WHY DO WE CARE ABOUT POST‐HUMANISM? A CRITICAL NOTE

What is disclosed in the questioning of the human being in post‐humanism? Addressing this question in congruence with Heidegger's questioning of being in Being and Time, we end up with two discoveries: first, that the characteristic of Dasein, as the being of the questioning, already carries the same implications as the post‐human figure, and second, that questioning in this sense is indicative of the effort of realizing anew scientific space for conceptualizing the human being as non‐substantialist. Conceived of in this way, however, post‐humanism is a result of a very human effort indeed.     

‘1968’ IN NORWAY: PIECEMEAL,PEACEFUL AND POSTMODERN

The first part of this essay presents an outline of ‘1968’ in Norway focusing on national particularities, especially the lack of violence. Three elements are highlighted: the political left turn with the opposition to the Vietnam War and the strong Marxist‐Leninist faction as main aspects; the student revolt; and the multifarious countercultural movement. The theme of the second part is the state of Norwegian 1968 historiography. Here a distinction is drawn between actors‐cum‐historians and historians proper, or rather between writers with a desire to commemorate – predominantly but not exclusively former communists – and writers whose interest in the events is more professionally historiographic.     

GEZA‘

Abstract

Through a material and exegetical analysis of the texts in question (Isa 11, 1; 40, 24; Job 14, 8) the thesis demonstrates that from a horticulotural point of view, gz‘ displays the characteristics of a cutting (contextually perhaps a root sucker): gz‘ is a shoot taken from a tree (though its being cut off is not explicitly stated), planted in the soil where it takes root, it grows up, and in the religious imagery it is watered by the gardener who decides its fate.     

What is the VAT? The policies and practices of value added tax on ebooks in Europe

This article addresses reduction of or exemption from value added tax (VAT) as a cultural- and media policy instrument and analyses the VAT policies on ebooks within the European Economic Area. Examining an area of media and policy studies that is largely overlooked, the article is partly an empirical analysis of VAT policies and partly a discussion paper raising issues applicable to other media sectors and of political and societal relevance. Section 1 of the article conceptualises VAT reduction/exemption as a media and cultural policy tool within national and supranational policy frameworks. Section 2 gives a comprehensive overview of the application of VAT on print books and ebooks in Europe and discusses some consequences of the concrete taxation practices. Section 3 reports and discusses initiatives to alter the European VAT policies on digital media and cultural products and services.