to replicate the fabric pattern of materials from the archaeological levels of Cova Gran, suggesting that they must be associated with the activities of human occupation at each level.