Post‐totalitarian national identity: public memory in Germany and Russia

Through a comparative analysis of Germany and Russia, this paper explores how participation in the memorialization process affects and reflects national identity formation in post‐totalitarian societies. These post‐totalitarian societies face the common problem of re‐presenting their national character as civic and democratic, in great part because their national identities were closely bound to oppressive regimes. Through a comparison of three memorial sites—Sachsenhausen concentration camp memorial in Germany, and Lubianka Square and the Park of Arts in Russia—we argue that even where dramatic reductions in state power and the opening of civil society have occurred, a simple elite–public dichotomy cannot adequately capture the nature of participation in the process of memory re‐formation. Rather, mutual interactions among multiple publics and elites, differing in kind and intensity across contexts, combine to form a complex pastiche of public memory that both interprets a nation's past and suggests desirable models for its future. The domination of a ‘Western’ style of memorialization in former East Germany illustrates how even relatively open debates can lead to the exclusion of certain representations of the nation. Nonetheless, Germany has had comparatively vigorous public debates about memorializing its totalitarian periods. In contrast, Russian elite groups have typically circumvented or manipulated participation in the memorialization process, reflecting both a reluctance to deal with Russia's totalitarian past and a emerging national identity less civic and democratic than in Germany.     

A Roman Skeleton with Possible Treponematosis in the North‐East of the Iberian Peninsula: A Morphological and Radiological Study

The main goal of this paper is to describe and discuss pathological lesions observed in a Roman skeleton (between 2^nd and 3^rd century AD) from the north‐east region of the Iberian Peninsula (St Nicasi 18–24 site. Gavà, Barcelona), which may be compatible with treponematosis. Most of the skeleton, with the exception of the neurocranium, was recovered. Only the left tibia was affected, whereas the rest of the recovered skeletal remains were unaffected. Macroscopic examination revealed a male individual between 25 and 30 years of age at death with a sabre‐shaped left tibia. The proximal half of the diaphysis was pitted and the bone overall enlarged. The surface of the tibia showed occasional vascular impressions where, in some instances, small raised plaques of new bone appeared to bridge over them, specifically in the most affected area of the proximal half of the tibia. No destructive lesions were observed. Radiographic examination and gross inspection at the cross section of the tibia showed encroachment into the medullary cavity of coarse cancellous bone and cancellization of the cortex. The observed lesions indicate that the tibia was affected by a chronic infectious disease. Differential diagnoses were considered, and these included other infectious diseases, fibrous dysplasia, Paget's disease, chronic varicose ulcers affecting bone and trauma, with the conclusion that the disease affecting the tibia could have been treponematosis. This could be significant in the history of the treponematoses being one of the oldest examples of treponematosis in pre‐Columbian Europe. Copyright © 2011 John Wiley & Sons, Ltd.     

Marshall islands navigational charts

Abstract

The discovery of an unpublished document is here used to propose a new interpretation of the production in Venice of world maps for Ottoman clients. It is suggested that three Ottoman princes had been interested in acquiring maps in Venice in the early 1550s as part of their struggle for succession to Sultan Süleyman the Magnificent, and that these maps were different from the famous Hajji Ahmed map, prepared by Giacomo Gastaldi. It is also suggested that the persons involved in creating these maps did not (as previously asserted) include the Venetian publisher Giustinian, whose later attempt to publish Gastaldi's map was blocked for political, and not only religious, considerations.     

Looking at Domestic Textiles: An Eye-Tracking Experiment Analysing Influences on Viewing Behaviour at Owlpen Manor

Decorative textiles were once ubiquitous and important, occupying a significant social and cultural space in the early modern interior, yet their impact upon how individuals engaged with domestic spaces is largely unknown. One way of approaching their impact is through an exploration of how present-day individuals engage visually with them in relation to other objects as they walk around an historic space. This article reports on one such investigation, an eye-tracking study which explored responses to the narrative hangings in Queen Margaret’s Chamber at Owlpen Manor in Gloucestershire. Using eye-tracking equipment, we compared the viewing behaviour of two groups of participants, to whom we gave key information before they entered the room. We found that both the expertise of the viewers and the information provided influenced their viewing behaviour. Our findings highlight the importance of individual understanding and information provided to viewers when engaging with historic spaces, and can inform museum and heritage practice as well as enhancing our comprehension of how viewers engage with such textiles in historic spaces.     

Euhemerus and the Chronicle of John Malalas

In spite of Warren Treadgold's recent contention to the contrary, no new insights on the Sacred History of Euhemerus of Messene are to be gleaned from John Malalas and the account of the gods found in his chronicle. They cannot be directly connected to Euhemerus, or even to a complete version of Diodorus Siculus’ lost sixth book, which related a version of the Sacred History. We would, nevertheless, like to know the source for what Malalas says about the gods. Previous efforts to identify the author of the euhemeristic narrative in the chronicle of Malalas prove unavailing and misleading. Taking into account the parallel version of this narrative found in the Excerpta Latina Barbari, it would seem that the most likely author is Bouttios, one of the authorities cited for a few other items by Malalas. Treadgold has included this Bouttios in the list of authors he considers to be nothing more than inventions of Malalas. But, unlike the others on Treadgold's list, the existence of Bouttios can be independently corroborated. We are, moreover, in a position to offer some speculations about Bouttios and his work.     

Culture and Truth: Nietzsche and Classical Philology

Several recent studies have returned to the famous controversy over the reception of Nietzsche’s Birth of Tragedy from the Spirit of Music (1872). By reinterpreting it within the immediate context of Germany in the early 1870s, James Whitman understands this controversy as a Methodenstreit within Classical Philology and James I. Porter claims that, through this controversy, Nietzsche developed an extensive critique of modern culture. I contend that Nietzsche’s reaction to the scholarly rejection of his first publication resulted in no immediate response on his behalf; rather, it led to three years of intense rethinking and strengthening of the position he took in The Birth of Tragedy. This is evidenced in his early published essays and notebooks of 1872–1875. From the first readers of these early notebooks, Karl Schlechta and Anni Anders, to its most recent interpreters, Richard T. Grey and Alexander Nehamas, these scholars are unanimous in understanding them as Nietzsche’s attempt to work through a number of conventional philosophical problems. I argue that Nietzsche developed in these essays and notebooks a type of criticism that broke away from all traditional philosophical problems and creatively introduced such notions as cultural horizon, background phenomena, and life as a philosophical measure — all of which would be further refined in his mature texts of the 1880s and underpin his innovative concepts of the will to power and eternal recurrence.