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141.
This paper seeks to explain the underlying causes of a mutiny that the Canadian artist A.Y. Jackson took part in while stationed in the English village of Shoreham-by-Sea and serving with the 23rd Reserve Battalion. The battalion was filled with convalescents who, having been wounded at the front, were on their way back to France after a stay in ‘blighty.’ The men of the battalion lived in a world of harsh discipline, rigorous physical training and poor-quality rations. Moreover, those who commanded them tended to be ‘shirkers’ –– at least in the eyes of the men of the battalion –– who had avoided going to France, choosing instead to remain in England. A sense of the unfairness of it all pervades the reminiscences of Jackson and other members of the battalion. Officially, the ‘mutiny’ never took place, and the whole incident was swept under the rug after a few high ranking Generals and dignitaries were called in to tour the mess facilities.  相似文献   
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This paper analyzes the proposed plant closing legislation, together with other complementary approaches to the orderly regulation of private capital disinvestment, especially as it occurs in the form of large-scale plant or store shutdowns. The authors also provide a review of the recent data on the incidence and employment impact of shutdowns during the 1970's, in particular industries, by region and by form of ownership.  相似文献   
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In an earlier paper I established that Latin American executives both civilian and military, manipulate aggregate public expenditures so as to maximize their chances of retaining office. This paper carries the analysis further by elaborating five probable strategies, each consequent to the socio-political conditions executives face, and links strategies to tradeoffs in various programs' shares of the budget at crucial periods. The results suggest that in fact executives do respond to their survival problems by manipulating expenditure shares.  相似文献   
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ABSTRACT. This paper presents an initial version of a new theory of central places for retailing activities. Confined to a linear market and using the Contextual Theory of Demand to model consumer behavior, the model extends the economic theory of central places (Eaton and Lipsey, 1982). In its present form, the model specifies four parameters that control the spatial relationship between the locations of households and the equilibrium locations of central places: expenditure shares in consumption, transportation cost functions, storage costs by commodity, and capital costs of retailers. The locational equilibria of the model are optima when all costs are considered.  相似文献   
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ABSTRACT

In conversation with the biographer and author Barry Miles, the artist and poet Liliane Lijn talks about her early influences as a young American artist living and working in Paris, Athens and New York and the development of her practice between 1959 and 1970. She recalls her encounters with prominent surrealists, poets and artists of the Beat generation: André Breton, William Burroughs, Gregory Corso, and her enduring friendship with Greek sculptor Takis. Inspired by the experimental nature of their works, Lijn explains how her own work focused on research and invention. She describes her Poem Machines as ‘seeing sound’ and explains her growing interest in science and, in particular, light. Lijn details the long and complex gestation of Liquid Reflections, her most well-known cosmic work of the late 1960s, and how working with industry and technology allowed her to increase both the scale and complexity of her oeuvre.  相似文献   
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