Exploring the Archaeology of the Modern City: Issues of Scale,Integration and Complexity

Historical archaeologists have advocated the need to explore the archaeology of the modern city using several different scales or frames of reference—the household and the district being the most common. In this paper, we discuss the value of comparisons at larger scales, for example between cities or countries, as a basis for understanding archaeology of the modern western city. We argue that patterns of similarity and dissimilarity detected at these larger scales can (and should) become part of our interpretive and explanatory armoury, when it comes to understanding patterns and processes at smaller scales. However, we also believe that these larger scale enquiries do not by any means exhaust (or diminish the importance of) the site- or household-specific questions that continue to demand adequate answers. By reporting some of the thinking behind the work that has been done in Melbourne, Sydney and shortly to begin in London, we seek to more clearly establish the value of this broader comparative agenda in urban historical archaeology.     

The international transfer of creative industries as a policy idea

This article examines the transfer of creative industries as a policy idea to Lithuania. Tracing the stages of the transfer and analysing its consequences in the local cultural policy field, this paper argues for the importance of studying cultural policy process. The findings reveal that the process of the international transfer of creative industries mattered, because it generated wider transformations in cultural policy field by having ambiguous effects on local power relations. The policy idea of creative industries opened the cultural policy field to new actors. As a result, competition for scarce state funding increased, but cultural organisations gained access to the European Union structural funds. In all, creative industries as a policy idea significantly transformed Lithuanian state cultural policy, in that it led to a reassessment of both the practices and identities of cultural organisations.     

Chemical composition and colouring agents of Roman mosaic and millefiori glass, studied by electron microprobe analysis and Raman microspectroscopy

About 100 fragments of Roman mosaic and millefiori glass were stylistically attributed to a Hellenistic type, a Ptolemaic and Romano-Egyptian period type and an early imperial period type. Twelve representative fragments were studied by electron microprobe analysis and Raman microspectroscopy. Eleven of them display a Na-pronounced recipe with low K, Mg and P contents, typical for the Roman period. Minor differences in composition are unsystematic, not reflecting the stylistic classification. Ionic colouring agents are Mn³⁺ for violet, Cu²⁺ for light blue, Co²⁺ for deep blue and Fe³⁺ for brown translucent colours. Calcium antimonates, lead antimonate and cuprite are the colourants responsible for white, yellow and red colours, respectively, and additionally serve as opacifiers. Mixing of ionic colouring agents and opacifying colourants led to a more differentiated palette of colours. Pb was used as yellow colouring agent, as a flux material and as a stabiliser for the colourant crystals. The remaining fragment consisting of a K-pronounced but still Na-bearing glass matrix was most likely produced during the Middle Ages or later.     

Territorial cohesion storylines in 2014–2020 Cohesion Policy

The purpose of this paper is to elaborate the concept of territorial cohesion in the context of 2014–2020 Cohesion Policy. The main goal is to investigate how European Union (EU) Member States (MSs) are coping with territoriality in their policies and to assess whether they are only fulfilling the minimum standards of a place-based approach or whether they are moving towards a new paradigm of policy-making characterized by a more territorially sensitive approach. This paper analyses Partnership Agreements which were signed between the European Commission and EU MSs and identifies the perception of territorial cohesion in the Cohesion Policy in the programming period 2014–2020. The analysis shows that different MSs choose different ways of addressing territoriality of their policies. It is thus possible to categorize countries into several groups sharing similar features and to discuss underlying ideas and approaches, which could shed some light on the still rather fuzzy concept of territorial cohesion.     

Wine and Speed: The Post-Soviet Holidays in the Republic of Moldova (2001–2009)

In the context of the forceful dispute over national identity in Moldova, the Communist government of 2001–2009 aimed to articulate a project of “Moldovan identity” which was raised to the level of a state ideology. In the spirit of Soviet propaganda, this project was implemented through public holidays and celebrations. The following analysis examines two case studies—the Wine Festival and the Independence Cup—by discerning the performative practices designed as part of the nation-building project in Moldova between 2005 and 2009. Organized at the official level, but with the strong assistance of mass media, these public events were intended to win the support and attention of Moldovan society by employing rituals and performances similar to those of the Soviet period. The paper addresses the characteristics and mechanisms of these performative practices, and considers why this nation-building project did not achieve its goals, but instead caused tension and disputes. One of the main aims is to understand how the Communist government sought to redefine “the Moldovan nation”.