Feasting and Building an Urban Society at Cerro Jazmín,Oaxaca, Mexico

Here we present new excavation data from the urban site of Cerro Jazmín, Oaxaca, Mexico. Based on a comparative analysis of ceramic, faunal, botanical, and architectural evidence collected from a prominent city sector and a contemporary residence, we argue that feasting took place in the Sunken Patio Sector in the Late and Terminal Formative periods. Feasting strategies in an earlier occupation of the city sector employed a largely exclusionary strategy, giving way to a more corporate strategy in a later occupation. We take the findings from the Sunken Patio feasting complex as evidence of the formalization of Cerro Jazmin’s urban, regional role as a site of civic-ceremonial activity. Participation in this meaningful act of food consumption may have served to cement communal ties in a nascent urban society.     

‘Gates’: a new archaeological site type in Saudi Arabia

The availability of high‐resolution satellite imagery of Saudi Arabia on publicly available platforms such as Google Earth and Bing Maps has been transformational for archaeology. Within just a few years tens of thousands of sites previously unrecorded and scarcely known to the academic world have been mapped. Especially rich in sites are the successive lava fields (harret) stretching from southern Syria through Jordan and down the west coast of the Arabian Peninsula to Yemen, and characterised by the stone‐built structures known to the Bedouin as the ‘works of the old men’. Sites now being revealed include many types familiar from previous research in the wider region but also others of a form previously unknown. ‘Gates’ are one such type, found in large numbers in and around the Harret Khaybar in west‐central Saudi Arabia. They are stone‐built, the walls roughly made and low as with other ‘works’, but quite unlike them in form. Identification, mapping, and preliminary interpretation imply an early date in the sequence of the works—perhaps the very earliest—but no obvious explanation of their purpose can be discerned. Fieldwork is a desideratum.     

Trapped in clichés: masculinity,films and tourism in Iceland

When the Icelandic television series ‘Trapped’ was aired it instantly garnered worldwide attention. The main character, a rugged Icelandic man, is presented as being one with the harsh cold landscape. This article demonstrates how visual materials, like ‘Trapped,’ have become extremely important in the presentation of Iceland to the outside world, as well as working to present Iceland as a tourism destination. Furthermore, we evidence how ‘Trapped’ identifies with the Nordic noir genre. Our analysis shows that the series ‘Trapped’ and recent Icelandic films rest on the strong and entrenched association of Icelandicness with maleness, while also reflecting on existing stereotypes about Iceland and the Icelandic people as being exotic, both of which have become reanimated through the tourism industry. Thus, visual material such as ‘Trapped’ constitutes a part of, and becomes in and of itself symbolic of recurrent masculinity in Iceland. Our analysis emphasizes the importance of framing the ‘official’ production of locations as tourism destinations by both state and commercial industries in relation to other cultural productions that often also engage with mobile historical stereotyping and commercial attempts at nation branding.     

The evolution of anthropomorphism in the neolithic engraved plaques of Southwestern Iberian Peninsula: a systematic approach from phylogenetics

Engraved slate plaques are a common part of the grave goods found in the Late Neolithic-Copper Age I megaliths of the southwest of the Iberian Peninsula (~3500–2700 cal BC). These objects have received a great deal of attention, since they are the first symbolic figurines to have become widespread in the Iberian Peninsula (almost 4000 plaques are estimated to be known today). Most previous studies, even from different and opposing archaeological perspectives, have highlighted the anthropomorphic nature of these plaques. The hypotheses regarding the evolution of their anthropomorphism and possible function have been diverse, yet there is a noteworthy absence of taxonomical studies in which the diversity and stylistic sequence of these symbolic objects have been systematically approached. This paper puts forward several models for the evolution of the anthropomorphism of the engraved plaques, based on cladistics and occurrence seriation. The results are then analyzed in conjunction with the currently available chronological and stratigraphic information. The paper concludes with a proposal of the most probable typology and its sequence, leading to a better understanding of the diversity and evolution of the plaques. Beyond this particular phenomenon, this paper provides insights into the study of the evolution of the symbolic representation of the human figure, through the development of an innovative methodological protocol.     

La exportación de la Ilustración Peruana. De Alejandro Malaspina a José Ignacio de Lecuanda (1794–1799)

Este artículo analiza la desconocida divulgación de la ilustración peruana en Madrid a partir del discurso que sobre la ‘idea del Perú’ impulsó la Sociedad de Amantes del País en el Mercurio Peruano a fines del siglo XVIII. Este proyecto utilitario de los mercuristas se hizo manifiesto durante tres momentos: primero, en la confección del informe político sobre el Perú que redactó el marino ilustrado Alejandro Malaspina en 1795; segundo, en la divulgación que impulso el ilustrado vasco José Ignacio de Lecuanda en las páginas del periódico titulado Viajero Universal en 1798; tercero, en el diseño que patrocinó el propio Lecuanda en el Cuadro de historia civil, natural y geográfica del Perú pintado por Luis Thiebaut (1799). El estudio discute las razones por las cuales Malaspina y Lecuanda creyeron que la exportación de este proyecto ilustrado iba a convertir al Perú en un reino utilitario para la Monarquía hispánica.     

Memory of the Body,Temptation of Space

In this essay I examine the possibilities of approaching the phenomenon of memory from the point of view of space. Drawing on Edward Casey’s Getting Back into Place and on Maurice Merleau-Ponty’s analyses of the spatialized lived body, I attempt to show in what way memory can be said to belong to places. My inquiry ends with a discussion of Paul Ricoeur’s proposals on the narrative dimension of human space, which, I argue, allows us to consider why a building or a city may be said to produce a sensed duration by and through inscribing it in the durability of their materials and, at the same time, in human histories.     

Application of Non-Destructive Techniques in the Inspection of Wooden Structures of Protected Buildings: The Case of Nuestra Señora de los Dolores Church (Isla Cristina,Huelva)

This study describes a thorough inspection of a 20th century church in the town of Isla Cristina (in the province of Huelva, southwestern Spain), which is currently awaiting restoration. The study indicates the damage processes at work in the building structure materials (brick, concrete, steel, and wood), which are closely related to its geographical location, and analyses the deterioration of the wooden roof structure. The analysis of the wooden roof includes the results of an inspection methodology on a protected building based on traditional techniques such as visual inspection and innovative non-destructive inspection techniques (visual classification, ultrasounds and thermography). Fieldwork consisted of the visual classification of the wooden pieces according to Spanish standard UNE 56544:2007 specifications after which ultrasound and thermography techniques were applied on-site. A second stage involved laboratory tests (anatomic identification, density and bending strength) using wood samples extracted from the structure in order to check the values for the physical and mechanical properties previously recorded by non-destructive techniques (NDT). These non-destructive techniques are used in inspections of the wooden roofs of buildings to identify dampness, deterioration, density loss and defects as a means of assessing their conservation status. This work concludes that the use of ultrasound and thermography techniques constitute an accurate diagnostic tool for the on-site inspection of wooden structures and the evaluation of their condition. Thermography identifies different materials and moisture content while ultrasound detects the various degrees of deterioration and density-loss in areas of the wood with high moisture content.