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131.
IT IS BECOMING increasingly apparent that conventional classification schemes for medieval timber and earthwork fortifications in Ireland are compromised by two factors. First they depend upon ethnic categorization, an approach derived from assuming the innovatory ethos of the Anglo-Norman conquest which commenced in 1169. Second, until very recently, the role of the ringwork as a congener to the motte-and-bailey has been ignored. The evidence from western Ireland discussed in this paper points to a pre-Norman development of feudalism and its symbol, the private castle; ultimately, the conceptual and geographical contexts of these innovations are contemporary events elsewhere in the British Isles and northern France. The discussion further points to the probability that shortly after c. 1200, the ringwork—present from or even before 1169—replaced the motte-and-bailey as the customary Anglo-Norman garrisoned fortress in Ireland, thereby providing an explanation for the curious easterly bias in the distribution of the latter. 相似文献
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Barry Cooper 《History of European Ideas》2013,39(5):836-837
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Barry Sheils 《Irish Studies Review》2012,20(3):299-321
In this article I connect Revivalist politics in nineteenth-century Ireland to Enlightenment epistemology by exploring how the ideal of the Irish – or Celtic – folk tradition is embroiled in the problematic of theoretical modernity. I dispute Seamus Deane's ideological characterisation of the Irish tradition, emerging from his encounters with the work of Edmund Burke and Matthew Arnold, and propose an alternative characterisation using Johann Gottfried Herder's theories of the Volk and the origin of language. I show how, at a crucial point in European history, the folk tradition modelled a view of cognition and modernity, which stood apart from analytic rationalism and based itself upon a positive evaluation of the obscurity of sensation. Finally, I read this literary-aesthetic model of what Herder called ‘dark’ cognition into Yeats's early folkloric works of the 1890s, especially The Celtic Twilight; and I make the argument that this often-neglected text does not represent a degeneration of folkloric integrity into Celtic mysticism but a comedic trait of folk modernity. 相似文献
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Keith R. Bradley A.J.R. Russell-Wood L.J. Reeve H.M. Scott Orest Ranum Barry M. Gouoh 《国际历史评论》2013,35(3):563-654
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