Corporatism as Ethnic Compromise: Labour Relations in Post-Apartheid South Africa

Abstract. Conventional wisdom associates corporatism with undemocratic elite collusion, or worse, with the fascist order of Mussolini, Franco or Perq?n. However, another form of corporatism involves institutionalised bargaining between representatives of organised interest groups. This democratic corporatism engages in trade-offs between labour unions, business and state bureaucrats. Where these groups largely coincide with different ethnic constituencies, as in South Africa, the outcome of their bargaining also amounts to an ethnic compromise. This analysis explores the scope, potential and limitations of corporatist labour relations in the new South Africa. Embraced by the African National Congress (ANC) government, legalised codetermination none the less encounters strong reservation from both socialist union leaders as well as the white business establishment. Alienated workers feel shortchanged by elite deals which are also resented by fragmented business sectors. How far state representatives can mediate between different ethno-racial/class interests and realise the promise of less adversarial relations for mutually beneficial growth and stability is being probed with an analysis of the National Economic Development and Labour Council (Nedlac). Liberal South African analysts fear a one-party dominant state, because of likely future ANC hegemony and ethnic voting habits. This legitimate anxiety, however, needs to be balanced by the important checks placed on the ANC by corporatism. Even a poorly implemented corporatism of consensus seeking, it is argued, proves better than an ethno-racial adversarialism of an alternative to the non-racial ANC.     

An iconographic exploration of the “rattlesnake” gorgets of eastern Tennessee

ABSTRACT

Compared to other gorget styles and themes made during the Mississippian period, the so-called rattlesnake gorgets of eastern Tennessee have been found in fairly large numbers. Stylistically, Muller assigned these gorgets to the temporally related Lick Creek and Citico styles, while Crawford’s recent work has argued for substyles within. While their style has been studied extensively, the idea that these gorgets depict rattlesnakes generally has been accepted without further consideration. In this paper, we present the results of a systematic iconographic study of rattlesnake gorgets. Ultimately, we conclude that the image’s original referent is not just a snake but instead is intended to be a model of the cosmos at night.     

Performing a different narrative: museum theater and the memory-work of producing and managing slavery heritage at southern plantation museums

In the southeastern United States, operators of plantation museums have traditionally engaged in a selective and romanticised remembrance of the antebellum past that has regrettably silenced and marginalised the historical experiences and struggles of enslaved African people. More recently, some plantation managers have sought to engage in the ‘memory-work’ using artistic practices to reconstruct and interpret slavery heritage for visitors. Our study explores museum theatre as a form of memory-work and suggests that theatrical performances of the memories of enslavement are an increasingly important but not yet fully understood strategy for recovering, embodying, and representing a different and hopefully more just narrative about enslaved Africans. We visit three plantation museums where managers hosted a theatrical performance of enslaved oral histories and explore the motivations and experiences of managers and the director of the slave performance. Realising the power and efficacy of theatrical performance as memory-work practice requires understanding how the management of the interpretation process can be difficult. We delve into the emotion-laden challenges confronting slavery-related museum theatre development at the North Carolina plantations and discuss the creative response formulated at the sites to help visitors work through unexpected feelings and understandings about the past.